Catalog
This course is a survey of the architecture,,sculpture and painting in Tuscany during the,13th,,14th and 15th Centuries, with particular,attention,to the works produced in Pisa, Lucca, Siena and,Florence. This course satisfies the General,Elective requirement.
Credits: 3
Prerequisites: DAH 200, DAH 201 (or DAH 202)
The fairy tale is a distinct genre of literature,,with its own set of characteristics and audience,expectations. In this course, students will,study numerous classic examples of the fairy,tale, such as those collected by the Brothers,Grimm and salon tales written by Charles Perrault,for members of the French court, as well as,modern revisionist adaptations. The origins of,fairy tales from saga and certain Renaissance,collections such as the Pentamerone by,Giambattista Basile and The Arabian Nights will,also be explored. Students can expect to study,saga, classic Marchen, and global examples of,diffusionism. Some attention is paid to art from,the tradition of fairy tale illustration as well,as filmic adaptations.
Credits: 3
Prerequisites: DEN 102
This course is designed to meet two broad,objectives: 1) to provide a comprehensive,introduction to the historical narrative of the,city of Detroit and the American urban,experience; and 2) to practice skills of critical,analysis in research, writing and presentation. ,We will accomplish these objectives by,researching primary documents and artifacts;,reading personal narratives; viewing select,documentaries and film clips; listening to guest,speakers representing multiple cultural and racial,viewpoints and visiting a site of historical,significance.
Credits: 3
Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture).
The Special Project class is offered on an,occasional basis, with course content specific to,the area being explored.
Credits: 3
Prerequisites:
Political and social movements are often,represented in symbols and images. The course,examines these symbols in art, film and literature,and determine their impact in,political action and attitudes.
Credits: 3
Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture).
The Special Project class is offered on an,occasional basis, with course content specific to,the area being explored.
Credits: 3
Prerequisites:
This course offers a focused yet wide-ranging,overview of the history of film. Student will,develop a historical understanding of film based,on a survey of cinematic traditions and movements,contained within narrative, documentary, and,experimental forms, and acquire a critical,,technical, and aesthetic vocabulary relating to,particular cinematic practices and structures,,including the impact of technological,developments on film production, the formation of,genre, the legacy of auteurism and the ways in,which meaning in films is conditioned by the uses,of camera, editing, lighting, sound and acting. ,This course satisfies the General Elective,requirement.
Credits: 3
Prerequisites: DEN 102
The Special Project class is offered on an,occasional basis, with course content specific to,the area being explored. This course satisfies,the General Elective requirement.,
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SUMMER 2023,
SPAIN AND MOROCCO STUDY ABROAD,This is an 11-day study abroad course in Spain and,Morocco. The premise of this course is that the,interaction between European and North African,culture in Southern Spain and Northern Morocco,created a unique laboratory for visual art,,architecture, and other cultural forms. Through,reading and travel, this class will immerse,students in one of the great cultural and,historical stories of world history.
Credits: 3
Prerequisites:
This upper-level course on Shakespeare and the,Emergence of the Early Modern Self seeks to,explore the ways in which the language of,Shakespeare – in sonnet sequence, in comedy and,tragedy – allows a site for the study of the,struggles, conflicts and anxieties in the,emergence of what may be called early modern,subjection. Through close attention to the,language and conventions of Elizabethan writing,and staging, students are encouraged to formulate,their own historical yet creative reading of self,and subjectivity in Shakespeare’s art and work. A,special section on Shakespeare and Film is used to,open discussion on the uses and re-interpretation,of Shakespeare’s works for modern and contemporary,audiences (in terms of gender, race and class).
Credits: 3
Prerequisites: DEN 102
This course offers students an introductory survey,to the cultural, intellectual, social, and,institutional histories of consumption in the,United States. In particular students focus on,four issues: the development of the mass market at,the end of the nineteenth century, the cultural,and institutional histories of advertising and,marketing, consumption and the construction of,gender, race and sexuality and the long-running,debate over the social effects of consumption.
Credits: 3
Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture).