Tag: Liberal Arts

DAS-490 INDEPENDENT STUDY

Independent Study is available to students who are,at Junior or Senior level standing with a,cumulative grade point average of 3.00 or above.,The student may receive approval to work in an,area or on a project that is not otherwise offered,or addressed in the regular curriculum. An,Independent Study should include opportunities for,individual student voice and provide a space for,diverse perspectives. Students may receive credit,toward graduation for no more than 6 credit hours.,The student must submit to the chairperson of the,department in which they wish to study, an,Independent Study Proposal of 150 words (no less),of the student’s plan for study and her/his reason,for choosing to study independently. Once the,department chairperson provides approval and the,instructor for the Independent Study is,determined, the faculty member must write an,Independent Study Syllabus with education goals,,learning outcomes, meeting dates, course,expectations, timelines, and due dates. Art,Education candidates must pass DAE 490 with a,grade of ‘C’ (2.00) or higher to qualify for,certification.

Credits: 3

Prerequisites: DEN 239

DEN-410 AFRICAN AMERICAN AUTHORS

This course introduces students to major African,American authors of the 20th and 21st centuries,,including Morrison, Ellison, Wright, Hurston,,Mosley, and Gaines. The course surveys an,extensive collection of social and cultural,viewpoints present in American authors of African,descent.

Credits: 3

Prerequisites: DEN 239

DLE-311 BIOPOLITICS: WASTE & VIOLENCE

Biopolitics is one of the most significant,developments in Critical Theory. Using the topics,of waste and violence, this class offers an,introduction to the main concepts, strategies,,and pre-occupations of Biopolitical thinking and,its relevance to understanding the contemporary,world and violence of globalization. A,significant aspect of the course is the use and,role of film as critical theory.

Credits: 3

Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture).

DNS-326 TECHNOCULTURE

In this course, students follow the history of,technology as it emerges from scientific,discoveries such as quantum and subatomic,particle,changes and capitalizes on the new means they,have,made available. These include aleatory and,electronic music and the new combination of,sounds,made possible by sampling. This course satisfies,the General Elective requirement.

Credits: 3

Prerequisites: DEN 102 OR DEN 108

DSS-319 ANTHROPOLOGY: PEOPLE & RESOURCES

This anthropology class explores the issue of,resource distribution, acquisition and use across,the world from historical to contemporary,perspectives. Specifically, the class looks at,all the variables that impact, create and/or,shape inequality in the world. ,There will be an overview of the field of,anthropology and the concept of “the economy.” To,better understand how people have created wealth,and power over time various theoretical and,empirical works will be utilized. Capitalism,,colonialism, slavery, genocide, decolonization,,environmentalism, and creative entrepreneurship,will be studied, including how people make a,living. The tension between different,perspectives on the economy and what/who,influences/shapes/controls it will be explored. ,Finally, how people reduce, reuse, and recycle,materials in their personal and professional lives,will be studied.

Credits: 3

Prerequisites: DEN 102

DVC-407 EXPERIMENTAL FILM

Film is an inherently exploratory medium. From,the earliest “movies” of the 1890s to present-day,digital technology, its evolution as an art form,has paralleled developments in its means of,production. However, outside the control of the,major studios, an alternative cinema, called,”avant-garde” or “experimental,” has appropriated,the most economical means to create a visionary,,challenging, often disruptive body of work. And,alternate systems of distribution have arisen to,make possible its appreciation by small but,devoted audiences. Our course will examine a,phenomenon that the British Film Institute has,called “almost indefinable. It is in a constant,state of change and redefinition.” Yet our task,will be precisely to trace its history, give,definition to its various facets, and engage with,the concepts and issues they raise. This course,satisfies the General Elective requirement.

Credits: 3

Prerequisites: DEN 239, DVC 200 OR DVC 306

DAH-201 VISUAL NARRATION AFRICA

This course is an introduction to the visual,cultures of Africa and its Diasporas, through a,series of case studies in visual narration in a,wide variety of media and formats from Africa,,the Caribbean, the US, Brazil, and indeed,throughout the Black Atlantic. The case studies,range from altar-making to filmmaking, and from,sculpture to pageantries of carnival. The course,seeks to locate these individual,images-texts-objects in the larger narrative and,performance traditions, as well as the,socio-political and historical contexts, from,which they emerge. But the course also asks,where these forms are going, and how historical,memory works now, always in motion. What, then,,are the theoretical and practical implications,for establishing origins, authenticity, and the,future?

Credits: 3

Prerequisites:

DAH-310 RENAISSANCE AND MANNERIST ART

In the sixteenth century, as ancient manuscripts,began to be rediscovered, translated and made,available to European humanists such as Petrarch,,society turned in a more worldly direction.,Artists began adding classical themes to their,devotional repertories and more frequently,directed their attention to the problems of life,on earth. This class covers painters, architects,and sculptors, including Botticelli, Leonardo,da Vinci and Michelangelo in Italy, and Jan,Van Eyck, Hieronymous Bosch, Albrecht Durer and,Hans Holbein in northern Europe. Mannerism as an,outgrowth of the Renaissance is also discussed.

Credits: 3

Prerequisites: DAH 200, DAH 201 (or DAH 202)

DEN-101 COMPOSITION I

In DEN 101 Composition I, an introductory,composition course, students practice the,fundamentals of college writing, reading, and,reflecting. In this course, students analyze a,variety of written and visual texts and respond in,college-level, thesis driven writing and creative,projects. DEN 101 stresses important academic,skills, including reading strategies, essay,planning and organization, citation, revision,,proofreading, and presenting before a group. This,class satisfies the General Education requirement.

Credits: 3

Prerequisites:

DEN-485 SPECIAL PROJECT 300/400

The Special Project class is offered on an,occasional basis, with course content specific to,the area being explored.,
,FALL 2023,

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,CREATIVE CONSTRUCTIONS:TELE-STORIES PROJECT,,The course will be offered in partnership with,Timeslips, a nonprofit organization that connects,students with elder populations to foster,connection creativity through conversation /,engagement. The goal of Timeslips is to change the,way we understand and experience aging by bringing,young people into positive relationships with,seniors, who will be invited to express themselves,creatively. Students will be trained in,questioning, listening, and collecting responses,that will be translated into assignments that will,culminate in a capstone project to be gifted to,their senior partners. Benefits for seniors are,human connection and interest, memory share,opportunities, and a rekindled interest in,creativity. Benefits for students are an altered,attitude toward aging, increased confidence, and,novel prompts for art making and connection.,Benefits for the college include enhancing our,reputation as an institution engaged in social,activism and committed to both experiential,learning and DEI initiatives that generate both,local and global impact.,

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,ICELANDIC SAGAS,
,The saga is a distinct genre of prose narrative,recorded in medieval Iceland which fictionalized,events that took place during the time of the,Vikings from the settlement of Iceland about 870,AD to just after the conversion to Christianity in,the year 1000. Sometimes called “family sagas”,because they document generations of activity,within single family lineage, sagas are the,crowning achievement of medieval narrative art in,Scandinavia and the later Norse world, and have,their own set of characteristics and audience,expectations. Depicting strong individuals within,a new immigrant society that was primarily,self-governed, sagas are regarded as forerunners,of the modern historical novel.,

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Credits: 3

Prerequisites: DEN-102