Students develop a concise research and design,brief to guide their studio work throughout the,semester. Concepts are explored through studio,work and presentations. Critical readings,,discussion, visiting artists and critique will,take place in class. Documentation and,professional portfolio materials will be,addressed. Students will consider how their group,and individual identity inform their artwork.
Credits: 3
Prerequisites: DCR 350
The purpose of this workshop is to create and,refine new fiction in the form of flash or short,stories, novellas and/or novel chapters. Since,good writing rarely occurs in a vacuum, in,addition to providing critiques on student story,and chapter drafts, we will also discuss,materials from professional writers to help,deepen our own understanding of the craft of,fiction and the interplay between form and,content.
Credits: 3
Prerequisites: DEN 102
This class is designed to vigorously extend ideas,explored in Introduction to Figure Painting, with,an opportunity to engage in more complex,figurative problems. Class discussions include,relevant topics on contemporary figurative art.,Emphasis is on larger format, longer studies and,formal painting,concerns.
Credits: 3
Prerequisites: DFA 120, DFA 220
An in-depth, systematic exploration of the many,facets of color as it relates to dye chemistry. ,Students explore metric system dyeing of animal,,vegetable, and synthetic fibers utilizing,natural/vegetable dyes, fiber reactive, acid and,disperse dyes. A detailed and comprehensive dye,sample notebook and final project with emphasis,on color will be the result of this course.
Credits: 3
Prerequisites:
The study of Color Theory attempts to understand,and predict human response to the sensation of,individual colors, color combinations and usages,in terms of optics and the contexts in which,colors occur. In this course students are,introduced to color theory through systems that,have been developed throughout history as a means,of understanding the perceptual impact of color,interaction. Studio projects will engage the,study of color pigments, from natural to synthetic,sources, color as both material and phenomena in,the natural world and the context of color in a,variety of differentiating media and printing,processes. The question of how color functions,will also be explored through a variety of,cultural and psychological perspectives that,inform both symbolic and linguistic properties of,color.
Credits: 3
Prerequisites:
This non-major course is designed to,introduce/develop two-dimensional design skills,in the context of typographic environments to,students outside of the major of Communication,Design. Projects will introduce students to the,principles of typography and image in order to,develop skills related to organizing typographic,and image environments to achieve clear,communication based on an understanding of,typographic hierarchy, message, and aesthetics,,as well as spatial relationships of the,page/screen such as grid, column and margin.,Additionally students will develop the ability to,make typographic design decisions that consider,taste, audience/user, content, concept, and,sequence, by employing process methodologies used,in the creation of unique visual communication,solutions that speaks to their own art and design,practice, or cultural, social lens.
Credits: 3
Prerequisites:
The course develops the student’s applied,understanding of new media. Projects include,topics relevant to defining client need, assessing,user interface, developing information structures,,navigation conditions and consideration of,audience/user. The course exposes students to,theories of cognition and perception relevant to,communications based in motion and interactive,media.
Credits: 3
Prerequisites: DGD 365
Junior or first-semester senior students in good,academic standing have the opportunity to spend a,semester (Fall or Winter) or a full year of study,at an accredited institution abroad. Further,information is available from International,Student Services.
Credits: 12
Prerequisites:
This course will focus on the causes and,aftermath of World War I. While the war itself,was fought between 1914-1918, consideration of,the causes and aftermath widens our exploration,from 1848 (the “year of revolutions”) to 1939,(the Spanish Civil War). Sometimes called “The,War to End all Wars” or “The Great War”, the,catastrophic events of WWI changed the modern,world. These causes and changes extend from the,middle of the 19th to the middle of the 20th,century, and into our own 21st century. This is,why this war can be considered an endless war. ,World War I affected virtually every field,discipline – from the arts and science, politics,and ideology, geography and anthropology, finance,and popular culture, and, the ways we consider,the process of History itself.
Credits: 3
Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture).
The Special Project class is offered on an,occasional basis, with course content specific to,the area(s) being explored.,
,
,FALL 2023,
,COMICS STORYTELLING I,Students will be engaged in a comprehensive,exploration of the elements of comics through,several exercises, culminating in one project.,Students will learn about various techniques,,mechanics, structures, and vocabulary employed in,the production of published comics media. This,course is one in two courses in Comics,Storytelling.,
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,,WINTER 2024,
,COMICS STORYTELLING II,This is the second of two comics storytelling,courses. This course expands on elements,introduced in Comics I. Students will be exploring,the production of comics from script to final,through development of stories, adapted or,”kit-bashed.” Students will also review the,intersections between narrative perspective and,narrative experience, as well as an investigation,of causality’s impact on storytelling. This course,is part two of Comics Storytelling.
Credits: 3
Prerequisites: