Catalog
As an introduction to design methodologies,,students will develop and practice a basic,understanding of methods used to translate,2-D sketch ideas into 3-D volumes and surfaces.,This will be accomplished by practicing,fundamental drafting methods, practical ideation,techniques, and basic mock-up construction. ,Course content may be reinforced through field,trips to local design studios and factories.
Credits: 3
Prerequisites:
This course covers design principles, drawing,,rendering techniques and model construction for,students concentrating on pursuing a career in,transportation design or the design of,transportation industry related products.,Projects sponsored by transportation industry,companies are a regular part of this class. ,There are projects covering both the exterior and,interior designs of vehicles.
Credits: 3
Prerequisites:
The senior interior design studio places a strong,emphasis on research influencing fresh design,decisions. Students will look for user,experience design opportunities by investigating,sustainable materials and processes, as well as,emerging cultural and technical trends. Through,advanced presentations to sponsors, students will,illustrate the user-focused nature of their,interior designs, and their readiness to join the,transportation design community. Industry,sponsors are a regular part of this course. ,Occasionally, course content may be reinforced,through field trips to professional design studio,or factories.
Credits: 3
Prerequisites: DTR 332, DTR 334, DTR 336, DTR 338
Imagined World: Utopia and Dystopia in Visual,Culture is an upper level Visual Culture seminar., It uses an interdisciplinary approach that,requires students to apply methodologies learned,in Visual Culture, Critical Thought, and Literary,and Film Studies, as well as a number of studio,based disciplines, to analyze the,utopian/dystopian genre. The class will examine,Western utopian and dystopian philosophies and,how they are manifested in the visual mediums of,literature, architecture, film, fine art, video,games and the internet community.
Credits: 3
Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture)
In this course, students explore sustainability in,relation to fashion and accessories design through,lectures and case studies. Students prepare a,sustainability manifesto based on a focus of their,choice and an in-depth case study resulting in an,essay with final presentation.
Credits: 3
Prerequisites:
Participation in an internship experience allows,students to use classroom-learned skills in a,related employment experience. Students must work,a minimum of 135 hours over the course of the,entire semester. To participate students must be,of junior or senior status with completion of,freshman and sophomore studios. Students must,have a minimum cumulative GPA of 2.8. Seniors may,not be eligible to participate in an internship,during their final semester. Transfer students,must have attended one semester at CCS in addition,to meeting the other eligibility criteria.
Credits: 3
Prerequisites:
The Special Project class is offered on an,occasional basis, with course content specific to,the area(s) being explored.,
,FALL 2023,,,
Credits: 3
Prerequisites:
Taken in the semester prior to Interdisciplinary,Thesis I, students utilize this course to,research, identify, and develop potential thesis,projects in consideration of their specific skill,sets. Research methods will be reinforced and new,strategies for discovery will be developed, where,possible. The course will also include career,research, relevant to the individual student’s,particular path of study, with an eye toward,potential internship opportunities. Students end,the semester with a persuasive presentation,focused on their thesis concept, and are prepared,to apply for internships.
Credits: 3
Prerequisites: IAD 305
This course is a survey of Western Art and,visual culture from the late Middle Ages to the,twentieth-century. Other than to present an,outline history of Western art, this course seeks,to introduce students cumulatively to the,critical concepts and vocabulary in the study of,art history, visual culture, art appreciation and,historiography of art, that is, the study of the,writing about art and its history. The course,will seek to introduce students to historically,relevant accounts of the philosophical,,religious, poetic and technological contexts of,art as well as to introduce new forms of,historical thinking on the relevance of the,recognition of social, political and economic,,(race, class and gender)in the understanding of,both the making of art and its audience.
Credits: 3
Prerequisites:
This course focuses on artists’ response to the,sweeping social, philosophical and political,changes that began in the late nineteenth century,,including Expressionism, Cubism and Futurism.,Students explore the work of modernists who,affronted their audiences in order to bring about,changes in perception, including the artists of,the Dada movement, who mocked art and society, and,the Surrealists, who explored the unconscious as a,resource for art. Artists studied include Henri,Matisse, Wassily Kandinsky, Franz Marc, Pablo,Picasso, Marcel Duchamp, Salvador Dali and Max,Ernst.
Credits: 3
Prerequisites: DAH 200, DAH 201 (or DAH 202)