Tag: 2024-2025

DGD-311 INTERMEDIATE COMMUNICATION DESIGN I

This required course, the first in a sequence of,two, expands on the theories, processes and,methods presented in the second year. Students,are introduced to concepts of branding as it,relates to local or small entrepreneurial business,models. Through a series of projects, students,learn how to employ design thinking in order to,develop a visual brand strategy. In this course,students are presented with creative,problem-solving methods to help them make design,decisions that consider content, concept, audience,and communication systems. Concepts of meaning,are explored by using semiotic theories that aid,in the creation of well-crafted messages applied,to informed design solutions intended for,different audience/users.

Credits: 3

Prerequisites: DGD 212 OR DGD 277

DGD-475 COMMUNICATION DESIGN INTERNSHIP

Participation in an internship experience allows,students to use classroom-learned skills in a,related employment experience. Students must work,a minimum of 135 hours over the course of the,entire semester. To participate students must be,of junior or senior status with completion of,freshman and sophomore studios. Students must,have a minimum cumulative GPA of 2.8. Seniors may,not be eligible to participate in an internship,during their final semester. Transfer students,must have attended one semester at CCS in addition,to meeting the other eligibility criteria.

Credits: 3

Prerequisites: DGD 311 OR DGD 312

DIL-207 ILLUSIONIST PAINTING (BEGINNER)

“Illusionist Painting” is an atelier style course,focused on contemporary representational,practices, with an emphasis on creating the,illusion of form from the live figure. Students,will have extended class time to accomplish,paintings from the live model. The course will,include an observational approach to painting the,human figure and will develop skills in,proportion, perspective, modeling form and,illusion. The beginner class will emphasize,materials set-up, preliminary drawing and,proportions, and clear color and color value,planes on the objects and models. We will cover,contemporary methods and materials, and,traditional methods in panel painting, canvas and,chassis, ground preparation, pigment preparation,,varnishes and mediums, and mural painting among,other methods and processes.

Credits: 3

Prerequisites: DIL 159

DIL-328 ILLUSTRATION AS VISUAL ESSAY

Illustration as Visual Essay emphasizes the,importance of the illustrator as storyteller.,Students will work with a variety of,community-based organizations through a series of,field trips to document a wide range of stories,from a diverse group of individuals who may not,necessarily get media coverage. On-location,drawings and paintings will be utilized as the,material for a finished series of illustrations on,the student’s chosen theme.

Credits: 3

Prerequisites: DIL 231, DIL 247, DIL 258

DIL-443 ILLUSTRATION AND DESIGN II

In this course, students explore more complex,issues in dealing with text and image, translating,ideas into visual message constructs that,effectively combine the two in symbiotic,relationships. Students engage in problems that,demand research, creation and management of,numerous visual and informational elements within,a given visual product. Students will be guided on,methods of effective engagement with the local,community through their illustration and design,course projects.

Credits: 3

Prerequisites: DIL 342

DIN-231 SOPHOMORE INTERIOR DESIGN STUDIO I

In this course, students explore the design of a,large-scale mixed use residential/mercantile space,through creative thinking and problem solving.,Students learn to design for public spaces, based,on planning and programming techniques introduced,in Residential Interior Design Studio. Students,are encouraged to depict diverse users applying,universal and inclusive design. Preliminary,sketches, plans, and research as well as verbal,presentations are required.

Credits: 3

Prerequisites: DIN 127, DIN 128, DIN 130

DIN-485 SPECIAL PROJECT 300/400

The Special Project class is offered on an,occasional basis, with course content specific to,the area being explored.,,
FALL 2023
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,MASONITE,In this course, a professional project,encompassing knowledge and skills gained in,previous years, is developed. Projects may include,an internship, workshop or mentor experience and,is meant to be an intensive,culmination/integration project that highlights,the student’s portfolio.,Department permission is required for registration

Credits: 3

Prerequisites:

DLE-411 CARE OF THE CITY: DETROIT, ART,,AND THE PRACTICE OF REINVENTION

Care of the City: Detroit is an introduction to,Social Practice and Post-Studio art which through,an exploration of spaces of marginality and,collapse in cities in relation to durational,collaboration with communities as a response to,collapse and as evidence of an ethics of care. The,main question pursued: what does it mean to care,for a city? And: is care a choice? We shall make,numerous visits in Detroit as well as extended,comparisons with Chicago (Theaster Gates), New,Orleans (Paul Chan and Joshua Decter), Houston,(Rick Lowe), and Los Angeles (Suzanne Lacy). We,shall explore the image of the city in Social,Practices through music (Marvin Gaye), poetry, and,film (the League of Revolutionary Black Workers).,Short readings in philosophy, theology, and,psychology will complement cultural, historical,,and aesthetic texts in an attempt to develop a,critical practice distinctive to the new,experiences emerging in Social Practice and,post-studio forms and the ethics of care.

Credits: 3

Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture).

DMA-228 STOP MOTION I

This class focuses on object, clay and puppet,animation. Topics covered include staging,,choreography, direction, acting, stage design and,cinematic language. Students explore the,characteristics of physical space and how movement,can be used to suggest weight and gravity.,Students also investigate light and shadow in,scenes and learn how to create convincing stop,motion characters, analyzing personality and,attributes from diverse backgrounds, through,design, observation, materials and single-frame,animation.

Credits: 3

Prerequisites: DMA 243 ANIMATION NUTS & BOLTS