Studio Art & Craft – Page 2

DGL-347 ADVANCED GLASS PROJECTS

In this course students engage in research and,ideation exercises to create self directed,projects in glass. Students are guided to develop,narrative and concept in their work and are,encouraged to undertake original research in the,glass fabrication processes and techniques.,Students may choose to work in glassblowing, kiln,forming, coldworking or a combination of multiple,techniques to complete their work. The outcome of,this course is a cohesive body of work that will,help build students’ professional portfolio.

Credits: 3

Prerequisites: TAKE DGL-140 and DGL-142

DCE-285 SPECIAL PROJECT 100/200

The Special Projects class is offered on an,occasional basis, with course content specific,to the area(s) being explored,
,FALL 2023,
,This course will focus on concepts, materials and,techniques regarding the design, construction and,firing of kilns with a specific focus on kilns,fueled by wood, and result in students designing,and building their own kilns and in the building,of a small fast-fire wood-fueled kiln at CCS – an,incredibly efficient, affordable and accessible,type of kiln which is not currently a part of our,facilities.

Credits: 3

Prerequisites:

DFA-485 SPECIAL PROJECT 300/400

The Special Project class is offered on an,occasional basis, with course content specific to,the area being explored.,

,FALL 2023,
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, COLLAGE: CONTEMPORARY METHODS AND MATERIALS,,This course will investigate and implement the,various materials, techniques, processes, and,concepts of contemporary collage. Students will,work with everything from traditional cut paper,,digital processes, video and audio, installation,,and more. The emphasis will always be on the,making of collages but with a strong consideration,of what this kind of image making does in terms of,meaning, its impact on contemporary art and visual,culture, and its relevance to most cultural forms,operating today.,
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, CURATOR AND GALLERY MANAGEMENT,
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,This course is an introduction to exhibition,planning and management within a contemporary art,gallery context. Through readings, presentations,,and hands-on experiences, students will learn,about the exhibition-making process, including,research, curation, exhibition design,,installation, and promotion. By the end of the,course, students will have gained practical,experience in organizing and managing an,exhibition and be equipped with the skills to,become curators and gallery workers within,contemporary art spaces. Open to Non-Majors

Credits: 3

Prerequisites: DFA 115, DFA 120

DGL-135 TEXTURE, PATTERN & SURFACE: HOT GLASS

This course provides the student with a strong,vocabulary of surface, texture, and patterning,composition. The student is encouraged to,experiment with combinations of decoration. The,course is designed in a skill building and,exploration format that utilizes basic,glassblowing form and techniques.

Credits: 3

Prerequisites:

DME-176 BLK PATTERN DEVELOPMENT

This beginning course is a semester long intensive,study into the development of pattern in both,ferrous and non-ferrous metals. Using forge,welding and diffusion, this course covers simple,layering processes to composites and mosaic,patterning methods. Throughout the semester each,student assembles a journal comprised of weekly,clay pattern experiments, and production notes.,Journals are then photocopied and compiled into,reference books of techniques and patterns.

Credits: 3

Prerequisites:

DME-376 BLK ADVANCED PATTERN DEVELOPMENT

This course is a semester long intensive study of,the development of pattern on both ferrous and,non-ferrous metals. Using forge welding and,diffusion, participants explore layering processes,of developing composites and mosaic patterns in,steel using power hammer methods. Twisting, stock,reduction, and book match patterning techniques,are presented. Advanced students research,patterned steel of an historic precedent and,develop pattern samples that reflect a technical,lineage. Throughout the semester each student,assembles a journal comprised of weekly clay,pattern experiments, and production notes.,Journals are then photocopied and compiled into,reference books of techniques and patterns.

Credits: 3

Prerequisites: DME 276

DCE-305 ADVANCED WHEEL THROWING

Students in the advanced level of wheel throwing,are expected to develop a personal voice using the,wheel. Individuals refine their technical and,conceptual skills while learning the fundamentals,of firing their own work.

Credits: 3

Prerequisites: DCE 105, DCE 205

DFA-490 INDEPENDENT STUDY

Independent Study is available to students who are,at Junior or Senior level standing with a,cumulative grade point average of 3.00 or above.,The student may receive approval to work in an,area or on a project that is not otherwise offered,or addressed in the regular curriculum. An,Independent Study should include opportunities for,individual student voice and provide a space for,diverse perspectives. Students may receive credit,toward graduation for no more than 6 credit hours.,The student must submit to the chairperson of the,department in which they wish to study, an,Independent Study Proposal of 150 words (no less),of the student’s plan for study and her/his reason,for choosing to study independently. Once the,department chairperson provides approval and the,instructor for the Independent Study is,determined, the faculty member must write an,Independent Study Syllabus with education goals,,learning outcomes, meeting dates, course,expectations, timelines, and due dates. Art,Education candidates must pass DAE 490 with a,grade of ‘C’ (2.00) or higher to qualify for,certification.

Credits: 3

Prerequisites:

DGL-140 GLASS CASTING & MOLD MAKING

This course covers various mold-making techniques,for glass, including sand casting, slumping,,fusing, pate de verre, hot billet casting, etc.,Students explore the unique characteristics of,cast glass in vessels, sculpture and panels. Glass,elements may be made for inclusion with other,materials.

Credits: 3

Prerequisites:

DME-177 BLK BEGINNING CONTEMP DECORATIVE IRON

Contemporary Decorative Iron combines the tools,and practices of the traditional blacksmith with,modern machine and fabrication technology.,Students explore the forging of ferrous and,non-ferrous metals into a variety of decorative,and utilitarian objects with an emphasis on,contemporary fabrication techniques. Topics,include discipline relevant terms and vocabulary,,related technology, tool making, and a survey of,this versatile process with a focus on its,contemporary application.

Credits: 3

Prerequisites: