The notion of neutrality has given way to intimate,subjectivity and we must challenge the traditional,role of the documentary photographer as a detached,observer and embrace personal connection and,long-term interaction. By rethinking the,conventional methods, we may unravel the,complexities of visibility and representation,through collaborative engagement, diverse,narrative structures, and the potential,incorporation of elements of fiction. This course,seeks to create a more authentic and engaged,portrayal of our subjects by breaking free from,imperialistic frameworks and opening doors to,innovative ways of capturing and understanding the,world around us.
Credits: 3
Prerequisites: DPH 210
