AGRC-115 DRAWING IN MOTION

THIS COURSE CONCENTRATES ON HUMAN AND ANIMAL,MOVEMENT. ISSUES OF ANATOMICAL MOTION THAT ARE OF,CONCERN TO ANIMATORS, SUCH AS SKELETAL PIVOT,POINTS, FIGURE WEIGHT, BALANCE AND MOMENTUM, ARE,EXPLORED THROUGH GESTURE AND DRAWING-IN-MOTION,TECHNIQUES. EMPHASIS IS PLACED ON FIELD STUDIES,WITH APPROXIMATELY HALF THE COURSE DEVOTED TO,DRAWING ON LOCATION.

Credits: 0

Prerequisites:

ADRW-134 BEGINNING FIGURE DRAWING

Working from a clothed model, students will,explore drawing techniques that will enable them,to better understand and draw the human figure. ,Emphasis will be placed on design, line, light,variations,measurement and alignment procedures,and gesture.

Credits: 0

Prerequisites:

AGRC-292 DIGITAL CHARACTER DESIGN

Create your own cartoon characters and the world,they live in using tablets and “procreate”. Learn,to draw your characters with a variety of moods,,facial expressions and dynamic gestures. Explore,your character’s backstory, motivations and,environment, and create 2D concept art pieces to,pitch your vision.

Credits: 0

Prerequisites:

AGRC-320 COMMERCIAL PRODUCTION

When done well, television commercials are much,like miniature movies, compressing creative,selling, sophisticated humor, even compelling,drama into a mere 30 seconds. This course,illuminates the power of the medium by carefully,examining great television commercials and,provides students with the working knowledge,necessary to actually create them. The course –,taught by a professional advertising writer –,covers conceptual development, the writing of,voice over and dialogue, storyboarding, coaching,talent, filming, editing and all aspects of final,production. It is a comprehensive approach to,making 30 second movies that may last a lifetime,in the minds of television viewers.

Credits: 0

Prerequisites: