The seminar will proceed through close reading of,key texts of philosophy in relation to competing,readings of literary works – for example,,Beckett’s Endgame as interpreted by Cavell and,Adorno. The course will also pay attention to,the role of film in the development of,avant-garde and feminist critical theory -,Debord’s The Society of the Spectacle and,Akerman’s Jeanne Dielman.(There will … Continue reading “DLE-210 INTRODUCTION TO CRITICAL THEORY”
The Special Project class is offered on an,occasional basis, with course content specific to,the area being explored. Credits: 3 Prerequisites:
Homer’s Odyssey, Sci-Fi, and Afro-Futurism is a,class in Critical Theory, Visual Culture/Film,Studies that explores the impact of The Odyssey,in Sci-Fi, Critical Theory, and Post-Colonial,discourse in experimental film, poetry, and the,novel. The class explores why The Odyssey has,become the source text for the Sci-Fi genre in,which seas are replaced by space, in which the,journey home is … Continue reading “DLE-305 HOMER’S ODYSSEY, SCI-FI AND,AFRO-FUTURISM”
Socrates famously said to his student, Meno: “I,don’t know that I can teach you, and I don’t even,know that you can learn! The best I can be is a,midwife to ideas.” At first, Socrates is talking,about Virtue, but also, Justice, Beauty, Art.,Joseph Beuys declared that “To be a teacher is my,greatest work of art.” If … Continue reading “DLE-307 ART AND PEDAGOGY FROM SOCRATES TO,JOSEPH BEUYS”
Biopolitics is one of the most significant,developments in Critical Theory. Using the topics,of waste and violence, this class offers an,introduction to the main concepts, strategies,,and pre-occupations of Biopolitical thinking and,its relevance to understanding the contemporary,world and violence of globalization. A,significant aspect of the course is the use and,role of film as critical theory. Credits: 3 … Continue reading “DLE-311 BIOPOLITICS: WASTE & VIOLENCE”
Drawing inspiration from consciousness-centered,education models, this innovative course offers,students an opportunity to dive within themselves,,discovering and exploring their own boundless,creative potential. Consider this course an,experimental incubator for the creation of ideas,,images, and artistic motivation. Emphasis is,placed on reflection with the student’s,journaling, discussing and meditating together. ,This unique course offers students new methods of,inquiry, encouraging students … Continue reading “DLE-322 CONSCIOUSNESS, CREATIVITY AND IDENTITY”
Will explore the various links between the visual,and literary arts through readings of plays,,poems, stories, novels, letters, manifestos,,etc. that have been written by and/or about,artists and designers. Credits: 3 Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture).
This seminar explores the following: (i) art,becomes modern when art is rejected; (ii) there is,no modern art without poetry, philosophy, ethics,or the political; (iii) art becomes modern when,the poet Charles Baudelaire realizes the city as,an active subject in art; (iv) the city and,anti-art produce an avant-garde which claims to,refuse art. Broadly speaking, the course is … Continue reading “DLE-400 WHAT MAKES MODERN ART MODERN”
Madness has been of interest to philosophers,,psychologists, social scientists – as well as to,artists. The history of art, culture and,literature is filled with “mad or romantic,geniuses.” This course proposes a comparative,examination of the transition of “marginalized”,forms of representation from “insanity” into the,field of aesthetic and cultural practice by a,consideration of the art and drawing of … Continue reading “DLE-401 ART & MADNESS IN MODERN CULTURE”
This interdisciplinary course is an examination,of the cultural systems, history, and art of,human beings who espouse the world’s great,religions: Hinduism, Islam, Judaism, and,Christianity. The broad course objective is to,introduce students to the differing ways that,humans organize and express their culture and,beliefs, their relationship to nature and the,cosmos, and to each other, through the making and,use … Continue reading “DLE-402 COMPARATIVE RELIGION: AN INTRODUCTION”