This course will introduce the technical skills,required for apparel construction. Students will,learn essential techniques such as pattern,drafting, draping, and sewing. The course will,also include lectures and readings that highlight,designers and artists that approach garment making,with a distinctive artistic vision. Credits: 1 Prerequisites:
Students undertake hands-on exploration of,nontraditional ways of creating animations. They,experiment with materials such as charcoal,on paper, chalk on blackboard, painting on and,scratching off film, cut outs, sand animation,,painting on glass and painting with clay, or may,choose their own materials. American and,international experimental animation are used as,an inspiration and challenge for students in the,development of their … Continue reading “DMA-230 EXPERIMENTAL ANIMATION”
This course will introduce the technical skills,required for apparel construction. Students will,learn essential techniques such as pattern,drafting, draping, and sewing. The course will,also include lectures and readings that highlight,designers and artists that approach garment making,with a distinctive artistic vision. Credits: 1 Prerequisites:
In this advanced class, students will use floor,and dobby looms to further explore more complex,weave structures while expanding the knowledge and,proficiency within the craft of woven textiles.,Special focus is placed on documentation and,presentation of inspiration, creative process. and,finished works are complementary to the,professional practice of this studio course. Credits: 3 Prerequisites: DFD 210
This class offers the student the opportunity to,observe and draw the figure from life, both human,(examining a multitude of varied form) and animal.,We will be drawing in class as well as on,location. The focus will be on quick sketches,,observing a wide range of diverse figure in motion,through gestural poses in class and observing,animals and people … Continue reading “DMA-232 DRAWING TECH FOR VISUAL MEDIA”
Students create a series of works that are,developed around a central theme pertinent to,their personal interests. An advanced level of,printing techniques with dye will be explored,while expanding the knowledge and proficiency,within the craft of printed textiles. Research of,varied sources, written artist statement, and,documentation of the creative process and finished,works are complementary to the professional,practice of … Continue reading “DFD-320 ADVANCED SCREEN PRINTING ON FABRIC,,SCREEN PRINTING ON FABRIC”
This course focuses on the development of,environments and characters as they relate to game,design and animation. Treatments and synopsis,describe the theme (Race, Gender, and Global,Cultures are among the themes that may be,examined) based character backstory, rationale,,and visual design. Students develop environments,that consider and are integrated with character,design. Students exit the course with a finished,and highly … Continue reading “DMA-233 ENVIRONMENTS AND CHARACTERS”
This course examines the role of the visual in,theory and practice. The approach taken is both,structural and historical, presenting various,critical frameworks and then using them to,analyze specific examples of visual culture and ,their time periods including, but not limited to,,examples of cultural appropriation and the impact,of cultural diversity. The course considers the ,visual through multiple … Continue reading “DVC-200 CONCEPTS AND METHODS OF VISUAL CULTURE”
This course explores garment construction,,metaphor, and personal adornment. Students will,develop skills in basic pattern drafting and,machine sewing techniques. There will be slide,presentations, visiting artists, and weekly,readings about various designers and artists who,approach clothing with an artistic vision. This,course is an excellent follow-up to Stitched,Assemblage. Credits: 3 Prerequisites:
This course builds upon the Introduction to 3D,course, with more advanced projects in 3D,modeling, texturing, and setup. Students explore,the use of various techniques for using modeling,tools and workflows, explore hard and organic,surfaces, and plan for proper rigging. By the,completion of this course, students will have a,thorough understanding of how to prepare their,models for animation. Credits: … Continue reading “DMA-234 MODELING & TEXTURING”