Catalog
This is the second of two comics storytelling,courses. This course expands on elements,introduced in Comics I. Students explore the,production of comics from script to final through,development of stories, adapted or ‘kit-bashed.’,Students also review the intersections between,narrative perspective and narrative experience, as,well as an investigation of causality’s impact on,storytelling.
Credits: 3
Prerequisites: DIL 321
This is the first of two visual development,intensive courses. Throughout this course,,students explore what it means to be a character,designer in the animation industry. The semester,will begin with a deep dive into theory and will,end with a capstone, collaborative project of a,student’s choice. Student participants should have,taken DIL 386 Introduction to,Visual Development prior to taking this course.,Faculty approval required to register.
Credits: 3
Prerequisites: DIL 386
This is the second intensive course on visual,development taken after Visual Development I:,Character Intensive. Throughout this course,,students explore what it means to be an,environment designer in the animation industry.,The semester begins with a deep dive into theory,and ends with a capstone, collaborative project of,a student’s choice. Faculty approval is required,to register.
Credits: 3
Prerequisites: DIL 387
Students are engaged in a comprehensive,exploration of the elements of comics through,several exercises, culminating in one project.,Students learn about various techniques,,mechanics, structures, and vocabulary employed in,the production of published comics media. This,course is one in two courses in Comics,Storytelling.
Credits: 3
Prerequisites: DIL 231, DIL 246, DIL 261
The course continues the development and,reinforcement of the critical thinking/conceptual,method students develop in previous figure,drawing classes, and focuses this skillset,towards the entertainment/conceptual illustration,marketplace. This course furthers the student’s,skillset by combining the knowledge of,perspective and animal/human anatomy with fully,realized illustrative compositions. Assignments,will emphasize how to combine all of these,skillsets into creating fully realized narrative,image-making. The typical professional,illustrator’s “workflow” process will be stressed,in this course, with a heavy emphasis that,includes thumbnail (ideation) sketches, rough,sketches, color sketches, and finished art for,example.
Credits: 3
Prerequisites: DIL 231
In this course, students will complete a deep-dive,investigation into the role of a visual,development artist within the animation industry. ,Students will come to understand how this creative,role fits into a greater production pipeline, and,know all of the various specialities that exist,within this umbrella term. Students should leave,this course with a solid visual development,project for their portfolios. From the concepting,stage to the final version of their project,,students will develop projects that reflect,diverse audiences including race, gender, sexual,orientation/Identity, community development,,disability/differently-abled, climate,change/justice/sustainability, global cultures,,and economic class.
Credits: 3
Prerequisites: DIL 231, DIL 261,DIL 231
In this course, students are exposed to a variety,of drawing experiences, methods and materials,,using line, light and volume to explore the human,form. This includes a diverse group of models,enabling dialog and engagement on a range of body,types, porportion, value and shape
Credits: 3
Prerequisites:
In this course, students learn to incorporate,traditional drawing and computer painting,processes to produce finished projects. Conceptual,figure invention, design principles and the use of,both traditional and digital tools are explored.,The creation of rendered pen and ink drawings are,utilized as the foundation for producing digital,paintings. Personal and classical character,development and traditional painting techniques,are used to produce mass-production quality CMYK,images. Projects are developed to meet industry,standards for entertainment companies; i.e.,,comics, syndication, editorial illustration and,TV.
Credits: 3
Prerequisites: DIL 261
Structural Figure Painting is an Illustration,department course offered to seniors. It is,designed to apply the knowledge a student has,gained from their combined classes from Terms 1-6,in general, and specifically focus on drawing,,painting, and analyzing the entire figure in a,complex manner for finished work. This involves a,number of multiple class session figure poses,,larger sized in class work, as well as some larger,scale and complex homework projects. A diverse,grouping of past and contemporary artists from,varied global cultural backgrounds of race,,gender, sexual identity/orientation, among others,will be critically discussed.
Credits: 3
Prerequisites: DIL 246
This course is designed to teach students methods,for mechanical and freehand perspective drawing.,Topics covered are volumetric drawing, equal and,unequal spacing in perspective, one point,(parallel perspective), two point perspective,,three point perspective, inclined perspective,,ellipses (as well as the difference between,ellipses, circles in perspective and ovals), and,tonal values as they relate to atmospheric,perspective and the rendering formula of,highlight, light, shadow, shadow core, reflected,light, and reflected shadow. Also taught are the,understanding of light refraction and rendering of,cast shadows and the use of hard, intermediate and,soft edges to achieve a sense of dimension.
Credits: 3
Prerequisites: DFN 101, DIL 147