DFD-241 RESIST DYEING

The intensive workshop-style format of this class,gives students a sampling of various resist-dyeing,techniques. Shibori (Japanese bound resist), Batik,(Indonesian wax resist), and starch based resist,techniques will be explored. Techniques include,immersion dyeing, painting with dyes, and,extracting color from cloth with bleach solutions.,Assignments stress creative uses of traditional,resist dyeing techniques while exploring a diverse,range of personal narratives. Slide … Continue reading “DFD-241 RESIST DYEING”

DFD-246 HUE DYE FIBER

An in-depth, systematic exploration of the many,facets of color as it relates to dye chemistry. ,Students explore metric system dyeing of animal,,vegetable, and synthetic fibers utilizing,natural/vegetable dyes, fiber reactive, acid and,disperse dyes. A detailed and comprehensive dye,sample notebook and final project with emphasis,on color will be the result of this course. Credits: 3 Prerequisites:

DMA-217 INTRODUCTION TO 3D COMPUTER GRAPHICS

This class introduces students to the basic,concepts and possibilities of computer animation,available through Maya. Students develop a basic,understanding of Maya as a program, along with,such general animation concepts as modeling,,texturing, rendering, fundamental motion and,’point of view’ (camera positioning). The goal,of this course is to build familiarity with the,tools, terminology and ideas involved in modeling,and moving … Continue reading “DMA-217 INTRODUCTION TO 3D COMPUTER GRAPHICS”

CFD-101 FASHION APPAREL: PATTERN MAKING

This course will introduce the technical skills,required for apparel construction. Students will,learn essential techniques such as pattern,drafting, draping, and sewing. The course will,also include lectures and readings that highlight,designers and artists that approach garment making,with a distinctive artistic vision. Credits: 1 Prerequisites:

DMA-228 STOP MOTION I

This class focuses on object, clay and puppet,animation. Topics covered include staging,,choreography, direction, acting, stage design and,cinematic language. Students explore the,characteristics of physical space and how movement,can be used to suggest weight and gravity.,Students also investigate light and shadow in,scenes and learn how to create convincing stop,motion characters, analyzing personality and,attributes from diverse backgrounds, through,design, … Continue reading “DMA-228 STOP MOTION I”

PCS-162 GLASSBLOWING

In this course, students work on a one-to-one,basis with the instructor, as well as participate,in teamwork with other students. This class takes,an extensive look at the techniques used in,historical glasswork as well as in contemporary,studio work. Credits: 3 Prerequisites: