2026-2027 Academic Catalog
In this course, projects are structured to,respond to particular image communication goals.,Students explore the characteristics of this,vector based digital image making application, and,create visual narrative stories including age,,gender, disability/differently- abled, sexual,orientation, economic class, climate,change/justice, and global cultures. Students,become familiar with the use of Adobe,Illustrator.
Credits: 3
Prerequisites: DIL 261
In this course, students explore the,characteristic of children’s book illustration,,including age, gender disability/differently-,abled, economic class, climate change/justice, and,global cultures. A variety of,techniques are explored relevant to the,translation of a story into visual form.,Professional conditions and business practices,connected to the profession of children’s book,illustration are considered. Sketchbooks are an,important component in the overall project mix.
Credits: 3
Prerequisites: DIL 231
In this course students learn how to,synthesize ideas and narratives of written texts,into effective illustration. In addition, best,practices and working methods of an editorial and,publishing illustrator will be learned. By the,end of this course, the students will demonstrate,a knowledge of how current conceptual editorial,illustration practice relates to issues,surrounding race, gender, sexual,orientation/Identity, community development,,disability/differently-abled, climate,change/justice/sustainability, global cultures,,and economic class.
Credits: 3
Prerequisites: DIL 247
In this course, students will complete a deep-dive,investigation into the role of a visual,development artist within the animation industry. ,Students will come to understand how this creative,role fits into a greater production pipeline, and,know all of the various specialities that exist,within this umbrella term. Students should leave,this course with a solid visual development,project for their portfolios. From the concepting,stage to the final version of their project,,students will develop projects that reflect,diverse audiences including race, gender, sexual,orientation/Identity, community development,,disability/differently-abled, climate,change/justice/sustainability, global cultures,,and economic class.
Credits: 3
Prerequisites: DIL 231, DIL 261
This is the first of two visual development,intensive courses. Throughout this course,,students explore what it means to be a character,designer in the animation industry. The semester,will begin with a deep dive into theory and will,end with a capstone, collaborative project of a,student’s choice. Student participants should have,taken DIL 386 Introduction to,Visual Development prior to taking this course.
Credits: 3
Prerequisites: DIL 386
This is the second intensive course on visual,development taken after Visual Development I:,Character Intensive. Throughout this course,,students explore what it means to be an,environment designer in the animation industry.,The semester begins with a deep dive into theory,and ends with a capstone, collaborative project of,a student’s choice.
Credits: 3
Prerequisites: DIL 386
Structural Figure Painting is an Illustration,department course offered to seniors. It is,designed to apply the knowledge a student has,gained from their combined classes from Terms 1-6,in general, and specifically focus on drawing,,painting, and analyzing the entire figure in a,complex manner for finished work. This involves a,number of multiple class session figure poses,,larger sized in class work, as well as some larger,scale and complex homework projects. A diverse,grouping of past and contemporary artists from,varied global cultural backgrounds of race,,gender, sexual identity/orientation, among others,will be critically discussed.
Credits: 3
Prerequisites: DIL 246
“Illusionist Painting” is an atelier style course,focused on contemporary representational,practices, with an emphasis on creating the,illusion of form from the live figure. Students,will have extended class time to accomplish,paintings from a diverse grouping of live figure,models of varied race, gender, sexual,identity/orientation, and,disability/differently-abled backgrounds. The,course will,include an observational approach to painting the,human figure and will develop skills in,proportion, perspective, modeling form and,illusion, based on an advanced level. The,advanced class will emphasize the completed image,”lay-in” stages, rendering of complex realistic,and representational form, surface quality, and,personal outlook or “voice.” We will cover,contemporary methods and materials, and,traditional methods in panel painting, canvas and,chassis, ground preparation, pigment preparation,,varnishes and mediums, and mural painting among,other methods and practices.
Credits: 3
Prerequisites: DIL 231, DIL 247
In this course, students explore numerous,technologies, techniques, and ideas that are at,the cutting edge of the illustration industry. Key,concepts include implementing movement, applying,various programs and applications to their,process, and the exploration of virtual reality,and how illustration can be applied to 3D spaces,with concepts and ideas that are aimed at a,diverse global audience.
Credits: 3
Prerequisites: DIL 231
In this course, students explore more complex,issues in dealing with text and image, translating,ideas into visual message constructs that,effectively combine the two in symbiotic,relationships. Students engage in problems that,demand research, creation and management of,numerous visual and informational elements within,a given visual product. Students will be guided on,methods of effective engagement with the local,community through their illustration and design,course projects.
Credits: 3
Prerequisites: DIL 342
