DMA-259 COLOR THEORY

Knowing how light and color affect storytelling,and composition are an absolute tool for a Concept,Designer. This course covers the properties and,effects of light and color. Scenarios include,different lighting conditions such as night and,day, color properties such as hue, tone, chromatic,signal and luminosity.

Credits: 3

Prerequisites: DMA 257

DMA-475 ENTERTAINMENT ARTS INTERNSHIP

Participation in an internship experience allows,students to use classroom-learned skills in a,related employment experience. Students must work,a minimum of 135 hours over the course of the,entire semester. To participate students must be,of junior or senior status with completion of,freshman and sophomore studios. Students must,have a minimum cumulative GPA of 2.8. Seniors may,not be eligible to participate in an internship,during their final semester. Transfer students,must have attended one semester at CCS in addition,to meeting the other eligibility criteria.

Credits: 3

Prerequisites:

FLM-278 DOCUMENTARY FILMMAKING I

This is a course in the aesthetics and techniques,of documentary film production. Exercises and,assignments emphasize research and interview,techniques, story, technical skills, and the,legalities and ethics associated with non-fiction,filmmaking. Students produce a series of,individual and collaborative documentary shorts.

Credits: 3

Prerequisites: FLM 201, FLM 225 or DMA 312

DAD-266 APP HAPPY: DESIGN FOR MOBILE MEDIA

Students use marketing strategy to identify mobile,marketing opportunities for targeted and diverse,consumer and user groups, utilizing current,industry concept techniques, trends and relevant,and cutting edge software skills to design,universal and inclusive design concepts, prototype,and test unique smartphone applications.

Credits: 3

Prerequisites: DAD 235, DAD 250, DAD 283

DAD-500 GLOBAL LEARNING EXPERIENCE

(This is a faculty led study abroad course *,syllabi will differ per destination) ,,On a Global Learning Experience course, students,are brought outside the typical classroom, for a,24/7 learning experience in varying locations,outside the USA. The course will provide students,with tools for analyzing your learning process and,identifying cultural patterns, differences,,similarities and values encountered during the,journey. Students develop a sense of,cross-cultural understanding, and navigate towards,becoming a global citizen. Students develop a,heightened sense of confidence, and leadership as,they plan, and execute this excursion. In,addition students discover the role of becoming an,ambassador for their own culture. Practical issues,about studying abroad (safety, money, packing,,etc.) are delivered via pre-departure sessions,with the International Student Services Office.

Credits: 3

Prerequisites: SLP 007

DCR-316 DIGITAL PRINT AND PATTERN DESIGN

This is an Adobe Photoshop based course focusing,on creating interconnected repeat patterns and,textile artworks via painting, collage, and mixed,media. Students produce original designs, repeat,layouts, coordinates, and colorways while,exploring mood boards, color palettes and design,application. File management and printing options,are explained, and presentation skills are,emphasized using InDesign to create a final,process book along with a variety of material,studies.

Credits: 3

Prerequisites: DFN 119

DFA-485 SPECIAL PROJECT 300/400

The Special Project class is offered on an,occasional basis, with course content specific to,the area being explored.,

,FALL 2023,
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, COLLAGE: CONTEMPORARY METHODS AND MATERIALS,,This course will investigate and implement the,various materials, techniques, processes, and,concepts of contemporary collage. Students will,work with everything from traditional cut paper,,digital processes, video and audio, installation,,and more. The emphasis will always be on the,making of collages but with a strong consideration,of what this kind of image making does in terms of,meaning, its impact on contemporary art and visual,culture, and its relevance to most cultural forms,operating today.,
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, CURATOR AND GALLERY MANAGEMENT,
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,This course is an introduction to exhibition,planning and management within a contemporary art,gallery context. Through readings, presentations,,and hands-on experiences, students will learn,about the exhibition-making process, including,research, curation, exhibition design,,installation, and promotion. By the end of the,course, students will have gained practical,experience in organizing and managing an,exhibition and be equipped with the skills to,become curators and gallery workers within,contemporary art spaces. Open to Non-Majors

Credits: 3

Prerequisites: DFA 115, DFA 120

DMA-217 INTRODUCTION TO 3D COMPUTER GRAPHICS

This class introduces students to the basic,concepts and possibilities of computer animation,available through Maya. Students develop a basic,understanding of Maya as a program, along with,such general animation concepts as modeling,,texturing, rendering, fundamental motion and,’point of view’ (camera positioning). The goal,of this course is to build familiarity with the,tools, terminology and ideas involved in modeling,and moving in the virtual 3D world.

Credits: 3

Prerequisites:

DMA-270 ANIMATION PRODUCTION

This course introduces the execution of the,animation production pipeline, in its entirety,,through the creation of two team-bases short,films-the faculty acting as the producer and,students covering all other aspects of production,within their assigned roles. Students will,further their understanding of film language,,layout, stylized design, and continuity in,animation. This course also prepares students for,their two semester Animation Projects classes as,well as future production studios throughout the,remainder of their academic career and beyond.

Credits: 3

Prerequisites: DMA 120, DMA 201 (OR DMA 317)

DMA-485 SPECIAL PROJECT 400

The Special Project class is offered on an,occasional basis, with course content specific to,Photo majors.,

,WINTER 2024,

,INTRODUCTION TO VIRTUAL PRODUCTION ,

,In this course, students will research and,implement virtual production techniques at an,introductory level. The class will explore,,research, and test the process of merging,realistic film techniques with 3D virtual,backgrounds in service of compelling storytelling.,The processes of syncing real and virtual cameras,for real-time composition, executing real-time,compositing and projection compositing, and,simulating and matching lighting and effects,between the real and virtual worlds will be,explored.

Credits: 3

Prerequisites: