Advanced surface modeling and production tools are,emphasized as students strengthen their electronic,drawing and rendering skills to a professional,level. The work from this class becomes an,important part of the student portfolio. Credits: 3 Prerequisites: TAKE AVIS-366
An introduction to analog image-making that,investigates analog media and techniques from,gestures to contemporary interdisciplinary,processes. Students will problem-solve key,concepts through a series of individual and,collective projects that rethink drawing beyond,observation and perception, incorporating,research, chance, and experimentation. Credits: 3 Prerequisites:
With this course, students begin to learn the,skills necessary for effective character,animation. Students continue to develop their,understanding of Maya software and integrate with,anatomy, pose, convincing motion and character,acting through observation and research of,differing personalities. The goal of this course,is to seamlessly integrate the software skills,learned up to this point with conceptual skills,such as character development, … Continue reading “DMA-317 COMPUTER CHARACTER ANIMATION I”
This course is designed to help acclimate new,students to campus culture, academic expectations,and life as a college student. The course strives,to equip new students with the skills needed to,be successful students and artists/designers,while providing the support needed to meet the,challenges set before them by CCS. Students are,expected to participate in class, set goals for,their semester, … Continue reading “SLP-007 CCS FIRST YEAR EXPERIENCE”
Building on Image Concepts I, this course explores,still and moving digital images as a common,language and an artistic practice. Students will,build technical skills through a combination of,intuition, technical refinement, and collective,play while exploring narrative, documentary, and,experimental forms. Credits: 3 Prerequisites: DFN 135
An introductory composition course, ELS 107,Composition I for Non-Native Speakers of English,challenges students to write a well-planned,,cogent, college-level essay in Standard English.,This course stresses basic foundational skills in,writing with an integrated focus on strengthening,English reading, listening and speaking skills. ,Students must pass ELS-101 with a grade of C or,higher. This course satisfies the General,Education requirement. … Continue reading “ELS-101 COMP I FOR NON-NATIVE ENGLISH SPEAKERS”
This studio course introduces students to the,interrelated nature of 2D and 3D forms, concepts,,and materials, through a series of design,exercises that explores the sensory nature of,ideas from flat and geometric to physical and,tactile. Students work within an iterative,process to create multiple projects, organizing,visual elements in order to understand the role of,aesthetics, meaning, and craft through … Continue reading “DFN-137 2D & 3D INTEGRATED DESIGN STUDIO”
Through a series of small projects, students will,learn how to operate the majority of machines in,the woodshop. Project planning, layout,,construction, assembly and finishing will also be,covered. Credits: 0 Prerequisites:
Through the introduction of the core principles of,time-based media, basic code, prototyping and user,experience, this studio implores students to,explore the concepts of time and interactivity and,its impact on the design and experience of their,work. Students work within an iterative process,to create multiple projects, organizing visual and,other sensory elements in order to understand,perceptual attributes and convey … Continue reading “DFN-138 4D DESIGN STUDIO”
This course builds on the cinematic skills learned,in Stop Motion I. Students will further refine,their skills in creative narratives and,distinctive characters. The goal of the course is,for students to produce a short film that,showcases their acquired skills and their own,original aesthetic. Credits: 3 Prerequisites: DMA 228