Catalog
This course explores the myriad and changing,roles,of the automobile in American culture. Through,numerous examples of car culture in literature,and,film, this course interrogates, celebrates and,ponders both the past and future of one of modern,technology’s most remarkable and influential,inventions. A survey of literary and cinematic,case studies are used in the course to establish,an ongoing, theoretically geared discussion of,the,Wondrous Machine.
Credits: 3
Prerequisites: DEN 239
Socrates famously said to his student, Meno: “I,don’t know that I can teach you, and I don’t even,know that you can learn! The best I can be is a,midwife to ideas.” At first, Socrates is talking,about Virtue, but also, Justice, Beauty, Art.,Joseph Beuys declared that “To be a teacher is my,greatest work of art.” If we do not know that we,can learn, and do not know that we can teach, why,,then, do we talk so much about Art, as a society,spend so much on Art, and go into debt to,”learn” about something that we are not even sure,can be learned? What are the implications of,making pedagogy – and with it dialogue and a,changed relationship between “teacher”and,”student” – the subject of art? Art + Pedagogy,from Socrates to Joseph Beuys looks at why,teaching / pedagogy (BFA/MFA/PhD; Paulo Freire,,Jacques Rancière, Lygia Clark, etc.) along with,dialogue / conversation and the meal as a vehicle,of self-learning and new strategies of,inter-subjectivity (Plato’s The Banquet /,Symposium, Dante’s The Banquet, Theaster Gates,,Rirkrit Tiravanija, Michael Rakowitz, InCubate,,Detroit Soup, etc.) have become such prominent,,troubling, and exciting subjects in contemporary,art practices precisely at the moment when there,is recognition that the democratization of art and,its institutions begun in the Twentieth Century is,over and the techniques for transmitting /,teaching this “art” have become obsolete. Students,are invited to conclude the semester with a,student-curated meal and conversation or Banquet,of friends.
Credits: 3
Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture).
How do we see and what are we seeing? What are,the mechanics of the eye, the activities of the,brain, the roles of illusion, and the function of,images in the mind and in communication? This,course uses the neurobiological model of the,brain to explore discoveries in perception and to,explore the complexities of visual imagery. This,course satisfies the General Elective requirement.
Credits: 3
Prerequisites: DEN 108 OR DEN 102
This course is an introduction to an intersecting,range of theories, issues, and topics within the,field of gender and sexuality studies. The class,will explore the historical context of feminist,responses to patriarchal structures and a number,of sexual identities beyond the historical,male/female division, including lesbian, gay,,queer, transgender, inter-, and asexuality. These,frameworks of understanding will be used to deeply,consider a wide range of issues in terms of,relationships, social practice, political,policies, and art and culture.
Credits: 3
Prerequisites: DEN 102
Beginning with the idea that “all representation,is transformation,” students in this course will,examine the ways in which documentary films both,(re)present the sociohistorical world-the,”real”– and shape our perceptions of that,reality. Films drawn from a wide range of eras,,cultures, and perspectives will provide the,opportunity to explore concepts such as,authenticity, identity, evidence, authority, and,argument while course readings will analyze and,critique documentary films from a variety of,viewpoints including historical analysis, race,and gender studies, and critical theory. This,course satisfies the General Elective requirement.
Credits: 3
Prerequisites: DEN 239, DVC 200 OR DVC 306
This course explores the history of fashion from,the earliest periods of human development to,modern industrial, digital society as it,influences the Western style of dress, garment,production, fashion in the wider culture, and the,marketing of fashion. Detailed focus on,individual designers, trends and processes will,illuminate the many ways fashion represents a,profound anthropological study of humanity.,Organized field trips to local artisan studios,for presentations and discussions will be,provided to enhance the understanding of process,and artifact. This course satisfies the General,Elective requirement.
Credits: 3
Prerequisites: DEN 102
This course is offered for students enrolled in,the CCS Minor in Creative Entrepreneurship. It is,taught as a cohort and is followed by the final,capstone business class, DAS-316. After,successfully completing these two capstone,courses, students are prepared as entrepreneurial,thought and action leaders and have been trained,to launch their own creative industry venture.,Students are first introduced to different,organizational structures including leadership,,cultural, and behavioral options and select those,most compatible with their mission and values.,Using research, students evaluate their venture’s,competitive landscape, and then create and defend,their strategic brand platform, brand name,,product/service offerings, and core customer base.,This leads to the creation of behaviorally,motivating brand content, applied to an integrated,set of customer attraction, conversion, retention,,and sales programs. Students also learn to refine,their soft skills, including engaging, listening,,and selling. This course culminates with students’,intensive interaction with actual business owners,and creative industry experts in formal,presentations
Credits: 3
Prerequisites: DAS 313, DAS 314
We orient ourselves, we define ourselves, in,emotional, temporal, physical space. This course,explores important American texts which convey a,strong sense of place, or, in other words,,emotional, political and/or cultural environments,,from the early urbanism and social realism of,Sister Carrie, to the rise of modernism, urban,anonymity, and apocalyptic fantasies in The Day of,the Locust, and ultimately, to post modern,experiments, including the graphic novel, which,test the boundaries of our accepted notions of,time and space and identity.
Credits: 3
Prerequisites: DEN 239
Biopolitics is one of the most significant,developments in Critical Theory. Using the topics,of waste and violence, this class offers an,introduction to the main concepts, strategies,,and pre-occupations of Biopolitical thinking and,its relevance to understanding the contemporary,world and violence of globalization. A,significant aspect of the course is the use and,role of film as critical theory.
Credits: 3
Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture).
In this course, students follow the history of,technology as it emerges from scientific,discoveries such as quantum and subatomic,particle,changes and capitalizes on the new means they,have,made available. These include aleatory and,electronic music and the new combination of,sounds,made possible by sampling. This course satisfies,the General Elective requirement.
Credits: 3
Prerequisites: DEN 102 OR DEN 108