This course focuses on printed art in America,from pre-1890 through the 1950’s. The influence,of illustrators on the attitudes and customs of,their times is the focus. Using a format of,study by decade, the course explores the making,of,pictures to tell a story regardless of medium. A,more theoretical approach is used in discussions,of the great teachers and of women in,illustration. ,This course satisfies the General Education,requirement.
Credits: 3
Prerequisites: DEN-102
In this course, students explore world mythology,and the works of art they have inspired. Western,artists historically have drawn inspiration from,Christian beliefs and symbols as well as from the,myths of ancient Egypt, Greece and Rome. ,Contemporary artists have also been influenced by,the beliefs and symbols of Asia, India, Native,America, Africa and other cultures. These are the,basis for most animated stories, video games,,films and many other forms of literature and,works of art. The course will explore the,beliefs, meanings and symbols of many cultures as,they are used in art both historically and today.
Credits: 3
Prerequisites: DAH 200, DAH 201 (or DAH 202)
This course explores numerous glaze processes and,application techniques and provides students with,an understanding of how surface relates to and,enhances three-dimensional forms. Weekly,demonstrations and lectures give students the,basis for solving structured assignments.
Credits: 3
Prerequisites:
Credits: 3
Prerequisites: DCR 103 DCR 252
This course introduces students to fiction,,poetry, creative nonfiction and drama and,presents an opportunity to produce written work,in those genres for review by the instructor and,peers. DEN 307 offers student writers an,opportunity to improve their writing. The works,of published writers, like the exhibits of,artists, are used as models and resources. This,course is open to the general student population,,but is required for all Creative Writing Minors.
Credits: 3
Prerequisites: DEN 102
Painting II is an intensive studio course that,assumes a basic understanding of painting,materials and techniques. Figure/Ground,relationships are challenged both formally and,conceptually through an investigation of painting,as it exists alongside a number of social,,architectural, and technological forces. This,class will engage the vast range of,inter-relational possibilities in the making and,experiencing of painting. Historical and,Contemporary painting strategies will be examined,in contexts of time and place. Individual and,group critiques, homework assignments, I.A.,(ideation archive) and artists statements are,used to assess progress. Demonstrations,,lectures, and field trips will enhance the,engagement.
Credits: 3
Prerequisites: DFN 103 DFN 104 DFN 120 DFA 105 DFA 120
This course explores piecing, quilting, applique,,embellishment, and stitched collage. Basic,machine and hand sewing will be introduced to,produce pliable, layered, and sculptural,surfaces. Traditional and nontraditional,materials combinations and fabric manipulation,techniques will function as the “skin” of,armature-based sculptural constructions. An,overview of historical and contemporary fiber,works will provide framework for students to,experiment.
Credits: 3
Prerequisites:
This course is an introduction to the principles,,vocabulary and mechanics of two dimensional,design, including the exploration and application,,of color theory. Students explore Concentration,Specific design concepts, through lectures,,readings, discussions, hands-on, studio,assignments and critiques; translating 2D design,concepts from traditional to digital mediums,(Adobe Photoshop/Illustrator). Students will,design and produce compelling presentation,materials and asset layouts with effective,messaging using proper proportion, composition,,typographical considerations and meaning and,tension.
Credits: 3
Prerequisites:
This motion design course introduces concepts and,methods used in designing dynamic digital,communications that rely on the typography, image,,video, sound, and message. The language of motion,design and its associated meaning(s) are presented,through a series of dynamic projects, where,students select the narrative content they,explore. Students learn relevant techniques and,concepts, associated with both analog and digital,tools in order to aid in the creation of,well-crafted dynamic sequential solutions. ,Students may elect to take additional courses,,Motion Design II and III, starting in the junior,year.
Credits: 3
Prerequisites: DGD 151 OR DGD 201
Students will work in the creative process of,original typographic design which will emphasize,exploration, historical research and synthesis of,these variables in typographic design. Students,will consider and explore various design process,methodology related to type design. Students are,encouraged to use technology and media that,reflects the project outline and student’s skill,level. Students will revisit and review,typographic nomenclature relevant to type design,and consider the important role of graphic design,history in the context of type design. An,inclusive historical lens is encouraged.
Credits: 3
Prerequisites: DGD 311 OR DGD 312