Blog

  • DSC-365 INSTALLATION/SITE

    This course explores the theory and practice of,creative site activation through material,,technological and performance-based interventions.,Students will have the opportunity to work in,extended relationships to site and space, via,light, sound, time based technologies like video,,and performance. Students will investigate,installation as active experience between artist,and site, and site and the question of audience.,Open to non-majors with departmental approval.

    Credits: 3

    Prerequisites: DFA 105, DFA 130, DFA 253

  • DSC-355 ADVANCED SCULPTURE

    This course investigates sculpture object making., Students experiment with a wide range of scale,,format, materials and media options, with,emphasis on the creation of meaning in personal,objects. Presentations and readings provide,historical and contemporary context for a deeper,understanding of sculpture as object. Readings,include Queer Phenomenology: Orientations,,Objects, Others by Sara Ahmed,.

    Credits: 3

    Prerequisites: DFA 230, DFA 231 OR DFA 332

  • DSC-354 ADVANCED FIGURE SCULPTURE

    This course is aimed at expanding the student’s,modeling and casting skills and familiarity with,the figure, while building on conceptual,understanding of the role of the figure in,contemporary sculpture.

    Credits: 3

    Prerequisites: DFA 130, DFA 230

  • DSC-332 ADVANCED FOUNDRY TECHNIQUES

    This course investigates the interrelationship of,process, creativity and concept through various,casting techniques. Bronze, iron, aluminum,,cement and nontraditional materials are used to,explore casting as a process and as a means to a,product. Open to non-majors with departmental,approval.

    Credits: 3

    Prerequisites: DFA 130, DFA 233

  • DSC-285 SPECIAL PROJECT 300/400

    The Special Project class is offered on an,occasional basis, with course content specific to,the area being explored.

    Credits: 3

    Prerequisites:

  • DSC-280 ADVANCED WOODWORKING

    Students continue to develop techniques in,joinery, carving and turning through projects,designed to build their visual and technical,vocabulary. Specified course work increases the,advanced student’s understanding of wood as a,material for making fine art. Special emphasis is,given to finishing processes and additive,construction techniques.

    Credits: 3

    Prerequisites: DAF 180

  • DSC-275 ADVANCED BENT PLYWOOD

    Building on the previous course, students use bent,plywood techniques to create furniture of their,own designs. Advanced students will develop,techniques that allow numerous objects to be,created from a single form. Students utilize,these advanced techniques and work independently,to design and fabricate a cohesive series of,furniture objects made with bent plywood,processes. Finish, details, and connections will,be emphasized.

    Credits: 3

    Prerequisites: DAF 175

  • DSC-234 SOFT SCULPTURE

    This course is directed within the premises of,soft sculpture process and being aware of it,historically and in the contemporary art world.,Students become familiar with different systems of,sewing, laminating and pattern making. Although,the course has a material and process emphasis,,the students are encouraged to explore other,materials that may be incorporated appropriately,into a project. Open to non-majors with,departmental approval.

    Credits: 3

    Prerequisites: DFN 121 DFA 130

  • DSC-233 SCULPTURE: FOUNDRY

    This course investigates the interrelationship of,process, creativity and concept through various,casting techniques. Bronze, iron, and aluminum are,used to explore hot casting as a process and as a,means of creating sculpture. Students are exposed,to traditional and contemporary artists working in,the medium. Open to non-majors with departmental,approval.

    Credits: 3

    Prerequisites: DFA 130

  • DSC-232 CARVING

    This course is aimed at providing students with,proficiency in subtractive sculpture. Students,work predominantly with stone and wood. Students,are introduced to simple and advanced carving,techniques with manual, electrical and pneumatic,tools. A variety of approaches are considered both,physically and conceptually. The place of,subtractive work in the current art environment,is explored and students are exposed to historic,and current masters. Open to non-majors with,departmental approval.

    Credits: 3

    Prerequisites: DSC 130 (formerly DFA-130)