DGL-148 GLASSBLOWING WITH MOLDS

In this course, students learn glassblowing using,molds to extend form-making potential and to,fabricate unique molds. Techniques covered,include optical, two part and free-form molds.,Mold materials of plaster, wood, metal, sand and,graphite are explored. The use of glass color,and cold work finishing techniques complete the,experience. Projects realized include,utilitarian vessels, sculptural and architectural,elements.

Credits: 3

Prerequisites:

DFD-220 SCREEN PRINTING ON FABRIC

The workshop style format of this class,introduces students to a variety of printing,methods using hand-cut stencils and photo,emulsion. Techniques include preparing original,artwork for multi-color patterned yardage,,improvisational (freestyle) printing, and,engineering placement prints. Textile pigments,,thickened dye, and discharge pastes will be,introduced. Special focus is placed on material,exploration, color mixing, and registration of,multiple screens.

Credits: 3

Prerequisites:

DGL-170 BEGINNING HOT AND COLD GLASSWORK

This beginning class teaches students how to apply,cold-working processes to hot formed glass. A,variety of processes are introduced including,cutting, polishing, gluing, and surface,embellishment. Students learn to safely and,effectively utilize cold-working equipment and,apply cold techniques and tools to solve,fabrication problems. Students also apply their,skills to creative projects. Craftsmanship,,problem-solving, and design are emphasized.

Credits: 3

Prerequisites: DGL 142

DME-241 INTERMEDIATE METALSMITHING & JEWELRY,DESIGN

This studio is the second level of exploration,concerned with fabrication and forming techniques,for jewelry and small scale metals. The emphasis,within this course is directed research into,topics of technical proficiency, material,vocabulary and creative problem solving.

Credits: 3

Prerequisites: DME 140

DFD-225 STITCHED ASSEMBLAGE

This course explores piecing, quilting, applique,,embellishment, and stitched collage. Basic,machine and hand sewing will be introduced to,produce pliable, layered, and sculptural,surfaces. Traditional and nontraditional,materials combinations and fabric manipulation,techniques will function as the “skin” of,armature-based sculptural constructions. An,overview of historical and contemporary fiber,works will provide framework for students to,experiment.

Credits: 3

Prerequisites: