Category: Academic Programs & Courses

DTR-435 SENIOR MOBILITY DESIGN STUDIO

The senior mobility studio will stress the,consideration of user experience and social,impact in designing fleets of vehicles for public,use. Students will explore these facets by,researching the communities and larger regional,populations their designs are intended for. ,Sustainable materials and processes will be,investigated, as well as emerging cultural and,technical trends. Advanced presentations to,sponsors will illustrate the user-focused nature,of the students’ concepts, as well as the,students’ readiness to transition to the,professional world. Occasionally, course content,may be reinforced through field trips to,professional design studio or factories.

Credits: 3

Prerequisites: DTR 332, DTR 334, DTR 336, DTR 338

DVC-406 DOC FILM: (RE)PRESENTING THE REAL

Beginning with the idea that “all representation,is transformation,” students in this course will,examine the ways in which documentary films both,(re)present the sociohistorical world-the,”real”– and shape our perceptions of that,reality. Films drawn from a wide range of eras,,cultures, and perspectives will provide the,opportunity to explore concepts such as,authenticity, identity, evidence, authority, and,argument while course readings will analyze and,critique documentary films from a variety of,viewpoints including historical analysis, race,and gender studies, and critical theory. This,course satisfies the General Elective requirement.

Credits: 3

Prerequisites: DEN 239, DVC 200 OR DVC 306

FAD-301 TECH PACK DESIGN,TECH PACK DESIGN

In this course, students will learn the,technicalities in creating a drawing for,production, also known as a tech pack. Students,will learn how to develop a design concept for,the next step of production. The tech pack will,make the communication process more efficient,between the designer and the,manufacturer/prototyping.

Credits: 3

Prerequisites: DFN 119

FLM-326 NARRATIVE FILMMAKING II

This advanced film production course picks up,where Narrative Filmmaking I left off. It allows,students to focus their energies on the production,of a short of their own design, while continuing,to develop their technical skillset. The class is,a functioning small production studio, with,students crewing for each other in a range of,roles, participating in location scouting, casting,calls, the post-production pipeline, and regular,critiques. The entire production process and the,business of film will be addressed.

Credits: 3

Prerequisites: FLM 325 OR DMA 325

IAD-475 INTERDISCIPLINARY DESIGN INTERNSHIP

Participation in an internship experience allows,junior or senior status students to use,classroom-learned skills in a related employment,experience. Students must work a minimum of 135,hours over the course of the entire semester.,Students must have a minimum cumulative GPA of,2.8. Seniors may not be eligible to participate,in an internship during their final semester.,Transfer students must have attended one semester,at CCS in addition to meeting the other,eligibility criteria.

Credits: 6

Prerequisites:

DAH-213 HISTORY OF PHOTOGRAPHY

This course concentrates on significant movements,within the field of photography and accompanying,historical and political events that occurred,from the invention of photography in 1839 through,its many stages of development to the present,day. The course further reflects on how,photography continues to influence cultures,globally. This course satisfies the General,Elective requirement.

Credits: 3

Prerequisites: DEN 102

DAH-401 ART PRACTICE, SOCIAL THEORY & THE CITY

Art is not created in a vacuum. It exists within,contexts that are historical, cultural,,political, economic, technological, and physical., This course uses social theory to explore the,relationship between art and practice and the,urban environment. The class will examine the,perspectives of important thinkers in course,modules organized around major themes. Case,studies of specific art practices will also be,examined. These case studies will demonstrate a,diverse set of cultural viewpoints and strategies.,Ultimately, this course offers students an,opportunity to study art as an aspect of personal,identity, a mode of social organization, and a,source of critical and imaginative power within,the city. This course satisfies the General,Elective requirement.

Credits: 3

Prerequisites: DAH 200, DAH 201 (or DAH 202)

DCE-125 THE ECCENTRIC TEAPOT

In this course, students are encouraged to break,away from tradition by combining imagination and,metaphorical imagery with practicality.,Handbuilding and slipcasting techniques are,utilized in creating a teapot. Throughout the,term, students focus on a singular form,,developing a design that can range from extremely,minimal to baroque in style. The final project,includes presentation of the teapot.

Credits: 3

Prerequisites:

DEN-239 SURVEY OF WORLD LITERATURE

This course offers a rich, multicultural,perspective on literature – from classic American,and European texts, to important works from,Asian,,African, and Middle Eastern cultures. Students,are challenged to read and analyze for content,,style, and form, investigate texts through,library,research, learn to apply literary terminology,,and,compose critical essays utilizing primary and,secondary sources. This course satisfies the,General Elective requirement.

Credits: 3

Prerequisites: DEN 102