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DVC-200 CONCEPTS AND METHODS OF VISUAL CULTURE

This course examines the role of the visual in,theory and practice. The approach taken is both,structural and historical, presenting various,critical frameworks and then using them to,analyze specific examples of visual culture and ,their time periods including, but not limited to,,examples of cultural appropriation and the impact,of cultural diversity. The course considers the ,visual through multiple … Continue reading “DVC-200 CONCEPTS AND METHODS OF VISUAL CULTURE”

DFD-323 EXPERIMENTAL FASHION

This course explores garment construction,,metaphor, and personal adornment. Students will,develop skills in basic pattern drafting and,machine sewing techniques. There will be slide,presentations, visiting artists, and weekly,readings about various designers and artists who,approach clothing with an artistic vision. This,course is an excellent follow-up to Stitched,Assemblage. Credits: 3 Prerequisites:

DMA-234 MODELING & TEXTURING

This course builds upon the Introduction to 3D,course, with more advanced projects in 3D,modeling, texturing, and setup. Students explore,the use of various techniques for using modeling,tools and workflows, explore hard and organic,surfaces, and plan for proper rigging. By the,completion of this course, students will have a,thorough understanding of how to prepare their,models for animation. Credits: … Continue reading “DMA-234 MODELING & TEXTURING”

CLA-606 CLIMATE ACTION STUDIO II

This is the second of a series of studio courses,that allow students on the MA and MFA Design for,Climate Action programs to develop their skills,and knowledge in live design briefs with industry,and community partners. By their nature, these,courses include socio-economic and political,considerations. The studio courses are designed to,challenge students with projects of increasing,complexity and progressively … Continue reading “CLA-606 CLIMATE ACTION STUDIO II”

DFD-490 INDEPENDENT STUDY

Independent Study is available to students who are,at Junior or Senior level standing with a,cumulative grade point average of 3.00 or above.,The student may receive approval to work in an,area or on a project that is not otherwise offered,or addressed in the regular curriculum. An,Independent Study should include opportunities for,individual student voice and provide a … Continue reading “DFD-490 INDEPENDENT STUDY”

DVC-402 FILM STUDIES: SCIENCE FICTION

In this course students will explore the ways in,which science fiction films have represented,contemporary culture trends such as fear of the,other and cold-war paranoia in Invasion of the,Body Snatchers, the terror of the body in Aliens,and the transhumanism in District 9. Course,readings will examine the development of the,science fiction film as a distinct genre from … Continue reading “DVC-402 FILM STUDIES: SCIENCE FICTION”

DVC-406 DOC FILM: (RE)PRESENTING THE REAL

Beginning with the idea that “all representation,is transformation,” students in this course will,examine the ways in which documentary films both,(re)present the sociohistorical world-the,”real”– and shape our perceptions of that,reality. Films drawn from a wide range of eras,,cultures, and perspectives will provide the,opportunity to explore concepts such as,authenticity, identity, evidence, authority, and,argument while course readings will … Continue reading “DVC-406 DOC FILM: (RE)PRESENTING THE REAL”

PCS-200 WESTERN ART HISTORY/VISUAL CULTURE

This course is a survey of Western Art and,visual culture from the late Middle Ages to the,twentieth-century. Other than to present an,outline history of Western art, this course seeks,to introduce students cumulatively to the,critical concepts and vocabulary in the study of,art history, visual culture, art appreciation and,historiography of art, that is, the study of the,writing … Continue reading “PCS-200 WESTERN ART HISTORY/VISUAL CULTURE”