Junior or first-semester senior students in good,academic standing have the opportunity to spend a,semester (fall or winter) or a full year of study,at an accredited institution abroad. Information,is available from International Student Services.
Credits: 12
Prerequisites:
This class applies concepts of anthropology to,business with a special emphasis on the fashion,industry. Students are introduced to research,methods such as ethnography, psychogeography,,participant observation as well as surveys. Case,studies and in-depth retail analysis are utilized,to provide insight into consumer behavior as well,as cultural patterns and trends and their,implications for product design, marketing,,merchandising, and retail display of fashion,accessories. In addition this class will consider,race, diversity and social justice issues in,relation to the consumer and corporate social,responsibility.
Credits: 3
Prerequisites: FAD 102
In this studio students construct the prototypes,for the final collection. They are required to,construct six total looks based on the designs,,including tops and bottoms and/or accessories,depending on the emphasis. The prototypes will,help students to develop solutions when,constructing their final collection in the,following semester. This class runs parallel with,FAD 401: Advanced Collection Design.
Credits: 3
Prerequisites: FAD 311
This is a course in the aesthetics and techniques,of documentary film production. Exercises and,assignments emphasize research and interview,techniques, story, technical skills, and the,legalities and ethics associated with non-fiction,filmmaking. Students produce a series of,individual and collaborative documentary shorts.
Credits: 3
Prerequisites: FLM 201, FLM 225 or DMA 312
Narrative structures and strategies are present in,all disciplines and cultures, though the form,,language, intentions, and motives may vary.,Examples of these structures include storytelling,,brand messaging, gameplay, wayfinding, and signs,and symbols. This course looks at traditional and,experimental narratives across disciplines and at,their intersections. Students will develop,language, voice, and integrative methods for,execution and delivery within and without the,context of their chosen fields of study.
Credits: 3
Prerequisites: IAD 105
Students creative teams practice television,advertising process, production and storytelling,techniques to conceptualize and create targeted,and effective commercials and films for diverse,audiences and consumers for traditional broadcast,,online, social and mobile media content. The,course includes developing concepts and keyframes,,writing, storyboarding, shooting and editing their,original commercial concepts. Current industry,trends are reviewed including commercial concepts,,digital content, branded entertainment,,cinematography, graphics, special effects,,post-production techniques, sound design, editing,,and directing trends. Presentations specific to,television ideas are practiced on a regular basis.
Credits: 3
Prerequisites: DAD 221, DAD 235, DAD 266 – ADVERTISING,DAD 221, DAD 235, DAD 270 – COPYWRITING
Designed to convey the stages of human growth in,depth, this course approaches physical,,psychological, emotional and social development in,a format for teachers to implement in planning,developmentally and culturally appropriate,instruction. The educational needs of neurodiverse,and special needs children, and the resources,available to teachers for best meeting these,needs, are included throughout. Related topics,covered in this course include nurturing,creativity in K-12 students, teaching students,with poverty in mind, and fostering equitable,visual learning in diverse settings. Pre-service,visual arts teachers consider the implications of,the above material in field experiences in diverse,instructional settings with children. Ten hours,Field Experience in K-12 educational settings,required outside of class. All required field,hours and associated field experience assignments,must be completed before registration for the next,art education course. This course is open to,sophomore students and above. Course may count for,general elective credits for those who do not,pursue teacher certification. Students must pass,with a grade of ‘C’ (2.00) or higher.
Credits: 3
Prerequisites: DAE 200
This course examines the various approaches that,build the foundation for an emerging field of,Visual Culture and emphasizes its parallel,development with discussions about the gaze as a,historical and culturally constructed phenomenon.,This course satisfies the General Education,requirement.
Credits: 3
Prerequisites: DAH 200, DAH 201
(This is a faculty led study abroad course *,syllabi will differ per destination) ,,On a Global Learning Experience course, students,are brought outside the typical classroom, for a,24/7 learning experience in varying locations,outside the USA. The course will provide students,with tools for analyzing your learning process and,identifying cultural patterns, differences,,similarities and values encountered during the,journey. Students develop a sense of,cross-cultural understanding, and navigate towards,becoming a global citizen. Students develop a,heightened sense of confidence, and leadership as,they plan, and execute this excursion. In,addition students discover the role of becoming an,ambassador for their own culture. Practical issues,about studying abroad (safety, money, packing,,etc.) are delivered via pre-departure sessions,with the International Student Services Office.,
,
, SUMMER 2024,
,COSTA RICA,
,There’s nothing quite like the rain forests of the,”Rich Coast.” At its heart, the,Central American country boasts an epic landscape,that is home to nearly 5 percent of,the world’s biodiversity. Discover how fragile,these endangered ecosystems are as you,travel through different rainforest preserves and,unearth dazzling displays of color and,sound. Explore also the unique art and culture of,some of Costa Rica’s most vibrant,cities and towns.
Credits: 3
Prerequisites: SLP 007
This studio introduces the concept of the ceramic,object derived from plaster cast techniques and,the use of high-resolution molds. The emphasis is,on assembled forms and the use of groupings to,present a singular statement.
Credits: 3
Prerequisites: DCE 112