DPM-243 PRINT TO PUBLISH

This course has been structured to develop a range,of creative relationships, and the technical and,conceptual skills, necessary to produce content in,printmaking media. Forms including artist books,,ephemera, and hybrid and collaborative print,ventures will be investigated. Students will be,guided and encouraged to develop strategies to,publish, edition, and disseminate their work into,a range of markets, and for a number of audiences,,beyond the gallery and the museum. Working with,faculty, each student proposes, in writing, a,semester-long program of involvement and creative,activity resulting in a personally directed body,of work and publication. It may cross disciplines,,combine processes, or be focused on more advanced,technical issues. In all cases, it links to the,student’s conceptual investigations in other,disciplines.

Credits: 3

Prerequisites: DFN 103 DFN 104 DFN 120 DFA 115

DSC-332 ADVANCED FOUNDRY TECHNIQUES

This course investigates the interrelationship of,process, creativity and concept through various,casting techniques. Bronze, iron, aluminum,,cement and nontraditional materials are used to,explore casting as a process and as a means to a,product. Open to non-majors with departmental,approval.

Credits: 3

Prerequisites: DFA 130, DFA 233

DPM-260 BEGINNING SCREEN PRINTING

This course acquaints students with a wide range,of screenprinting techniques and approaches using,a variety of inks and a range of experimental,materials. Students discover the medium’s,flexibility, exploring the inherent,cross-connections and expressive possibilities of,photomechanical, screen stencil, monotype and,digital processes.

Credits: 3

Prerequisites: DFN 104 DFN 119 DFN 120 and SAC 105 (formerly DFA 105)

DPM-265 EXPLORING THE BOOK

In this course, students explore the,interdisciplinary nature of the book form and its,content from conception to execution. This course,covers all stages of creating a limited edition,book, including development of text, instruction,of printmaking, letterpress and digital,technology, and a variety of bookbinding,techniques.

Credits: 3

Prerequisites: DFN 117, DFN 120 and DFN 137

SAC-490 INDEPENDENT STUDY

Independent Study is available to students who are,at Junior or Senior level standing with a,cumulative grade point average of 3.00 or above.,The student may receive approval to work in an,area or on a project that is not otherwise offered,or addressed in the regular curriculum. An,Independent Study should include opportunities for,individual student voice and provide a space for,diverse perspectives. Students may receive credit,toward graduation for no more than 6 credit hours.,The student must submit to the chairperson of the,department in which they wish to study, an,Independent Study Proposal of 150 words (no less),of the student’s plan for study and her/his reason,for choosing to study independently. Once the,department chairperson provides approval and the,instructor for the Independent Study is,determined, the faculty member must write an,Independent Study Syllabus with education goals,,learning outcomes, meeting dates, course,expectations, timelines, and due dates. Art,Education candidates must pass DAE 490 with a,grade of ‘C’ (2.00) or higher to qualify for,certification.

Credits: 3

Prerequisites:

DSC-355 PERFORMATIVE OBJECT

This course investigates sculpture object making., Students experiment with a wide range of scale,,format, materials and media options, with,emphasis on the creation of meaning in personal,objects. Presentations and readings provide,historical and contemporary context for a deeper,understanding of sculpture as object. Readings,include Queer Phenomenology: Orientations,,Objects, Others by Sara Ahmed,.

Credits: 3

Prerequisites: DFA 230, DFA 231 OR DFA 332