The Special Project class is offered on an,occasional basis, with course content specific to,the area being explored.
Credits: 3
Prerequisites:
Catalog
The Special Project class is offered on an,occasional basis, with course content specific to,the area being explored.
Credits: 3
Prerequisites:
This course is directed within the premises of,soft sculpture process and being aware of it,historically and in the contemporary art world.,Students become familiar with different systems of,sewing, laminating and pattern making. Although,the course has a material and process emphasis,,the students are encouraged to explore other,materials that may be incorporated appropriately,into a project. Open to non-majors with,departmental approval.
Credits: 3
Prerequisites: DFN 121 DFA 130
This course is an introduction to computer,modeling informed by craft processes. Students,use various 3D software programs to create,digital models and actual prototypes. ,Connections between craft, design, and production,will be emphasized.
Credits: 3
Prerequisites: DCR 103, FAD 207, DDG 103 (formerly DCR 103)
This critique/research-based seminar provides a,structured and critical forum for students to,explore broader aesthetic, cultural and,theoretical topics relevant to their studio work.,Senior Seminar, together with the Senior Studio,,serve as the capstone courses for seniors.,Individual proposed research, written topical,assignments, and a personal artist statement will,provide the framework for a formal Thesis,presentation. Students culminate Senior Seminar,with the development of a well designed Thesis,research book that integrates both Seminar work,and work samples from Senior Studio. Must be,Senior status.
Credits: 3
Prerequisites: DAH-200, DAH-218 OR DAH 351, SAC-381 (formerly,DFA 381 or DCR 351)
While working with the many processes of,printmaking, students will engage with the,printed image while considering the historic,aspects of the techniques involved in the,production of a print. This course is an,introduction to the following areas of,printmaking: relief (woodcuts and linocuts),,intaglio (etching), and lithography. Students,will learn the basics of each area through,,collaborations and hands-on short workshops.,Context is discussed and explored through,demonstrations, readings, image presentations,,and visits to local galleries, community,prints-shops, and museums with a range of,print-media.
Credits: 3
Prerequisites: DFN 103 DFN 104 DFN 120 SAC 105 (formerly DFA 105)
Building on the previous course, students use bent,plywood techniques to create furniture of their,own designs. Advanced students will develop,techniques that allow numerous objects to be,created from a single form. Students utilize,these advanced techniques and work independently,to design and fabricate a cohesive series of,furniture objects made with bent plywood,processes. Finish, details, and connections will,be emphasized.
Credits: 3
Prerequisites: DAF 175
In this course students are introduced to sound,,video, and performance as a means to examine,contemporary interdisciplinary studio practice. ,Individual and collaborative assignments explore,a range of themes and ideas that manifest through,an integration of traditional materials and,techniques with time and digital based media. ,Presentation, display, and documentation of work,is critically considered with-in the context of,performative, sight specific, time based, and,ephemeral work. Students will also gain knowledge,of the work of individual and collaborative,conptemporary artists who work between 2-D, 3-D,,and 4-D media.
Credits: 3
Prerequisites: SAC 105 (or DFA 105), DFA 120, DSC 130 (or DFA 130) and,DFN 119
This capstone course is the first semester of a,two-semester course in which students engage in,the development of a self-directed body of work.,Students are assigned semi-private individual,studio spaces and are expected to utilize various,studio facilities that contribute to their,individual practice. Individual and formal group,critiques provide a collaborative learning,environment in which students continue to hone,verbal skills to articulate the relationship,between their research and studio practice. Studio,visits with professional artists, writers and,curators will expose students to current creative,practitioners in the field of contemporary art.
Credits: 3
Prerequisites: SAC-380 (formerly DFA-380 or DCR 350) and SAC-381 (formerly,DFA-381 or DCR 351)
Using the City of Detroit as its inspiration,,students will employ various research,methodologies as a starting point for creating,prints. Projects will be approached through one,of three perspectives: experiential, historical,and political. Techniques introduced will include,relief printing, laser cutting, print from found,objects and silkscreen. Students will print both,with and without a press to create limited,edition prints as well as DIY or on-the cheap,multiples using commercial print processes. ,Those students who have taken Intro to,Printmaking or have prior college level,printmaking experience will be encouraged to,build on techniques they’ve already learned to,develop their own creative voice.
Credits: 3
Prerequisites: DFN 103 DFN 104 DFN 120
Students continue to develop techniques in,joinery, carving and turning through projects,designed to build their visual and technical,vocabulary. Specified course work increases the,advanced student’s understanding of wood as a,material for making fine art. Special emphasis is,given to finishing processes and additive,construction techniques.
Credits: 3
Prerequisites: DAF 180