FAD-485 SPECIAL PROJECT

The Special Project class is offered on an,occasional basis, with course content specific to,the area being explored.,

,WINTER 2024,

,,STUART WEITZMAN SPON PROJECT,

, In this sponsored studio with Stuart Weitzman,,one of the most iconic US luxury footwear brands,,students will design and develop a collection,their assigned brief. One of the main skills for a,graduate,designer is the ability to go into a brand and,design collections based on the understanding of,the,company’s DNA. The preparation of a professional,level presentation will include research,,collection,illustrations, and tech packs. In addition, a full,a color and material story with prototypes will be,produced to demonstrate the two-dimensional,designs in a more hands-on, three-dimensional,form.,The project will be in collaboration with the,Masters in Color and Material program.

Credits: 3

Prerequisites:

IAD-407 INTERDISCIPLINARY THESIS I

The Interdisciplinary Thesis is a two-semester,studio course affording students the time and,space to undertake major independent,interdisciplinary art and design projects.,Students may propose a body of related works, a,series of individual pieces, or major stand-alone,projects with the goal of producing them over the,course of two semesters alongside their peers,,capitalizing on their diverse skill sets,,professional goals, and regular critiques.

Credits: 3

Prerequisites: IAD 305, IAD 308, IAD 310

DAD-366 EXPERIENTIAL MEDIA

This course will expose students to emerging,technologies across all industries. Students,research and explore emerging technologies, and,develop strategies for implementation into,immersive user experiences focused on the,conceptualization and inclusive design for,targeted and diverse consumers and audiences.,Futurist platform projects ask students to,envision interactive media many years out.,Students also explore the integration and function,of interactive media in full-spectrum,communications from concept and pitch deck to,budget and scope of each project, and presentation,techniques for interactive concepts. It,contributes to an advanced undergraduate’s digital,media portfolio.

Credits: 3

Prerequisites: DAD 321, DAD 365

DAE-407 READING & LANG ARTS METHODS

This course is dedicated to teaching Art Education,candidates the essential components of instruction,for students who are learning to read. Students,study theory and research frameworks for,comprehending the scope and challenges of teaching,for literacy, as well as practical methods for,direct, explicit instruction in reading. The,broader area of Language Arts instruction is,examined in the contexts of arts integration and,children’s literature which is inclusive of global,cultures, identity, and contextually meaningful in,nature. Awareness of appropriate uses for,technology and information age learning in K-12,schools is taught with applications of technology,enhanced learning experiences. For this course,,students assist regularly with experienced,,certified Reading Teachers in K-8 classrooms. Ten,hours Field Experience in K-8 educational settings,required outside of class. Field experiences and,hours are an integral part of each art education,course. Students are expected to participate in,field during the course of the semester in a,professional and timely manner. Students must,complete all required field hours and associated,field experience assignments in the course before,they can register for the next art education,course. Art Education candidates must pass DAE 407,with a grade of ‘C’ (2.00) or higher to qualify,for certification.

Credits: 3

Prerequisites: DAE 315 AND DAE 405

DAH-241 HISTORY OF MODERN DESIGN

This course examines the social, economic,,political, and cultural forces that influence,modern design. Beginning with the Industrial,Revolution and continuing to present day, this,course introduces the prominent designers, their,ideas, their influences, and the historical,context in which they worked. The course covers,a,variety of media and discusses design in the,United States, Europe, and Asia. This course,satisfies the General Elective requirement.

Credits: 3

Prerequisites: DEN 102

DAS-303 PROFESSIONAL PRACTICE FOR ARTISTS

This course addresses the skills and knowledge,needed to succeed as a contemporary artist while,sustaining a professional studio practice. Topics,include creating and organizing your professional,profile, documentation and marketing, pplications,for field related opportunities, and basic small,business skills. Students will learn how to,develop a resource data base, create valuable,professional networks, and consider marketing,and exhibiting from a broad range of commercial,and alternative contexts. ,Guest lecturers, and visiting-artist presentations,connect course information with real-world,experience.

Credits: 3

Prerequisites: DEN-102

DCE-275 INTERMEDIATE HAND-BUILT POTTERY

The vast majority of the history of pottery and,vessel-making is dominated by hand-building,techniques. For thousands of years prior to the,advent of the powered pottery wheel, early,artisans formed pottery with just their hands, and,later, an assortment of hand-wielded tools. This,class draws direct inspiration from this history,as it is reflected in a range of cultures, while,also focusing on the significance of contemporary,hand-built pottery in the industrial era of today.,Students make functionally and conceptually,oriented pottery using a range of hand-building,techniques including coiling, slab work,,extruding, and hollowing-out.

Credits: 3

Prerequisites: DCE-175

DCR-475 CRAFTS INTERNSHIP

Participation in an internship experience allows,students to use classroom-learned skills in a,related employment experience. Students must work,a minimum of 135 hours over the course of the,entire semester. To participate students must,be of junior or senior status with completion of,freshman and sophomore studios. Students must,have a minimum cumulative GPA of 2.8. Seniors may,not be eligible to participate in an internship,during their final semester. Transfer students,must have attended one semester at CCS in addition,to meeting the other eligibility criteria.

Credits: 3

Prerequisites:

DEN-317 SCI FI AND HORROR WRITING

Science Fiction and Horror may transport readers,to a planet light years away or usher them,through fiend filled graveyards and crypts.,Whether extrapolating futuristic technology from,contemporary science or conjuring novel survival,strategies, these genres imagine what might have,been or what might be, creating a platform for,rich possibility. In this course, we will explore,the nature of both genres by reading and,discussing a diverse selection of works drawn,from text, film, television, radio and comics,before students generate writing of their own.,Concepts will be reinforced through group,workshop and discussion. In this multi-genre,course, we will focus on those elements that make,for vivid, effective, memorable writing in,science fiction and horror: original detail,,memorable image, inventive language and authentic,setting. Both critical thinking and artistic,sensibility will be emphasized.

Credits: 3

Prerequisites: DEN 102