Tag: Illustration Major Elective

Costumed Figure Illustration is an advanced,figure drawing and painting class that develops,,and reinforces the basics of clothed figure,drawing and painting while allowing room for,ample experimentation. Students work with the,instructor to set individual style and technique,goals for the semester based on their unique,career plans. Individual and independent,approaches to working in various media are,stressed in this course. Models for this course,will reflect various races, genders, sexual,orientations/Identity, and,disability/differently-abled. Models will pose in,the historical and fantasy themed costume in,complex scene setups to encourage the student to,develop full narrative figure-based Illustration. ,Large scale projects requiring surfaces over 4,feet in length in either direction are assigned,throughout the semester.

Credits: 3

Prerequisites: DIL 247

This course covers advanced processes and,techniques for working with various media and,encourages students to experiment with less,traditional methods in an effort to develop,personal voice and mark-making language.

Credits: 3

Prerequisites: DIL 231, DIL 247

This course offers fundamental instruction needed,for development of visualization skills and,vocabulary applied in the production of,storyboards for cinema, gaming, animatics,,television and advertising directed towards,diverse audiences and markets. Students learn to,utilize traditional drawing mediums to produce,finished projects. Assignments cover composition,,storytelling, camera angles and moves and,presentation values to meet industry standards.,Open to non-majors with departmental approval.

Credits: 3

Prerequisites: DIL 206 (formelry DIL 306)

This course facilitates training in speed drawing,,perspective, conceptual story development and,cinematic language capabilities utilized for the,creation and design of storyboards for diverse,audiences. These skills prepare students with,narrative conceptualization capabilities that can,be utilized in pre-production in a variety of,entertainment-related areas such as advertising,,film, animation and video game development.

Credits: 3

Prerequisites: DIL 261

Fundamentals and construction, as well as likeness,and rendering of diverse figure models of various,races, genders, disability/differently-abled, are,covered in the drawing portion of this course.,Color, mood, and form and technique are emphasized,in the painting portion. Materials used include,graphite, charcoal, Prismacolor, pastels, markers,,gouache, acrylics, and oils. Outside assignments,concentrate on expressions. caricature, formal,portraiture and advertising applications.

Credits: 3

Prerequisites: DIL 231, DIL 246

This course explores the narrative storytelling,and production procedures for developing graphic,novels, comics, storyboards and animatics.,Assignments are developed from situations directly,observed, imagined or conceptualized to increase,the student’s awareness and perception of time,,which is required for the logical layout and,design of stories. Students explore the,characteristics of this visual storytelling,medium,,and create visual narrative stories including age,,gender, disability/differently- abled, sexual,orientation, economic class, climate,change/justice, and global cultures. Use of a,camera is required.

Credits: 3

Prerequisites: DIL 231

In this course, projects are structured to,respond to particular image communication goals.,Students explore the characteristics of this,vector based digital image making application, and,create visual narrative stories including age,,gender, disability/differently- abled, sexual,orientation, economic class, climate,change/justice, and global cultures. Students,become familiar with the use of Adobe,Illustrator.

Credits: 3

Prerequisites: DIL 261

In this course, students explore the,characteristic of children’s book illustration,,including age, gender disability/differently-,abled, economic class, climate change/justice, and,global cultures. A variety of,techniques are explored relevant to the,translation of a story into visual form.,Professional conditions and business practices,connected to the profession of children’s book,illustration are considered. Sketchbooks are an,important component in the overall project mix.

Credits: 3

Prerequisites: DIL 231

In this course students learn how to,synthesize ideas and narratives of written texts,into effective illustration. In addition, best,practices and working methods of an editorial and,publishing illustrator will be learned. By the,end of this course, the students will demonstrate,a knowledge of how current conceptual editorial,illustration practice relates to issues,surrounding race, gender, sexual,orientation/Identity, community development,,disability/differently-abled, climate,change/justice/sustainability, global cultures,,and economic class.

Credits: 3

Prerequisites: DIL 247

In this course, students will complete a deep-dive,investigation into the role of a visual,development artist within the animation industry. ,Students will come to understand how this creative,role fits into a greater production pipeline, and,know all of the various specialities that exist,within this umbrella term. Students should leave,this course with a solid visual development,project for their portfolios. From the concepting,stage to the final version of their project,,students will develop projects that reflect,diverse audiences including race, gender, sexual,orientation/Identity, community development,,disability/differently-abled, climate,change/justice/sustainability, global cultures,,and economic class.

Credits: 3

Prerequisites: DIL 231, DIL 261