This 15 week course promotes the creation of a,personal portfolio. It aims to inspire and prepare,the student to develop a resourceful, curious and,creative mind set, combining conceptual, critical,and inclusive thinking. Students learn to tell a,story through verbal and visual vocabulary whilst,problem solving. This course culminates in three,diverse collections. A guest critic is invited to,offer industry feedback for the final class.
Credits: 3
Prerequisites:
This advanced course focuses on complex motion,graphics and compositing techniques for the,filmmaker, considering effects in service of story,and underscoring the value of research and,development.
Credits: 3
Prerequisites: FLM 211
Participation in an internship experience allows,students to use classroom-learned skills in a,related employment experience. Students must work,a minimum of 135 hours over the course of the,entire semester. To participate students must be,of junior or senior status with completion of,freshman and sophomore studios. Students must,have a minimum cumulative GPA of 2.8. Seniors may,not be eligible to participate in an internship,during their final semester. Transfer students,must have attended one semester at CCS in addition,to meeting the other eligibility criteria.
Credits: 3
Prerequisites:
Building on the conceptual and problem-solving,skills learned, students create advertising for,media ranging from social posts to online,entertainment, emerging to immersive media with,emphasis placed on a targeted and diverse,marketing message. Current industry trends are,reviewed including, graphics, motion, special,effects, production techniques, editing and,directing. Historical context of storytelling and,digital media is put into perspective as well. ,Students learn effective strategy techniques to,identify and solve new media specific advertising,problems for a targeted and diverse consumers and,audiences. Increased focus is placed on futurist,thought while students learn the strategies,,processes, and storytelling techniques used for,developing concepts in this ever-evolving industry,for a broad range of products, brands and social,causes. Presentations specific to digital media,ideas are practiced on a regular basis.
Credits: 3
Prerequisites: DAD 235, DAD 250, DAD 283
This course surveys the history of American,education and art education. Educational,applications of research around educational,learning theory and practice are introduced. The,development of prevailing philosophies of,Education, Art Education and American pedagogy are,covered within a framework of theoretical,understanding, art integration exercises,,classroom observations, reflection, and dialogue.,Attention to inclusive and equitable pedagogical,practice is explored through the development of a,social justice themed middle school lesson plan.,Fifteen hours Field Experience in K-12 educational,settings required outside of class. Field,experiences and hours are an integral part of each,art education course. Students are expected to,participate in field during the course of the,semester in a professional and timely manner.,Students must complete all required field hours,and associated field experience assignments in the,course before they can register for the next art,education course. This course is open to students,second semester freshman level and above. This,course may count for general elective credit for,those who do not pursue teacher certification.,Students taking DAE 200 for certification in Art,Education must pass with a grade of ‘C’or higher.
Credits: 3
Prerequisites:
This course will examine the history and roots of,video games as an industry and as an artistic,medium by observing the advancements made in the,visual art and theories of game design.
Credits: 3
Prerequisites: DEN 102
Independent Study is available to students who are,at Junior or Senior level standing with a,cumulative grade point average of 3.00 or above.,The student may receive approval to work in an,area or on a project that is not otherwise offered,or addressed in the regular curriculum. An,Independent Study should include opportunities for,individual student voice and provide a space for,diverse perspectives. Students may receive credit,toward graduation for no more than 6 credit hours.,The student must submit to the chairperson of the,department in which they wish to study, an,Independent Study Proposal of 150 words (no less),of the student’s plan for study and her/his reason,for choosing to study independently. Once the,department chairperson provides approval and the,instructor for the Independent Study is,determined, the faculty member must write an,Independent Study Syllabus with education goals,,learning outcomes, meeting dates, course,expectations, timelines, and due dates. Art,Education candidates must pass DAE 490 with a,grade of ‘C’ (2.00) or higher to qualify for,certification.
Credits: 3
Prerequisites: DEN 239, DAH 200, DAH 201
This course places an emphasis on refinement of,basic wheel throwing techniques and glazing.,Students are expected to develop assembled forms,and groupings within their body of work.
Credits: 3
Prerequisites: DCE 105
This is an Adobe Illustrator based course focused,on creating images and patterns that can be,applied to a variety of surfaces. Students source,a variety of materials and explore planar networks,and modular systems for design applications.,Formatting design files for cnc / laser,manufacturing are explained, and presentation,skills are emphasized using InDesign to create a,final process book along with a variety of,material studies.
Credits: 3
Prerequisites: DFN 119
Creative nonfiction is a type of writing that,uses literary styles and techniques to construct,narratives that have their foundation in fact.,Examples include: memoir, travelogue, the,personal essay, and cultural observation. As,opposed to journalism and technical writing,,which are also based in fact, creative nonfiction,projects a dramatic, literary framework onto,everyday existence, rendering it enlightening and,potentially meaningful to the reader. We will,study examples of creative nonfiction in order to,determine some of the structures and methods of,this relatively open genre, and in turn, apply,them to students’ own work. As a workshop class,,the primary focus is student writing of,manuscripts to be critiqued and improved. The,class requires students to share their writing,,questions, and opinions. As an online workshop,class, we will interact almost entirely through,the medium of Blackboard, posting work and,responses weekly or bi-weekly. On a deeper level,,we will consider the sometimes slippery nature of,truth as it applies to this writing form, looking,for consensus on the boundaries we can push, vs.,those we must maintain in order for this genre to,preserve its claim to authority.
Credits: 3
Prerequisites: DEN 102