Category: Liberal Arts

Catalog

DSS-319 ANTHROPOLOGY: PEOPLE & RESOURCES

This anthropology class explores the issue of,resource distribution, acquisition and use across,the world from historical to contemporary,perspectives. Specifically, the class looks at,all the variables that impact, create and/or,shape inequality in the world. ,There will be an overview of the field of,anthropology and the concept of “the economy.” To,better understand how people have created wealth,and power over time various theoretical and,empirical works will be utilized. Capitalism,,colonialism, slavery, genocide, decolonization,,environmentalism, and creative entrepreneurship,will be studied, including how people make a,living. The tension between different,perspectives on the economy and what/who,influences/shapes/controls it will be explored. ,Finally, how people reduce, reuse, and recycle,materials in their personal and professional lives,will be studied.

Credits: 3

Prerequisites: DEN 102

DVC-407 EXPERIMENTAL FILM

Film is an inherently exploratory medium. From,the earliest “movies” of the 1890s to present-day,digital technology, its evolution as an art form,has paralleled developments in its means of,production. However, outside the control of the,major studios, an alternative cinema, called,”avant-garde” or “experimental,” has appropriated,the most economical means to create a visionary,,challenging, often disruptive body of work. And,alternate systems of distribution have arisen to,make possible its appreciation by small but,devoted audiences. Our course will examine a,phenomenon that the British Film Institute has,called “almost indefinable. It is in a constant,state of change and redefinition.” Yet our task,will be precisely to trace its history, give,definition to its various facets, and engage with,the concepts and issues they raise. This course,satisfies the General Elective requirement.

Credits: 3

Prerequisites: DEN 239, DVC 200 OR DVC 306

DAH-261 HISTORY OF ADVERTISING

This course explores the evolution of advertising,throughout the 20th century. From the creative,revolution in the 60’s to the proliferation of,alternative media and the World Wide Web,,students study the trends, technology, agencies,and people in this creative industry.

Credits: 3

Prerequisites: DEN 102

DAS-316 PRE-LAUNCH ESSENTIALS,ESSENTIALS

DAS-316 follows DAS-315 to form the capstone,experience of the Minor in Creative,Entrepreneurship. Students will focus on,operational and oversight aspect of their venture,,including studying, selecting and integrating,information analysis and business software into a,customized enterprise reporting platform. This,review will include accounting information,,project management and team communication, search,engine optimization, customer acquisition and,retention, digital marketing optimization, and,enterprise resource planning. Interpersonal,skills training will include internal team and,business partner management, customer service and,satisfaction, and business development, sales and,presentation training. Finally students will,secure a mini-internship with an appropriate,entity. Mini-internships must be approved in,advance. As needed, Design Core Detroit will help,through their Design Network.,This course can be used for Liberal Arts or,General Elective credit.

Credits: 3

Prerequisites: DAS 313, DAS 314, DAS 315

DEN-410 AFRICAN AMERICAN AUTHORS

This course introduces students to major African,American authors of the 20th and 21st centuries,,including Morrison, Ellison, Wright, Hurston,,Mosley, and Gaines. The course surveys an,extensive collection of social and cultural,viewpoints present in American authors of African,descent.

Credits: 3

Prerequisites: DEN 239

DLE-322 CONSCIOUSNESS, CREATIVITY AND IDENTITY

Drawing inspiration from consciousness-centered,education models, this innovative course offers,students an opportunity to dive within themselves,,discovering and exploring their own boundless,creative potential. Consider this course an,experimental incubator for the creation of ideas,,images, and artistic motivation. Emphasis is,placed on reflection with the student’s,journaling, discussing and meditating together. ,This unique course offers students new methods of,inquiry, encouraging students to re-integrate,their own creativity and imagination. All,students will have the opportunity to be trained,by professional meditation teachers during the,third week of class and will meditate in class,throughout the semester.

Credits: 3

Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture).

DNS-345 EARTH AND ENVIRONMENTAL SCIENCE

Earth, though a very small part of a vast,universe, provides the resources that support all,global societies and the ingredients necessary to,maintain life. This course is designed to,introduce students to the basic principles and,contemporary advances in Earth Science through,units that emphasize broad and up-to-date,coverage of basic topics and principles in,geology, oceanography, meteorology and astronomy,,and environmental science. The course will also,investigate the role of humans in their,environment. Students will explore human,dependence on, technological control over, and,interactions with the environment in terms of,sustaining resources and making informed choices., This course satisfies the General Elective,requirement.

Credits: 3

Prerequisites: DEN 102 OR DEN 108

DSS-320 PSYCHOLOGY OF PERCEPTION

How do we see and what are we seeing? What are,the mechanics of the eye, the activities of the,brain, the roles of illusion, and the function of,images in the mind and in communication? This,course uses the neurobiological model of the,brain to explore discoveries in perception and to,explore the complexities of visual imagery.

Credits: 3

Prerequisites: DEN 102

DVC-408 EAST ASIAN FILM

The socio-political aftermath of World War II in,Japan, China and Korea led to an explosion of film,culture in those countries, one inspired by the,commercial and art cinemas of the West, but one,that has rivaled them in terms of innovation. ,While addressing the histories and present-day,climates of their mother countries, East Asian,films since 1945 have developed unique approaches,to narrative and culturally specific imagery, and,furthered a dialogue between the three neighbors,that reflects their centuries old interrelations.,This course will trace the evolution of film,language from the master directors of post-war,Japan (Ozu, Mizoguchi, Ichikawa and Kurosawa) to,the various filmic modes in post-revolutionary,China (Ang Lee, Wong kar-wai, Zhang Yimou and Hou,Hsiao-hsien) to the radical transformations of,contemporary Korean cinema (Park Chan-wook, Bong,Joon-ho and Na Hong-jin).

Credits: 3

Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture).

DAH-301 CLASSICAL ART AND EARLY MEDIEVAL

Students explore the roots of Western civilization,in the classical Greco-Roman tradition. Since,architecture and sculpture are the hallmarks of,this period, major Greek and Roman monuments will,be highlighted. The course will also discuss this,classical tradition as the source of early,Christian art, Byzantine art and early medieval,art, including Romanesque.

Credits: 3

Prerequisites: DAH 200, DAH 201 (or DAH 202)