Category: Course Listing

DCR-352 VECTORS AND PLIABLE PLANES

This is an Adobe Illustrator based course focused,on creating images and patterns that can be,applied to a variety of surfaces. Students source,a variety of materials and explore planar networks,and modular systems for design applications.,Formatting design files for cnc / laser,manufacturing are explained, and presentation,skills are emphasized using InDesign to create a,final process book along with a variety of,material studies.

Credits: 3

Prerequisites: DFN 119

DEN-312 FICTION WRITING WORKSHOP

The purpose of this workshop is to create and,refine new fiction in the form of flash or short,stories, novellas and/or novel chapters. Since,good writing rarely occurs in a vacuum, in,addition to providing critiques on student story,and chapter drafts, we will also discuss,materials from professional writers to help,deepen our own understanding of the craft of,fiction and the interplay between form and,content.

Credits: 3

Prerequisites: DEN 102

DFA-345 ADVANCED PAINTING (CONTEMPORARY ISSUES)

This course addresses advanced painting problems,,covering representational and nonrepresentational,issues. Students have the opportunity to explore,a broad range of materials and techniques and,instruction is geared toward individual artistic,concerns. Students in Advance Painting are,exposed to issues and concerns relating to,painting from a global perspective, inclusive of,Western and non Western contemporary artists.

Credits: 3

Prerequisites: DAH 218, DFA 251

DFD-241 RESIST DYEING

The intensive workshop-style format of this class,gives students a sampling of various resist-dyeing,techniques. Shibori (Japanese bound resist), Batik,(Indonesian wax resist), and starch based resist,techniques will be explored. Techniques include,immersion dyeing, painting with dyes, and,extracting color from cloth with bleach solutions.,Assignments stress creative uses of traditional,resist dyeing techniques while exploring a diverse,range of personal narratives. Slide lectures,,field-trips, and class critiques support hands-on,work.

Credits: 3

Prerequisites:

DGD-224 MOTION NARRATIVES

This second motion design course is an elective,,and expands on the concepts and methods presented,in designing dynamic digital communications that,rely on the use of typography, image, video,,message, and sound that were introduced in Motion,I. Students will expand on their understanding of,how messages are created in a dynamic context,using typography, image, sound, and semiotics. ,Project will integrate 2D/3D concepts that expands,on the important role of video creation and,production, including digital tools, and,techniques, relevant for communication design,majors. Projects consider appropriate narrative,messaging structures with audience(s)/User(s),needs and intents as a primary focus.

Credits: 3

Prerequisites: DGD 211, DGD 251, DGD 263

DGD-378 EXPERIENCE DESIGN

This elective course expands students’ ability,to create human centered user interfaces and,experiences. Projects consider the role of,systemic nature of interactive experiences from,analog to digital, real to virtual. Project,outcomes are a connected set of experiences that,can shift from screen to spatial environments,through the use of code, gesture, type, narrative,messaging, color, image, sound, and motion. ,Research and development into information mapping,,wireframing, high-low physical prototyping,,performative usability testing, logic, narrative,messaging, and material construction are key,themes in the process of creating systemic UxD,solutions with expanded definition of user needs,and inclusive scenarios are core to project,outcomes.

Credits: 3

Prerequisites: DGD 365, DGD 311 OR DGD 312

DHS-338 SHOPPERS, ADVERTISERS AND RETAILERS:,CONSUMPTION AND AMERICAN CULTURE

This course offers students an introductory survey,to the cultural, intellectual, social, and,institutional histories of consumption in the,United States. In particular students focus on,four issues: the development of the mass market at,the end of the nineteenth century, the cultural,and institutional histories of advertising and,marketing, consumption and the construction of,gender, race and sexuality and the long-running,debate over the social effects of consumption.

Credits: 3

Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture).

DIL-311 ILLUSTRATING WITH TRANSPARENT MEDIUMS

This course explores the wide range of techniques,employed when painting with transparent acrylic,,watercolor, and oil paint. Some of the methods,examined and applied by the students to create,illustrations in class are monochromatic,,under-painting, glazing, dry brush, scumbling,,wet-on-wet, gradations, renaissance, sfumato and,the combination and joining of traditional and,digital mediums. Successful and well-known,artists from a variety of cultural backgrounds,,genders, and sexual identity/orientations that,have used these methods are studied. Assignments,include figure, book, institutional, editorial,,landscape, product, and fashion illustration.

Credits: 3

Prerequisites: DIL 231, DIL 246