DGL-135 TEXTURE, PATTERN & SURFACE: HOT GLASS

This course provides the student with a strong,vocabulary of surface, texture, and patterning,composition. The student is encouraged to,experiment with combinations of decoration. The,course is designed in a skill building and,exploration format that utilizes basic,glassblowing form and techniques.

Credits: 3

Prerequisites:

DHS-305 SAY YOU WANT A REVOLUTION?

Throughout history the term revolution has been,applied broadly to political, social, cultural,,and intellectual change. This course will,examine the anatomy of a revolution and ask how,far social protest must go before it can be,considered a revolution. By using the French,,American, and Russian Revolutions as examples of,”real” revolutions, students will explore,pre-revolutionary engines of social and political,change, how these revolutions unfolded, and their,lasting effects. Also, students will explore,whether other popular protests such as movements,in civil rights labor rights, art, might be,considered revolutions.

Credits: 3

Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture).

DIL-306 COMPOSITION FOR ILLUSTRATION

Through the covering of fundamental compositional,theories, students will gain the knowledge needed,to create complex, and sophisticated compositions,that serve to re-enforce their Illustrations. ,This class will explore the functions of,composition through the use of color, lighting,,camera placement and visual language.

Credits: 3

Prerequisites: DIL 231, DIL 261

DIL-350 SEQUENTIAL STORYTELLING

This course explores the narrative storytelling,and production procedures for developing graphic,novels, comics, storyboards and animatics.,Assignments are developed from situations directly,observed, imagined or conceptualized to increase,the student’s awareness and perception of time,,which is required for the logical layout and,design of stories. Students explore the,characteristic of this visual storytelling medium,,and create visual narrative stories including age,,gender, disability/differently- abled, sexual,orientation, economic class, climate,change/justice, and global cultures. Use of a,camera is required.

Credits: 3

Prerequisites: DIL 231

DIL-500 GLOBAL LEARNING EXPERIENCE

(This is a faculty led study abroad course *,syllabi will differ per destination) ,,On a Global Learning Experience course, students,are brought outside the typical classroom, for a,24/7 learning experience in varying locations,outside the USA. The course will provide students,with tools for analyzing your learning process and,identifying cultural patterns, differences,,similarities and values encountered during the,journey. Students develop a sense of,cross-cultural understanding, and navigate towards,becoming a global citizen. Students develop a,heightened sense of confidence, and leadership as,they plan, and execute this excursion. In,addition students discover the role of becoming an,ambassador for their own culture. Practical issues,about studying abroad (safety, money, packing,,etc.) are delivered via pre-departure sessions,with the International Student Services Office.

Credits: 3

Prerequisites: SLP 007

DIN-335 PORTFOLIO PREPARATION

In this course, students develop the ability to,package their collective body of work into a,family of marketing tools representing their,abilities as a designer. The course focuses on,the review, analysis, preparation, and/or,improvement of the student’s portfolio. Based on,personal goals and faculty assessment, students,develop mechanisms to market their skills. These,include developing a resume, looking at format and,layout, research for website design, print,,communications, and other appropriate personal,marketing material.

Credits: 1.5

Prerequisites: DIN 232

DLE-311 BIOPOLITICS: WASTE & VIOLENCE

Biopolitics is one of the most significant,developments in Critical Theory. Using the topics,of waste and violence, this class offers an,introduction to the main concepts, strategies,,and pre-occupations of Biopolitical thinking and,its relevance to understanding the contemporary,world and violence of globalization. A,significant aspect of the course is the use and,role of film as critical theory.

Credits: 3

Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture).

DMA-120 CREATIVE VISUALIZATION

The emphasis of this course is on imaginative,pre-production for an evolving world of moving,images. Acknowledging the rapid changes in the way,work is produced and distributed, students will be,introduced to diverse historical, theoretical, and,practical methods of visual communication as they,develop their storytelling skills through creative,writing and pre-visualization exercises for,animation, game, live action, and new media with,an emphasis on inclusion in story and unique,experiences. This is a required course for all,first year Entertainment Arts students.

Credits: 3

Prerequisites:

DMA-247 GAME ART II

This course focuses on expanding the basic,techniques and workflows that are taught in Game,Art 1. Students will take a deep dive and,strengthen their understanding of different career,paths one can pursue in game art. Examples of the,different game art paths are environment art,,character art, VFX, tech art, and material artist.,This will be completed through a series of,projects and workshops to better prepare the,students for a specific roll they would like to,pursue.

Credits: 3

Prerequisites: DMA 246

DMA-333 ADVANCED STORY CONCEPTS

This course will examine multifaceted diverse,story development and concept execution through,the screening and dissection of existing media,works (short films, games, etc.) and implementing,best practices for the pre-production pipeline.,Students will spend the semester focused on,pre-production for potential senior thesis,projects with an emphasis on diversity in story,and unique experiences. through ideation, concept,development, writing exercises (short stories,,treatments, screenplays and/or game design,documents). Practical exercises will focus on,compelling storytelling and concept execution for,a variety of media with an eye toward challenging,,achievable production projects emphasizing,cinematic language, compelling storytelling,,developed skills, and the importance of personal,aesthetics and voice.

Credits: 3

Prerequisites: DMA-120 or DMA-107