Search Results for: dvc

This course examines the role of the visual in,theory and practice. The approach taken is both,structural and historical, presenting various,critical frameworks and then using them to,analyze specific examples of visual culture and ,their time periods including, but not limited to,,examples of cultural appropriation and the impact,of cultural diversity. The course considers the ,visual through multiple … Continue reading “DVC-200 CONCEPTS AND METHODS OF VISUAL CULTURE”

Imagined World: Utopia and Dystopia in Visual,Culture is an upper level Visual Culture seminar., It uses an interdisciplinary approach that,requires students to apply methodologies learned,in Visual Culture, Critical Thought, and Literary,and Film Studies, as well as a number of studio,based disciplines, to analyze the,utopian/dystopian genre. The class will examine,Western utopian and dystopian philosophies and,how they … Continue reading “DVC-301 IMAGINED WORLDS: UTOPIAS & DYSTOPIAS”

This course is designed to give students an,introduction to film as an art worthy of critical,attention. Students develop the ability to think,,discuss and write about film in an academic,context. Credits: 3 Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture).

Film Noir, with roots in German Expressionism and,American hard-boiled fiction, is an enduring,cinematic phenomenon. Beginning in the 1940’s,,Hollywood-produced stories of ill-fated,protagonists seduced by femmes fatales, dirty,deals, and double-crossing partners, struck a,nerve with American audiences (and soon after,World War II with French critics who named and,defined the “Noir” style). These dark tales,reflected a 20th century malaise … Continue reading “DVC-401 FILM NOIR AND BEYOND”

In this course students will explore the ways in,which science fiction films have represented,contemporary culture trends such as fear of the,other and cold-war paranoia in Invasion of the,Body Snatchers, the terror of the body in Aliens,and the transhumanism in District 9. Course,readings will examine the development of the,science fiction film as a distinct genre from … Continue reading “DVC-402 FILM STUDIES: SCIENCE FICTION”

Beginning with the idea that “all representation,is transformation,” students in this course will,examine the ways in which documentary films both,(re)present the sociohistorical world-the,”real”– and shape our perceptions of that,reality. Films drawn from a wide range of eras,,cultures, and perspectives will provide the,opportunity to explore concepts such as,authenticity, identity, evidence, authority, and,argument while course readings will … Continue reading “DVC-406 DOC FILM: (RE)PRESENTING THE REAL”

Film is an inherently exploratory medium. From,the earliest “movies” of the 1890s to present-day,digital technology, its evolution as an art form,has paralleled developments in its means of,production. However, outside the control of the,major studios, an alternative cinema, called,”avant-garde” or “experimental,” has appropriated,the most economical means to create a visionary,,challenging, often disruptive body of work. And,alternate … Continue reading “DVC-407 EXPERIMENTAL FILM”

The socio-political aftermath of World War II in,Japan, China and Korea led to an explosion of film,culture in those countries, one inspired by the,commercial and art cinemas of the West, but one,that has rivaled them in terms of innovation. ,While addressing the histories and present-day,climates of their mother countries, East Asian,films since 1945 have developed … Continue reading “DVC-408 EAST ASIAN FILM”