Search Results for: den

DVC-301 IMAGINED WORLDS: UTOPIAS & DYSTOPIAS

Imagined World: Utopia and Dystopia in Visual,Culture is an upper level Visual Culture seminar., It uses an interdisciplinary approach that,requires students to apply methodologies learned,in Visual Culture, Critical Thought, and Literary,and Film Studies, as well as a number of studio,based disciplines, to analyze the,utopian/dystopian genre. The class will examine,Western utopian and dystopian philosophies and,how they … Continue reading “DVC-301 IMAGINED WORLDS: UTOPIAS & DYSTOPIAS”

PCS-175 BLACKSMITHING

This class is an introduction to traditional,blacksmithing techniques. Students explore the,hand forging of ferrous and non-ferrous metals,into a variety of decorative and utilitarian,objects with an emphasis on traditional joinery,techniques. Topics include terms and vocabulary,,hand proficiencies related to blacksmithing,technology, tool making, and a survey of this,versatile process with a focus on its historical,relevance. Beginning level students … Continue reading “PCS-175 BLACKSMITHING”

CLA-606 CLIMATE ACTION STUDIO II

This is the second of a series of studio courses,that allow students on the MA and MFA Design for,Climate Action programs to develop their skills,and knowledge in live design briefs with industry,and community partners. By their nature, these,courses include socio-economic and political,considerations. The studio courses are designed to,challenge students with projects of increasing,complexity and progressively … Continue reading “CLA-606 CLIMATE ACTION STUDIO II”

DMA-237 CONCEPT ID

Problem solving within story and executing a,design solution is the focus of this class. The,industrial design process is very important to the,creation of imagery and assets needed for the,entertainment industry. Students will learn the,skills needed to design any area of story with an,emphasis on the industrial design approach. Credits: 3 Prerequisites: DMA 105, DMA 106

DVC-306 INTRODUCTION TO FILM

This course is designed to give students an,introduction to film as an art worthy of critical,attention. Students develop the ability to think,,discuss and write about film in an academic,context. Credits: 3 Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture).

CLA-607 CLIMATE ACTION STUDIO III

This is the third and final of a series of studio,courses that allow students on the MFA Design for,Climate Action program to develop their skills and,knowledge in live design briefs with industry and,community partners. By their nature, these courses,include socio-economic and political,considerations. The studio courses are designed to,challenge students with projects of increasing,complexity and progressively … Continue reading “CLA-607 CLIMATE ACTION STUDIO III”

DVC-401 FILM NOIR AND BEYOND

Film Noir, with roots in German Expressionism and,American hard-boiled fiction, is an enduring,cinematic phenomenon. Beginning in the 1940’s,,Hollywood-produced stories of ill-fated,protagonists seduced by femmes fatales, dirty,deals, and double-crossing partners, struck a,nerve with American audiences (and soon after,World War II with French critics who named and,defined the “Noir” style). These dark tales,reflected a 20th century malaise … Continue reading “DVC-401 FILM NOIR AND BEYOND”

DMA-245 GAME: CONCEPT AND TECHNOLOGY

This introductory course will guide students,through explorations with game technologies. 2D,,3D, web, interaction, installation, mobile and VR,applications can be explored. This course,encourages experimentation within the medium.,Concept, story, design and originality are,emphasized. A broad overview of Video Game history,is examined looking at the many varied voices that,not only design and produce contemporary games,,but have done so … Continue reading “DMA-245 GAME: CONCEPT AND TECHNOLOGY”

DVC-402 FILM STUDIES: SCIENCE FICTION

In this course students will explore the ways in,which science fiction films have represented,contemporary culture trends such as fear of the,other and cold-war paranoia in Invasion of the,Body Snatchers, the terror of the body in Aliens,and the transhumanism in District 9. Course,readings will examine the development of the,science fiction film as a distinct genre from … Continue reading “DVC-402 FILM STUDIES: SCIENCE FICTION”