This course continues the student’s development,in personal fine art photography through,lectures, field trips and critiques. An emphasis,is placed on the development of a personal,artistic language through the introduction to,photo sculpture, performance, installation, etc.,Students are encouraged to explore nontraditional,approaches to photography outside the two,dimensional format.
Credits: 3
Prerequisites: DPH 210, DPH 251
Using the computer as a tool, students develop an,understanding of digital photographic imaging,capabilities and related outsourcing options.
Credits: 3
Prerequisites:
This course emphasizes creative image making,using Photoshop, and other image-making software.,Image output and an introduction to interactive,environments including websites and CD-ROM are,covered.
Credits: 3
Prerequisites: DPH 209
This course explores more advanced applications of,Photoshop, as well as more creative options for,output of digital images.,The expressive possibilities of digital,photo-manipulation are emphasized, and technical,problem solving regarding scanning and output are,addressed.
Credits: 3
Prerequisites: DPH 151, DPH 155
In this course, students must demonstrate,proficiency in their specific area of photography,by producing a cohesive portfolio. Each student,works under the guidance of his or her chosen,faculty mentor. A comprehensive description of,the intended work schedule must be submitted by,the student and approved by the mentor and the,department chair. It is the student’s,responsibility to adhere to the agreed upon work,schedule and meet with his/her mentor on a,regular basis and to attend all group meetings,and seminars.
Credits: 3
Prerequisites: DPH 313, DPH 351, DPH 353
Through assignments, readings, discussions and,critiques, the student is encouraged to explore,and experiment with image making strategies that,derive from a personal perspective. Readings,introduce the student to issues and ideas,surrounding the practice and critical,understanding of fine art photography.
Credits: 3
Prerequisites: DPH 155
This course is a continuation of DPH 411,,Photography Thesis Project I. Students must,demonstrate proficiency in a specific area of,photography by producing a cohesive body of work.,It is the student’s responsibility to strictly,adhere to the agreed upon work schedule and meet,with his or her advisor on a regular basis and,attend all group meetings and seminars which the,advisor or department chair schedules.
Credits: 3
Prerequisites: DPH 411
This course addresses the fundamentals of,photography using controlled lighting both within,a studio context and on location. Students are,introduced to aesthetic, technical and creative,problem solving strategies, within a controlled,lighting context. This is accomplished through,intensive hands-on experience, the history of,applied and fine art photography, lectures,,demonstrations, shooting assignments and,critiques.
Credits: 3
Prerequisites: DPH 155
Participation in an internship experience allows students to use classroom-learned skills in a related employment experience. Students must work a minimum of 135 hours over the course of the entire semester. To participate students must be of junior or senior status with completion of freshman and sophomore studios. Students must have a minimum cumulative GPA of 2.8. Seniors may not be eligible to participate in an internship during their final semester. Transfer students must have attended one semester at CCS in addition to meeting the other eligibility criteria.
Credits: 6
Prerequisites:
This course introduces students to theories of,color use and the practical applications as it is,related to traditional and digital photography.,Through readings, lectures, and discussions the,history of color theory and color photography are,addressed, including subjective color, biases, and,equity in image-making. Assignments are based on,digital input, digital printing and traditional,RA-4 printing, to illustrate the principles of,color theory.
Credits: 3
Prerequisites: DPH 151,DPH-155