DMA-348 ANIMATION PROJECTS I

Students explore and experiment with traditional,and non-traditional materials and animation,processes (paint, clay, sand, cut-out, pixelation,,computer graphics, etc.) to create finished,animated films. These self-directed collaborative,projects are designed to allow the student the,opportunity to fully experiment with the creative,medium. Story, technique and originality are,emphasized. This class mirrors traditional and,nontraditional perspectives of society.

Credits: 3

Prerequisites: DMA 230

DMA-424 PROFESSIONAL FUTURES I

The intent of this class is to prepare the,student for entry into the next level of work.,Future scenarios in professional studios,,corporations, research institutions and graduate,education are discussed, general business and,ethics are addressed and portfolios are prepared,according to the student’s personal aims and,objectives.

Credits: 3

Prerequisites: DMA 332, DMA 333

DME-175 BLACKSMITHING

This class is an introduction to traditional,blacksmithing techniques. Students explore the,hand forging of ferrous and non-ferrous metals,into a variety of decorative and utilitarian,objects with an emphasis on traditional joinery,techniques. Topics include terms and vocabulary,,hand proficiencies related to blacksmithing,technology, tool making, and a survey of this,versatile process with a focus on its historical,relevance. Beginning level students focus on,foundation skills associated with the manipulation,of metal using the hammer and anvil.

Credits: 3

Prerequisites:

DME-375 ADVANCED BLACKSMITHING

This class covers more advanced blacksmithing,techniques. Students explore the forging of,ferrous and non-ferrous metals. Topics include,terms and vocabulary, related technology,,toolmaking and a survey of this versatile process,with a focus on its historical and contemporary,relevance.

Credits: 3

Prerequisites: DME 275

DNS-500 GLOBAL LEARNING EXPERIENCE

(This is a faculty led study abroad course *,syllabi will differ per destination) ,,On a Global Learning Experience course, students,are brought outside the typical classroom, for a,24/7 learning experience in varying locations,outside the USA. The course will provide students,with tools for analyzing your learning process and,identifying cultural patterns, differences,,similarities and values encountered during the,journey. Students develop a sense of,cross-cultural understanding, and navigate towards,becoming a global citizen. Students develop a,heightened sense of confidence, and leadership as,they plan, and execute this excursion. In,addition students discover the role of becoming an,ambassador for their own culture. Practical issues,about studying abroad (safety, money, packing,,etc.) are delivered via pre-departure sessions,with the International Student Services Office.,
,

, SUMMER 2024,
,COSTA RICA,
,There’s nothing quite like the rain forests of the,”Rich Coast.” At its heart, the,Central American country boasts an epic landscape,that is home to nearly 5 percent of,the world’s biodiversity. Discover how fragile,these endangered ecosystems are as you,travel through different rainforest preserves and,unearth dazzling displays of color and,sound. Explore also the unique art and culture of,some of Costa Rica’s most vibrant,cities and towns.

Credits: 3

Prerequisites:

DPH-327 FASHION PHOTOGRAPHY AND NARRATIVE

This course examines the history of fashion,photography from the late 19th Century to the,present day and its relationship to narrative,structures and representing global cultures,,social constructs, and differently abled bodies. ,Through lectures, discussions, and assignments,,students learn how to orchestrate a fashion shoot,and implement the latest strategies in creating,fashion stories and spreads.

Credits: 3

Prerequisites:

DPR-326 ADVANCED PRODUCT DESIGN II

This course reinforces earlier teachings on the,product development process and applies the,methodology to projects that emphasize the,investigation of ergonomics and manufacturing,methods. Students use the skills learned in,supporting classes to convey design solutions in,2D sketches, 3D study models, digital models,and renderings.

Credits: 3

Prerequisites: DPR 214, DPR 225, DPR 226

DTR-126 FRESHMAN TRANS DESIGN STUDIO II

Building on the 2-D drawing and 3-D translation,methods learned in DTR 125 this course introduces,students to the fundamental design process used by,transportation designers. Through this,introduction, students will develop a basic,understanding of each phase in the process:,problem identification, concept development and,model building. Research with an eye toward,inclusive design opportunities, as well as,packaging for a variety of end users with diverse,needs will be explored. Course content may be,reinforced through field trips to local design,studios and factories.

Credits: 3

Prerequisites: DTR 125