Beginning and advanced artists will from learn,the basics of preparing images in photoshop® to,be printed on DASS transfer photo film. Students,will then learn how to transfer their images onto,non-traditional substrates such as glass, metal,,or fabric; exploring different possibilities of,hand printing an image. Credits: 0 Prerequisites:
STUDENTS WILL TAKE PICTURES WITH THEIR DIGITAL,CAMERAS OR PHONES AND LEARN HOW TO ENHABCE THEIR,PHOTOGRAPHS IN THE DIGITAL DARKROOM WITH,PHOTOSHOP. Credits: 0 Prerequisites:
This required course, is the second in a sequence,of junior year courses, that develops an,understanding of theories, processes, and methods,associate with Communication Design practices. ,Through assigned projects, students develop the,ability to research content that translates into,concept, for an intended audience(s). Design,writing, research, presentation, and critical,thinking is included in this studio course, which,centers inquiry around concepts … Continue reading “DGD-312 INTERMEDIATE COMMUNICATION DESIGN II”
This course is designed to support the Senior,Concept Studio 2 project. Students continue their,journey in advanced 2D and 3D techniques that,apply to their Senior Thesis. Finished,exploration in 3D articulation and methods along,with expanding painting, compositing and other 2D,techniques is the primary focus. While expanding,their technique and concepts, students will turn,focus on completing combined work to … Continue reading “DMA-458 VIS COMM 8”
This course focuses on the fundamentals of visual,storytelling by engaging students in a series of,individual and collaborative exercises designed to,develop an understanding of the camera, lenses,,and lights, non-linear editing techniques, and a,basic understanding of sound in relation to image.,Students make three short films exploring fiction,,non-fiction and experimental forms. Selected film,and video works are analyzed throughout … Continue reading “FLM-106 INTRO TO FILMMAKING”
Learn to apply art and design principles to,photography, use your imagination and learn how,to use the technical capabilities of the camera,to compose well-structured and satisfying images.,Relative newcomers find that they quickly gain,confidence and start to use photography,creatively. More experienced photographers are,offered a structure which helps them to,re-examine their approach to photography and to,develop their expressive … Continue reading “AVIS-295 FINE ART PHOTOGRAPHY PRINCIPLES”
This required course, the first in a series of two,courses, examines concepts of contemporary design,practice within the area of Communication Design. ,In this course students will develop an,understanding of various forms of practice, from,independent contract to junior/senior positions to,studio ownership. Through on-site/virtual studio,visits that includes BIPOC business leaders,,students will learn first hand professional,expectations. Students develop … Continue reading “DGD-317 PROFESSIONAL STUDIO PRACTICE I”
Participation in an internship experience allows,students to use classroom-learned skills in a,related employment experience. Students must work,a minimum of 135 hours over the course of the,entire semester. To participate students must be,of junior or senior status with completion of,freshman and sophomore studios. Students must,have a minimum cumulative GPA of 2.8. Seniors may,not be eligible to … Continue reading “DMA-475 ENTERTAINMENT ARTS INTERNSHIP”
This course emphasizes the use of light and sound,in film-style video production. Students master,the tools involved in location sound recording,and studio lighting. The thematic thrust of this,course involves the examination, discussion and,cinematic uses of light and sound as they relate,to visual storytelling. Credits: 3 Prerequisites: FLM 106
This third motion design course is an elective,,and expands on the concepts and methods presented,in designing dynamic digital communications that,rely on the use of typography, image, video,,message, and sound that were introduced in Motion,I and II. Students will integrate 3D/4D concepts,to a system of dynamic design solutions that,consider more complex applications of digital and,analog tools, … Continue reading “DGD-324 MOTION 3D”