Search Results for: dvc

Socrates famously said to his student, Meno: “I,don’t know that I can teach you, and I don’t even,know that you can learn! The best I can be is a,midwife to ideas.” At first, Socrates is talking,about Virtue, but also, Justice, Beauty, Art.,Joseph Beuys declared that “To be a teacher is my,greatest work of art.” If … Continue reading “DLE-307 ART AND PEDAGOGY FROM SOCRATES TO,JOSEPH BEUYS”

Biopolitics is one of the most significant,developments in Critical Theory. Using the topics,of waste and violence, this class offers an,introduction to the main concepts, strategies,,and pre-occupations of Biopolitical thinking and,its relevance to understanding the contemporary,world and violence of globalization. A,significant aspect of the course is the use and,role of film as critical theory. Credits: 3 … Continue reading “DLE-311 BIOPOLITICS: WASTE & VIOLENCE”

Drawing inspiration from consciousness-centered,education models, this innovative course offers,students an opportunity to dive within themselves,,discovering and exploring their own boundless,creative potential. Consider this course an,experimental incubator for the creation of ideas,,images, and artistic motivation. Emphasis is,placed on reflection with the student’s,journaling, discussing and meditating together. ,This unique course offers students new methods of,inquiry, encouraging students … Continue reading “DLE-322 CONSCIOUSNESS, CREATIVITY AND IDENTITY”

Will explore the various links between the visual,and literary arts through readings of plays,,poems, stories, novels, letters, manifestos,,etc. that have been written by and/or about,artists and designers. Credits: 3 Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture).

This seminar explores the following: (i) art,becomes modern when art is rejected; (ii) there is,no modern art without poetry, philosophy, ethics,or the political; (iii) art becomes modern when,the poet Charles Baudelaire realizes the city as,an active subject in art; (iv) the city and,anti-art produce an avant-garde which claims to,refuse art. Broadly speaking, the course is … Continue reading “DLE-400 WHAT MAKES MODERN ART MODERN”

Madness has been of interest to philosophers,,psychologists, social scientists – as well as to,artists. The history of art, culture and,literature is filled with “mad or romantic,geniuses.” This course proposes a comparative,examination of the transition of “marginalized”,forms of representation from “insanity” into the,field of aesthetic and cultural practice by a,consideration of the art and drawing of … Continue reading “DLE-401 ART & MADNESS IN MODERN CULTURE”

This interdisciplinary course is an examination,of the cultural systems, history, and art of,human beings who espouse the world’s great,religions: Hinduism, Islam, Judaism, and,Christianity. The broad course objective is to,introduce students to the differing ways that,humans organize and express their culture and,beliefs, their relationship to nature and the,cosmos, and to each other, through the making and,use … Continue reading “DLE-402 COMPARATIVE RELIGION: AN INTRODUCTION”

Since classical antiquity in the Western,tradition there has been a central dialogue,between philosophy and poetry on the question of,genre: What is philosophy? What is poetry? In,what way might philosophy and poetry be related? ,Do philosophy and poetry point to different kinds,of experience or different kinds of knowledge?,Through a selection of texts from Plato and,Aristotle to … Continue reading “DLE-410 PHILOSOPHY AND POETRY”

Care of the City: Detroit is an introduction to,Social Practice and Post-Studio art which through,an exploration of spaces of marginality and,collapse in cities in relation to durational,collaboration with communities as a response to,collapse and as evidence of an ethics of care. The,main question pursued: what does it mean to care,for a city? And: is care … Continue reading “DLE-411 CARE OF THE CITY: DETROIT, ART,,AND THE PRACTICE OF REINVENTION”