DGL-347 ADVANCED GLASS PROJECTS

In this course students engage in research and,ideation exercises to create self directed,projects in glass. Students are guided to develop,narrative and concept in their work and are,encouraged to undertake original research in the,glass fabrication processes and techniques.,Students may choose to work in glassblowing, kiln,forming, coldworking or a combination of multiple,techniques to complete their work. The outcome of,this course is a cohesive body of work that will,help build students’ professional portfolio.

Credits: 3

Prerequisites: TAKE DGL-140 and DGL-142

DGL-210 GLASSBLOWING COLOR THEORY

This class explores the interaction of color and,pattern through glassblowing techniques. Students,learn traditional techniques for using color,including cane, murrini, color overlays, color,cups, bit applications, and encalmo. Students work,up to developing their own designs and creating,their own unique techniques and color,applications. Students are responsible for,maintaining a sketchbook and giving assigned,presentations throughout the semester. The class,will primarily take place in the hot shop.

Credits: 3

Prerequisites: TAKE DGL-142

DGL-213 OPTICS, GLASS AND IMAGE

This class focuses on glass as a mediator of,image. Through material and optical,investigations, students will utilize glass as a,screen, filter, and lens. Students learn basic,glass forming techniques and utilize glass objects,as an actor in photography and video, which,results in images, objects, and installations.,Lectures, demonstrations, and critiques, will,encourage students to consider both the technical,and conceptual connections between glass and image,making.

Credits: 3

Prerequisites:

DGL-238 GLASS INSTALLATION

In this course students learn to design,,fabricate, and evaluate glass installation. The,course is focused on developing installation,concepts that address space, interaction, and,architecture. Assignments address creating,multiples through basic glassblowing, mold,making, hot casting, coldworking, and gluing. ,Students also learn methods to mount, hang, and,install glass parts. Artistic research and,presentations on contemporary art, design, and,craft inform students’ understanding of glass,installation.

Credits: 3

Prerequisites: DGL 170, DGL 142

DGL-252 KILFORMING WITH IMAGERY

This course will introduce students to a variety,kilnforming approaches to translating 2D design,and drawings into fused, slumped, and cast glass,forms. Students will create a personal body of,work using image oriented techniques such as,photo-sandblast resist, enameling, powder fusing,,emulsion transfer and engraving in decorative,,functional and sculptural pieces.

Credits: 3

Prerequisites: DGL-142, DGL-170

DGL-148 GLASSBLOWING WITH MOLDS

In this course, students learn glassblowing using,molds to extend form-making potential and to,fabricate unique molds. Techniques covered,include optical, two part and free-form molds.,Mold materials of plaster, wood, metal, sand and,graphite are explored. The use of glass color,and cold work finishing techniques complete the,experience. Projects realized include,utilitarian vessels, sculptural and architectural,elements.

Credits: 3

Prerequisites:

DGL-170 BEGINNING HOT AND COLD GLASSWORK

This beginning class teaches students how to apply,cold-working processes to hot formed glass. A,variety of processes are introduced including,cutting, polishing, gluing, and surface,embellishment. Students learn to safely and,effectively utilize cold-working equipment and,apply cold techniques and tools to solve,fabrication problems. Students also apply their,skills to creative projects. Craftsmanship,,problem-solving, and design are emphasized.

Credits: 3

Prerequisites: DGL 142

DGL-244 GLASSBLOWING WITH IMAGERY

In this course, students learn in-depth color,compositional techniques as they relate to glass,and how they are applied to personal expression.,The theme of this course is to integrate color,composition imagery into blown glass. Referencing,historic and contemporary glass, students develop,a personal body of work reflecting researched,topics and proficiency in skills they have,developed. Some techniques covered include cain,,frit and shard glass, and engraving and etching to,produce compositions both decorative and,painterly.

Credits: 3

Prerequisites: DGL 135 OR DGL 142