DIN-220 AUTO CAD I/ARCHITECTURAL DRAWING

In this course, students are acquainted with,computer-aided drafting (CAD) for interior design,by constructing detailed documents and plans. The,course is designed to introduce students to the,technologies used in the interior design field for,the appropriate preparation of documents.,Students’ expand their knowledge of dimensioning,spaces through the development of plans,,elevations, sections, interior details and other,standard conventions that are part of construction,documents. Concepts are introduced in this class,where students will look at how humans respond to,environments, including ADA, inclusive and,universal design.

Credits: 3

Prerequisites: DIN 127, DIN 128, DIN 130

DIN-485 SPECIAL PROJECT 300/400

The Special Project class is offered on an,occasional basis, with course content specific to,the area being explored.,,
FALL 2023
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,MASONITE,In this course, a professional project,encompassing knowledge and skills gained in,previous years, is developed. Projects may include,an internship, workshop or mentor experience and,is meant to be an intensive,culmination/integration project that highlights,the student’s portfolio.,Department permission is required for registration

Credits: 3

Prerequisites:

DLE-411 CARE OF THE CITY: DETROIT, ART,,AND THE PRACTICE OF REINVENTION

Care of the City: Detroit is an introduction to,Social Practice and Post-Studio art which through,an exploration of spaces of marginality and,collapse in cities in relation to durational,collaboration with communities as a response to,collapse and as evidence of an ethics of care. The,main question pursued: what does it mean to care,for a city? And: is care a choice? We shall make,numerous visits in Detroit as well as extended,comparisons with Chicago (Theaster Gates), New,Orleans (Paul Chan and Joshua Decter), Houston,(Rick Lowe), and Los Angeles (Suzanne Lacy). We,shall explore the image of the city in Social,Practices through music (Marvin Gaye), poetry, and,film (the League of Revolutionary Black Workers).,Short readings in philosophy, theology, and,psychology will complement cultural, historical,,and aesthetic texts in an attempt to develop a,critical practice distinctive to the new,experiences emerging in Social Practice and,post-studio forms and the ethics of care.

Credits: 3

Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture).

DMA-228 STOP MOTION I

This class focuses on object, clay and puppet,animation. Topics covered include staging,,choreography, direction, acting, stage design and,cinematic language. Students explore the,characteristics of physical space and how movement,can be used to suggest weight and gravity.,Students also investigate light and shadow in,scenes and learn how to create convincing stop,motion characters, analyzing personality and,attributes from diverse backgrounds, through,design, observation, materials and single-frame,animation.

Credits: 3

Prerequisites: DMA 243 ANIMATION NUTS & BOLTS

DMA-285 SPECIAL PROJECT 100/200

The Special Project class is offered on an,occasional basis, with course content specific to,the to the area being explored

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,WINTER 2024,
,INTRODUCTION TO HARMONY,
,Students will be introduced to Toon Boom Harmony,basics with exercises that can be applied to,the individual’s portfolio. This will be an,excellent opportunity for the student to,understand the hybrid,elements of hand-drawn and puppet animation and,get more comfortable with industry-standard,software. In addition, the student will continue,expanding their knowledge of the principles of,animation,and improve their overall polish.

Credits: 3

Prerequisites: Take DMA-101 and DMA-120

DMA-351 ADVANCED CREATURE CREATION,ENVIRONMENTS

In this course students will explore the,necessary details needed to create believable,creature full body models. Students will learn,the necessary process needed to design, plan,,create and implement professional creature and,character models in 3D using Maya and Zbrush in a,professional pipeline setting.

Credits: 3

Prerequisites: DMA 341

DMA-428 GAME PROFESSIONAL FUTURES

The intent of this class is to prepare the student,for entry into the next level of work within the,game industry or other relevant industry. Future,scenarios in professional studios, corporations,,exhibitions, research institutions and graduate,education are discussed, general business and,ethics are addressed and portfolios are prepared,according to the student’s personal aims and,objectives. Students will experience scenarios in,current and emerging interview practices in order,to gain confidence and experience in talking about,their work in a clear and professional manner.

Credits: 3

Prerequisites: DMA 403

DME-177 BLK BEGINNING CONTEMP DECORATIVE IRON

Contemporary Decorative Iron combines the tools,and practices of the traditional blacksmith with,modern machine and fabrication technology.,Students explore the forging of ferrous and,non-ferrous metals into a variety of decorative,and utilitarian objects with an emphasis on,contemporary fabrication techniques. Topics,include discipline relevant terms and vocabulary,,related technology, tool making, and a survey of,this versatile process with a focus on its,contemporary application.

Credits: 3

Prerequisites:

DME-377 BLK ADV CONTEMPORARY DECORATIVE IRON

This course combines the tools and practices of,the traditional blacksmith with modern machine and,fabrication technology. Students refine the,forging of ferrous and non-ferrous metals into a,variety of decorative and utilitarian objects with,an emphasis on contemporary fabrication,techniques. Topics include discipline relevant,terms and vocabulary, related technology, tool,making, and a survey of this versatile process,with a focus on its contemporary application.,Advanced students expand the technical base of,hand-forged process to explore mechanical,hammering, arc welding, machining, and cold,joinery. Independent design and execution of work,challenges each student to gain confidence in the,practical execution, sequence, and creative,problem solving. Students at this level self,direct the parameters of each assignment; develop,patterns, material specifications and produce work,to a professional standard.

Credits: 3

Prerequisites: DME 277