Tag: 2024-2025

DAH-485 SPECIAL PROJECT 300/400

The Special Project class is offered on an,occasional basis, with course content specific to,the area being explored. This course satisfies,the General Elective requirement.,

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SUMMER 2023
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SPAIN AND MOROCCO STUDY ABROAD
,This is an 11-day study abroad course in Spain and,Morocco. The premise of this course is that the,interaction between European and North African,culture in Southern Spain and Northern Morocco,created a unique laboratory for visual art,,architecture, and other cultural forms. Through,reading and travel, this class will immerse,students in one of the great cultural and,historical stories of world history.

Credits: 3

Prerequisites:

DCR-351 CRAFT JUNIOR STUDIO II

Students develop a concise research and design,brief to guide their studio work throughout the,semester. Concepts are explored through studio,work and presentations. Critical readings,,discussion, visiting artists and critique will,take place in class. Documentation and,professional portfolio materials will be,addressed. Students will consider how their group,and individual identity inform their artwork.

Credits: 3

Prerequisites: DCR 350

DEN-312 FICTION WRITING WORKSHOP

The purpose of this workshop is to create and,refine new fiction in the form of flash or short,stories, novellas and/or novel chapters. Since,good writing rarely occurs in a vacuum, in,addition to providing critiques on student story,and chapter drafts, we will also discuss,materials from professional writers to help,deepen our own understanding of the craft of,fiction and the interplay between form and,content.

Credits: 3

Prerequisites: DEN 102

DFA-346 ADVANCED FIGURE PAINTING

This class is designed to vigorously extend ideas,explored in Introduction to Figure Painting, with,an opportunity to engage in more complex,figurative problems. Class discussions include,relevant topics on contemporary figurative art.,Emphasis is on larger format, longer studies and,formal painting,concerns.

Credits: 3

Prerequisites: DFA 120, DFA 220

DFD-246 HUE DYE FIBER

An in-depth, systematic exploration of the many,facets of color as it relates to dye chemistry. ,Students explore metric system dyeing of animal,,vegetable, and synthetic fibers utilizing,natural/vegetable dyes, fiber reactive, acid and,disperse dyes. A detailed and comprehensive dye,sample notebook and final project with emphasis,on color will be the result of this course.

Credits: 3

Prerequisites:

DFN-120 DESIGN COLOR AND CONTEXT

The study of Color Theory attempts to understand,and predict human response to the sensation of,individual colors, color combinations and usages,in terms of optics and the contexts in which,colors occur. In this course students are,introduced to color theory through systems that,have been developed throughout history as a means,of understanding the perceptual impact of color,interaction. Studio projects will engage the,study of color pigments, from natural to synthetic,sources, color as both material and phenomena in,the natural world and the context of color in a,variety of differentiating media and printing,processes. The question of how color functions,will also be explored through a variety of,cultural and psychological perspectives that,inform both symbolic and linguistic properties of,color.

Credits: 3

Prerequisites:

DGD-201 COMMUNICATION DESIGN FOR NON-MAJORS

This non-major course is designed to,introduce/develop two-dimensional design skills,in the context of typographic environments to,students outside of the major of Communication,Design. Projects will introduce students to the,principles of typography and image in order to,develop skills related to organizing typographic,and image environments to achieve clear,communication based on an understanding of,typographic hierarchy, message, and aesthetics,,as well as spatial relationships of the,page/screen such as grid, column and margin.,Additionally students will develop the ability to,make typographic design decisions that consider,taste, audience/user, content, concept, and,sequence, by employing process methodologies used,in the creation of unique visual communication,solutions that speaks to their own art and design,practice, or cultural, social lens.

Credits: 3

Prerequisites:

DGD-366 INTERACTION IV

The course develops the student’s applied,understanding of new media. Projects include,topics relevant to defining client need, assessing,user interface, developing information structures,,navigation conditions and consideration of,audience/user. The course exposes students to,theories of cognition and perception relevant to,communications based in motion and interactive,media.

Credits: 3

Prerequisites: DGD 365