In this studio students construct the prototypes,for the final collection. They are required to,construct six total looks based on the designs,,including tops and bottoms and/or accessories,depending on the emphasis. The prototypes will,help students to develop solutions when,constructing their final collection in the,following semester. This class runs parallel with,FAD 401: Advanced Collection Design.
Credits: 3
Prerequisites: FAD 311
This is a course in the aesthetics and techniques,of documentary film production. Exercises and,assignments emphasize research and interview,techniques, story, technical skills, and the,legalities and ethics associated with non-fiction,filmmaking. Students produce a series of,individual and collaborative documentary shorts.
Credits: 3
Prerequisites: FLM 201, FLM 225 or DMA 312
Students engage in a series of personal and,collaborative projects requiring them to invent,new rules and processes for research, testing, and,making through the acts of inquiry, observation,,play, material exploration, testing, and,fabrication. This course functions an introduction,to an interdisciplinary studio practice as well as,to the various disciplines that make up the,College. Students gain an understanding of the,facilities, opportunities, and course offerings,that each department has to offer them, which will,help with direction and course selection in the,coming semesters. This studio incorporates,reading, writing, and critical thinking as vital,components of a holistic studio practice,,instilling a fundamental approach to the program.
Credits: 3
Prerequisites:
Seniors create personal branding, resumes,,portfolios, web sites, LinkedIn profiles, reels,and self-promotion pieces. They prepare for job,interviews, identify and contact potential,employers and learn important interviewing skills,from agency professionals and recruiters. Agency,structure, hierarchy, business practices and,expectations are examined. Graduate portfolios,are reviewed and analyzed for further development,and refinement in the final semester.
Credits: 3
Prerequisites: DAD 322, DAD 366 – ADVERTISING,DAD 322, DAD 360 – COPYWRITING
Participation in an internship experience allows,students to use classroom-learned skills in a,related employment experience. Students must work,a minimum of 135 hours over the course of the,entire semester. To participate students must be,of junior or senior status with completion of,freshman and sophomore studios. Students must,have a minimum cumulative GPA of 2.8. Seniors may,not be eligible to participate in an internship,during their final semester. Transfer students,must have attended one semester at CCS in,addition to meeting the other eligibility,criteria. Art education students must take and,pass DAE 200 with a grade of ‘B’ or better. Art,Education candidates must pass DAE 475 with a,grade of ‘C’ (2.00) or higher to qualify for,certification.
Credits: 3
Prerequisites: DAE 200
This course surveys the major developments within,the craft tradition that have influenced,contemporary studio practices and cultural,acceptance. Emphasis is on the many social and,cultural contexts that have shaped the path of,artistic production. Particular focus will,center,on nineteenth and twentieth century innovations,and their impact on today’s craft, craftsman and,culture. This course satisfies the General,Elective requirement.
Credits: 3
Prerequisites: DEN 102
This course instructs students in principles of,financial management specifically related to the,needs of artists and designers. It builds on,knowledge gained in DAS 213, Business Practices,,to deepened understanding of fundamental business,concepts and methods. Through coursework and,practice, students develop a set of skills and,tools relevant to operating a small or growing,start-up company, working in an independent,freelance practice, or working in a corporate,design studio or other creative environment. ,This course will examine such topics as:,measuring cash flow; working with budgets and,forecasts; evaluating financial performance;,managing working capital; allocating resources;,identifying sources of funding for,entrepreneurial ventures; presenting business,cases to investors and corporate managements;,understanding business related taxes, including,tax planning and legal considerations; selecting,an accountant or other financial advisor using,sound financial criteria; recognizing the,advantages and disadvantages of ownership such as,sole proprietor and LLC. This course may count,towards liberal arts or general elective credit.
Credits: 3
Prerequisites: DAS 313
Students in the advanced level of wheel throwing,are expected to develop a personal voice using the,wheel. Individuals refine their technical and,conceptual skills while learning the fundamentals,of firing their own work.
Credits: 3
Prerequisites: DCE 105, DCE 205
Independent Study is available to students who are,at Junior or Senior level standing with a,cumulative grade point average of 3.00 or above.,The student may receive approval to work in an,area or on a project that is not otherwise offered,or addressed in the regular curriculum. An,Independent Study should include opportunities for,individual student voice and provide a space for,diverse perspectives. Students may receive credit,toward graduation for no more than 6 credit hours.,The student must submit to the chairperson of the,department in which they wish to study, an,Independent Study Proposal of 150 words (no less),of the student’s plan for study and her/his reason,for choosing to study independently. Once the,department chairperson provides approval and the,instructor for the Independent Study is,determined, the faculty member must write an,Independent Study Syllabus with education goals,,learning outcomes, meeting dates, course,expectations, timelines, and due dates. Art,Education candidates must pass DAE 490 with a,grade of ‘C’ (2.00) or higher to qualify for,certification.
Credits: 3
Prerequisites:
We orient ourselves, we define ourselves, in,emotional, temporal, physical space. This course,explores important American texts which convey a,strong sense of place, or, in other words,,emotional, political and/or cultural environments,,from the early urbanism and social realism of,Sister Carrie, to the rise of modernism, urban,anonymity, and apocalyptic fantasies in The Day of,the Locust, and ultimately, to post modern,experiments, including the graphic novel, which,test the boundaries of our accepted notions of,time and space and identity.
Credits: 3
Prerequisites: DEN 239