This comprehensive design studio incorporates the,specialized attributes of lighting while creating,design solutions for a large-scale project.,Students apply AutoCad technology and knowledge of,building codes, universal and inclusive design,principles in presenting design solutions.
Credits: 3
Prerequisites: DIN 232, DIN 270
Socrates famously said to his student, Meno: “I,don’t know that I can teach you, and I don’t even,know that you can learn! The best I can be is a,midwife to ideas.” At first, Socrates is talking,about Virtue, but also, Justice, Beauty, Art.,Joseph Beuys declared that “To be a teacher is my,greatest work of art.” If we do not know that we,can learn, and do not know that we can teach, why,,then, do we talk so much about Art, as a society,spend so much on Art, and go into debt to,”learn” about something that we are not even sure,can be learned? What are the implications of,making pedagogy – and with it dialogue and a,changed relationship between “teacher”and,”student” – the subject of art? Art + Pedagogy,from Socrates to Joseph Beuys looks at why,teaching / pedagogy (BFA/MFA/PhD; Paulo Freire,,Jacques Rancière, Lygia Clark, etc.) along with,dialogue / conversation and the meal as a vehicle,of self-learning and new strategies of,inter-subjectivity (Plato’s The Banquet /,Symposium, Dante’s The Banquet, Theaster Gates,,Rirkrit Tiravanija, Michael Rakowitz, InCubate,,Detroit Soup, etc.) have become such prominent,,troubling, and exciting subjects in contemporary,art practices precisely at the moment when there,is recognition that the democratization of art and,its institutions begun in the Twentieth Century is,over and the techniques for transmitting /,teaching this “art” have become obsolete. Students,are invited to conclude the semester with a,student-curated meal and conversation or Banquet,of friends.
Credits: 3
Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture).
Being proficient in executing design concepts in,3D is key to a Concept Designer and using digital,3D programs is an important toolset in their,workflow. This course will familiarize students,with 3D tools and rendering engines. Students,develop a basic understanding of the program and,general execution including modeling, texturing,,lighting and rendering.
Credits: 3
Prerequisites:
This course focuses on the creation of 3D models,for realtime applications such as games.,Modeling, texturing, lighting, and animation for,games are covered as well as how a game production,pipeline works.
Credits: 3
Prerequisites: DMA 217
Character rigging is the puppet-making and,robotics of computer graphics. In this course,,students learn inorganic rigging of vehicles and,machines as well as advanced techniques for,characters such as blend/shape facial expression,setups and squash and stretch.
Credits: 3
Prerequisites: DMA 217
This course focuses on digital modeling and,sculpting and the design development of hard,surface assets/characters/vehicles as they relate,to game design and animation. Treatments and,synopsis will describe the theme based back story,,rationale, and visual design. Students will learn,the sculpting and modeling techniques of,conceptual artists and digital sculptors, to,create models for film and game design focused on,high resolution conceptual models and baked game,models. Students will exit the course with a,finished and highly developed portfolio of,sculptures and models, rendered and complete with,textures.
Credits: 3
Prerequisites: DMA 341
Independent Study is available to students who are,at Junior or Senior level standing with a,cumulative grade point average of 3.00 or above.,The student may receive approval to work in an,area or on a project that is not otherwise offered,or addressed in the regular curriculum. An,Independent Study should include opportunities for,individual student voice and provide a space for,diverse perspectives. Students may receive credit,toward graduation for no more than 6 credit hours.,The student must submit to the chairperson of the,department in which they wish to study, an,Independent Study Proposal of 150 words (no less),of the student’s plan for study and her/his reason,for choosing to study independently. Once the,department chairperson provides approval and the,instructor for the Independent Study is,determined, the faculty member must write an,Independent Study Syllabus with education goals,,learning outcomes, meeting dates, course,expectations, timelines, and due dates. Art,Education candidates must pass DAE 490 with a,grade of ‘C’ (2.00) or higher to qualify for,certification.
Credits: 3
Prerequisites:
This course combines the tools and practices of,the traditional blacksmith with modern machine and,fabrication technology. Students explore the,forging of ferrous and non-ferrous metals into a,variety of decorative and utilitarian objects with,an emphasis on contemporary fabrication,techniques. Topics include discipline relevant,terms and vocabulary, related technology, tool,making, and a survey of this versatile process,with a focus on its contemporary application.,Intermediate students expand on the technical base,of hand-forged process to explore mechanical,hammering, arc welding, machining, and cold,joinery. Design and execution of work challenges,each student to increase practical skills in the,execution, sequence, and creative problem solving.
Credits: 3
Prerequisites: DME 177
Does it matter how your brain produces the rich,sensory array of the world surrounding you? As an,artist, what can you control of the visual,activities that seem so automatic? This course,examines the experimental steps leading up to the,most recent model of brain function, including,information from MRI imaging, questions about,brain plasticity (the ability to reprogram cell,functions), and the ways experience changes the,brain. This course satisfies the General,Elective requirement.
Credits: 3
Prerequisites: DEN 102 OR DEN 108
The Special Project class is offered on an,occasional basis, with course content specific to,the area(s) being explored.,
,
WINTER 2024,
,
BLACK & WHITE PHOTOGRAPHY II,This course furthers the student’s exploration of,black and white photography through expanded,practices in the darkroom. Students are introduced,to larger film formats, produce larger prints,,experiment with alternative developers, learn more,advanced toning methods, and professionally,present final images. Technical proficiency is,expected in creating a more advanced visual voice,through analog images.
Credits: 3
Prerequisites: DPH 151