Tag: 2024-2025

DFN-139 COLOR AND LIGHT STUDIES

Students will be introduced to the theory and,practice of color through observation,,experimentation, readings, screenings, discussion,,and creative projects. They will develop a,working color vocabulary considering sensory,experience, the psychology of color, personal,preference, as well as historical and symbolic,meanings of color. Students will also gain a,basic and practical understanding of mixing color,through traditional and non-traditional materials.,This class is experiential and open ended, an,attempt to arrive at an understanding of color as,an evolving scientific, philosophical, and,cultural phenomenon.

Credits: 3

Prerequisites:

DGD-277 INTRODUCTION TO COMMUNICATION DESIGN II

This required course, is the second in a sequence,of sophomore courses, that develops an,understanding of theories, processes, and methods,associate with Communication Design practices. ,Through assigned projects, students develop the,ability to research content that translates into,concept, that consider audience, and utilize,creative problem-solving methodologies in order to,create a system of visual communication solutions.,Design Writing, research, and presentation are,included in this studio course, which centers,inquiry around concepts of Communication Design,History in the creation of well-crafted narratives,applied to informed design solutions (print or,digital) that provides a greater understanding of,the rich lexicon of design language(s) past and,present.

Credits: 3

Prerequisites: DGD 259, DGD 251, DGD 276 OR DGD 211

DGD-412 ADV COMMUNICATION DESIGN II

This required course, is the second in a sequence,of senior year courses, that develops an,understanding of theories, processes, and methods,associate with Communication Design practices. ,Design writing, advanced research methods, and,critical thinking are skills reinforced in this,studio course in order to fully develop the,student’s knowledge of advanced narrative,concepts. Projects expand on the student’s,lexicon of design language(s) and delves into the,role of personal voice in the creation of projects,centered around a personal thesis. Students,create a research log, write a thesis statement,,present, and manage timelines with the support and,guidance of faculty.

Credits: 3

Prerequisites: DGD 317, DGD 311 OR DGD 312

DGL-265 BEGINNING GLASS LIGHTING

This beginning class teaches students how to,transform the glass objects that they make into,functional lighting devices. Fabrication,,assembly, and finishing techniques will be,introduced. Students will learn how to safely make,electrical connections and select the appropriate,components for their designs. The skills learned,will be applied to creative projects.,Craftsmanship, problem-solving, and design will be,emphasized.

Credits: 3

Prerequisites: DGL 142

DIL-158 PERSPECTIVE

This course is designed to teach students methods,for mechanical and freehand perspective drawing.,Topics covered are volumetric drawing, equal and,unequal spacing in perspective, one point,(parallel perspective), two point perspective,,three point perspective, inclined perspective,,ellipses (as well as the difference between,ellipses, circles in perspective and ovals), and,tonal values as they relate to atmospheric,perspective and the rendering formula of,highlight, light, shadow, shadow core, reflected,light, and reflected shadow. Also taught are the,understanding of light refraction and rendering of,cast shadows and the use of hard, intermediate and,soft edges to achieve a sense of dimension.

Credits: 3

Prerequisites: DFN 101, DIL 147

DIL-326 GREETING CARDS, PRINTS & COLLECTIBLES

In this course, students explore and develop craft,and principles for the creation of art for,greeting cards, novelties and other retail and,merchandising markets. Students research and,develop products which can potentially be,mass-produced and marketed to diverse audiences.,Students are encouraged and guided towards,researching global cultures, and creating,illustration that reflects diverse individuals,from a variety of race, gender, sexual,identity/orientation,,disability/differently-abled, and economic class.,Students will also develop a list of potential,clients and contacts for the products they,produce. Production methods and procedure for,creation of finished work is open to individual,exploration. Students have the option of using,traditional or digital tools, or three dimensional,mediums.

Credits: 3

Prerequisites: DIL 231, DIL 261

DIL-407 ILLUSIONIST PAINTING (ADVANCED)

“Illusionist Painting” is an atelier style course,focused on contemporary representational,practices, with an emphasis on creating the,illusion of form from the live figure. Students,will have extended class time to accomplish,paintings from a diverse grouping of live figure,models of varied race, gender, sexual,identity/orientation, and,disability/differently-abled backgrounds. The,course will,include an observational approach to painting the,human figure and will develop skills in,proportion, perspective, modeling form and,illusion, based on an advanced level. The,advanced class will emphasize the completed image,”lay-in” stages, rendering of complex realistic,and representational form, surface quality, and,personal outlook or “voice.” We will cover,contemporary methods and materials, and,traditional methods in panel painting, canvas and,chassis, ground preparation, pigment preparation,,varnishes and mediums, and mural painting among,other methods and practices.

Credits: 3

Prerequisites: DIL 231, DIL 247

DIN-205 TEXTILES

Textile design and construction, cultural and,period specific contexts are surveyed in,this course. Students will identify and explore,woven, knitted, off-loom and finishing techniques,,as well as performance characteristics, basic,textile chemistry and testing procedure. Health,and safety standards that affect the selection,,specification and application of textiles in the,interior environment are examined.

Credits: 3

Prerequisites:

DIN-434 BUSINESS PRACTICES SEMINAR

In this course, fundamentals of the business of,interior design are covered including operations,,communications and the ethical, legal and,financial responsibilities of the practitioner.,NCIDQ standards are followed through practice,examinations. Students are given the opportunity,to review their portfolios. Emphasis is placed on,effective design presentation for interviewing,and communicating with industry professionals and,prospective clients. All aspects of a design,practice are explored from the initial client,contact and include the business practices,specific to the industry.

Credits: 1.5

Prerequisites: DIN 332

DLE-402 COMPARATIVE RELIGION: AN INTRODUCTION

This interdisciplinary course is an examination,of the cultural systems, history, and art of,human beings who espouse the world’s great,religions: Hinduism, Islam, Judaism, and,Christianity. The broad course objective is to,introduce students to the differing ways that,humans organize and express their culture and,beliefs, their relationship to nature and the,cosmos, and to each other, through the making and,use of religious concepts, ideologies, art and,architecture.

Credits: 3

Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture).