Category: Course Listing

DAE-520 PROFESSIONAL SEMINAR

The Professional Seminar provides candidates who,are doing their Directed Teaching with further,professional development and experiences that,develop reflective practice. The seminar conveys,a range of information essential to Visual Arts,educators, including health and safety issues in,Art Education, technology integration,,educational law, effective teaching practices,,research in the field, emerging trends in pedagogy,which examine issues of diversity, equity, and,inclusion.The seminar format is,intended to support student teachers in their,placements and allow for reflection and dialogue,regarding this professional experience.,Application for Directed Teaching and Departmental,permission is required. Art Education candidates,must pass DAE 520 with a grade of ‘C’ (2.00) or,higher to qualify for certification.

Credits: 2

Prerequisites: DAE 405,DAE 510

DAH-301 CLASSICAL ART AND EARLY MEDIEVAL

Students explore the roots of Western civilization,in the classical Greco-Roman tradition. Since,architecture and sculpture are the hallmarks of,this period, major Greek and Roman monuments will,be highlighted. The course will also discuss this,classical tradition as the source of early,Christian art, Byzantine art and early medieval,art, including Romanesque.

Credits: 3

Prerequisites: DAH 200, DAH 201 (or DAH 202)

DAS-485 SPECIAL PROJECT 300/400

The Special Project class is offered on an,occasional basis, with course content specific to,the area being explored.,

FALL 2023

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,SETTING UP SHOP,
,This course is designed as a special project for,students interested in designing, creating, and,maintaining a store where students and alumni can,sell their art. Students will develop and,implement a business plan using market trends and,project management principles. Students in this,course will create a contact network to contribute,to the long-term success of the student/alumni,shop.

Credits: 3

Prerequisites: DAS 213

DCE-375 ADVANCED HAND-BUILT POTTERY

The vast majority of the history of pottery and,vessel-making is dominated by hand-building,techniques. For thousands of years prior to the,advent of the powered pottery wheel, early,artisans formed pottery with just their hands, and,later, an assortment of hand-wielded tools. This,class draws direct inspiration from this history,as it is reflected in a range of cultures, while,also focusing on the significance of contemporary,hand-built pottery in the industrial era of today.,Students make functionally and conceptually,oriented pottery using a range of hand-building,techniques including coiling, slab work,,extruding, and hollowing-out.

Credits: 3

Prerequisites: DCE-275

DEN-410 AFRICAN AMERICAN AUTHORS

This course introduces students to major African,American authors of the 20th and 21st centuries,,including Morrison, Ellison, Wright, Hurston,,Mosley, and Gaines. The course surveys an,extensive collection of social and cultural,viewpoints present in American authors of African,descent.

Credits: 3

Prerequisites: DEN 239

DFD-490 INDEPENDENT STUDY

Independent Study is available to students who are,at Junior or Senior level standing with a,cumulative grade point average of 3.00 or above.,The student may receive approval to work in an,area or on a project that is not otherwise offered,or addressed in the regular curriculum. An,Independent Study should include opportunities for,individual student voice and provide a space for,diverse perspectives. Students may receive credit,toward graduation for no more than 6 credit hours.,The student must submit to the chairperson of the,department in which they wish to study, an,Independent Study Proposal of 150 words (no less),of the student’s plan for study and her/his reason,for choosing to study independently. Once the,department chairperson provides approval and the,instructor for the Independent Study is,determined, the faculty member must write an,Independent Study Syllabus with education goals,,learning outcomes, meeting dates, course,expectations, timelines, and due dates. Art,Education candidates must pass DAE 490 with a,grade of ‘C’ (2.00) or higher to qualify for,certification.

Credits: 3

Prerequisites:

DGD-317 PROFESSIONAL STUDIO PRACTICE I

This required course, the first in a series of two,courses, examines concepts of contemporary design,practice within the area of Communication Design. ,In this course students will develop an,understanding of various forms of practice, from,independent contract to junior/senior positions to,studio ownership. Through on-site/virtual studio,visits that includes BIPOC business leaders,,students will learn first hand professional,expectations. Students develop an understanding,of business tools used by professionals. Students,create a kit of materials to prepare them for the,design market, including resume, writing design,briefs, project proposals, time management,platforms, preliminary understanding of taxes and,copyright policies, and junior level portfolio. ,The second course, Professional Studio Practice II,will be taken in their senior year, as preparation,for entering the professional design market.

Credits: 3

Prerequisites: DGD 212, DGD 277

DGD-485 SPECIAL PROJECT 300/400,SPECIAL TOPIC TYPOGRAPHY

The Special Project course is offered on an,occasional basis, with course content specific,to the area being explored.,
,WINTER 2024,
,MOTION BRANDING,This motion design course is an elective and,expands on the concepts and methods presented in,previous motion design courses. Students will,develop their understanding of how messages are,created in a time-based context using typography,,image, sound, and semiotics. Projects will,integrate 2D animation concepts and digital tools,and techniques relevant to communication design,majors to explore the important role of motion,graphics in branding and video creation. Projects,consider appropriate messaging structures with,audience(s)/User(s) needs and intents as a primary,focus.,
,DESIGN ENTREPRENEUR ,
,This elective ?course expands on a student’s,understanding of design studio practice by,introducing the concept of designer as,entrepreneur. Research into markets, and capacity,will be presented, along with expanded design,methodologies to help move solutions from concept,to marketplace. Students will design a small,edition of objects that work as a set with a,market(s) or user(s) in mind. Students will be,exposed to alternative models of making that,include but are not limited to publishing,,authorship, curation and product development.,Students will explore alternative tools,,techniques, and substrates that will expand their,prototyping capabilities low-fi to high fidelity,,will be utilized to aid in the creation of,well-crafted design solutions

Credits: 3

Prerequisites: DGD 311