Tag: 2024-2025

DFN-138 4D DESIGN STUDIO

Through the introduction of the core principles of,time-based media, basic code, prototyping and user,experience, this studio implores students to,explore the concepts of time and interactivity and,its impact on the design and experience of their,work. Students work within an iterative process,to create multiple projects, organizing visual and,other sensory elements in order to understand,perceptual attributes and convey meaningful,messages through objects, spaces and experiences. ,Students research, develop, design and prototype,multiple projects, selecting one to produce and,present as a fully realized piece.

Credits: 3

Prerequisites:

DGD-264 USER EXPERIENCE DESIGN

This required interaction course, is the second in,a sequence of three, that applies an understanding,of intermediate design principles, code,language(s), and software used in the creation of,web-based communications that are dynamic and,responsive, focusing on dynamic user experiences. ,The role of clear information hierarchy through,mapping and wireframing are key considerations in,the development of interactive solutions. Through,assigned projects students will understand the,complex nature of user experience design solutions,that need to function in a variety of digital,systems, environments, and platforms that,consider human centered needs including a,broader definition of user and user groups. ,Concepts and techniques of appropriate hardware,and software are integrated into exercises that,aid in the creation of well-crafts messages,applied to informed design solutions. Students,may elect to take additional Interaction Design,courses like Experience I and II, starting in the,junior year.

Credits: 3

Prerequisites: DGD 211, DGD 251, DGD 263,

DGD-411 ADVANCED COMMUNICATION DESIGN I

This required senior course, is the first in a,sequence of two that expands on the theories,,processes and methods presented in the third year.,In this course students expand their knowledge of,branding to the larger underlying conditions such,as economic, political and cultural that,facilitates excellence in communication design,practice. Students develop tools for assessing,success in brand concepts, through inquiries into,the strategies behind contemporary brand,solutions. Projects have collaborative phases, a,skill that prepares students for professional,life. Research methods are applied as a means to,creating informed design solutions that include,readings, lectures and written analysis that,consider the strategic role building a cohesive,brand system with inclusive audiences integral to,defining successful student outcomes.

Credits: 3

Prerequisites: DGD 317, DGD 311 OR DGD 312

DGL-244 GLASSBLOWING WITH IMAGERY

In this course, students learn in-depth color,compositional techniques as they relate to glass,and how they are applied to personal expression.,The theme of this course is to integrate color,composition imagery into blown glass. Referencing,historic and contemporary glass, students develop,a personal body of work reflecting researched,topics and proficiency in skills they have,developed. Some techniques covered include cain,,frit and shard glass, and engraving and etching to,produce compositions both decorative and,painterly.

Credits: 3

Prerequisites: DGL 135 OR DGL 142

DIL-325 INTERMEDIATE DIGITAL ILLUSTRATION

In this course, students learn to incorporate,traditional drawing and computer painting,processes to produce finished projects. Conceptual,figure invention, design principles and the use of,both traditional and digital tools are explored.,The creation of rendered pen and ink drawings are,utilized as the foundation for producing digital,paintings. Personal and classical character,development and traditional painting techniques,are used to produce mass-production quality CMYK,images. Projects are developed to meet industry,standards for entertainment companies; i.e.,,comics, syndication, editorial illustration and,TV.

Credits: 3

Prerequisites: DIL 261

DIL-406 STRUCTURAL FIGURE ILLUSTRATION

Structural Figure Painting is an Illustration,department course offered to seniors. It is,designed to apply the knowledge a student has,gained from their combined classes from Terms 1-6,in general, and specifically focus on drawing,,painting, and analyzing the entire figure in a,complex manner for finished work. This involves a,number of multiple class session figure poses,,larger sized in class work, as well as some larger,scale and complex homework projects. A diverse,grouping of past and contemporary artists from,varied global cultural backgrounds of race,,gender, sexual identity/orientation, among others,will be critically discussed.

Credits: 3

Prerequisites: DIL 246

DIN-130 RESIDENTIAL INTERIOR DESIGN STUDIO

In this course, emphasis is placed on residential,design projects in which students develop methods,for creative problem solving. Students learn to,create plans and package their ideas from,preliminary design concepts. The study of basic,design elements and principles are considered.,Contemporary issues relative to interior design,are explored and issues related to human,needs-diverse users from an inclusive design,standpoint, functions and spatial proportions in,the built environment.

Credits: 3

Prerequisites: DIN 127

DIN-432 SENIOR INTERIOR DESIGN STUDIO II

In this course, a professional project,encompassing knowledge and skills of previous,years is developed. Projects may include an,internship, workshop or mentor experience and is,meant to be an intensive culmination/integration,project that highlights the student’s portfolio.,The project uses parallel requirements to the,NCIDQ (National Certification for Interior Design,Qualification) exam in order to prepare students,for this certification examination.

Credits: 3

Prerequisites: DIN 431

DLE-401 ART & MADNESS IN MODERN CULTURE

Madness has been of interest to philosophers,,psychologists, social scientists – as well as to,artists. The history of art, culture and,literature is filled with “mad or romantic,geniuses.” This course proposes a comparative,examination of the transition of “marginalized”,forms of representation from “insanity” into the,field of aesthetic and cultural practice by a,consideration of the art and drawing of the insane,(from asylums), short story (Edgar Allen Poe),,poetry (Sylvia Plath), painting (Van Gogh,,Surrealism, de Kooning), and film (Ingmar Berman’s,”Through a Glass Darkly”). The course seeks a,balance between critical theory (Plato,,Romanticism, Avant-Garde, Feminism), close reading,(engaging each person’s affective response), and,developments in the changing status of the,scientific, social and intellectual situation of,works. Course credit may be used as English or,Philosophy.

Credits: 3

Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture).