Catalog
This is the second intensive course on visual,development taken after Visual Development I:,Character Intensive. Throughout this course,,students explore what it means to be an,environment designer in the animation industry.,The semester begins with a deep dive into theory,and ends with a capstone, collaborative project of,a student’s choice. Faculty approval is required,to register.
Credits: 3
Prerequisites: DIL 387
Students are engaged in a comprehensive,exploration of the elements of comics through,several exercises, culminating in one project.,Students learn about various techniques,,mechanics, structures, and vocabulary employed in,the production of published comics media. This,course is one in two courses in Comics,Storytelling.
Credits: 3
Prerequisites: DIL 231, DIL 246, DIL 261
This is the second of two comics storytelling,courses. This course expands on elements,introduced in Comics I. Students explore the,production of comics from script to final through,development of stories, adapted or ‘kit-bashed.’,Students also review the intersections between,narrative perspective and narrative experience, as,well as an investigation of causality’s impact on,storytelling.
Credits: 3
Prerequisites: DIL 321
This is the first of two visual development,intensive courses. Throughout this course,,students explore what it means to be a character,designer in the animation industry. The semester,will begin with a deep dive into theory and will,end with a capstone, collaborative project of a,student’s choice. Student participants should have,taken DIL 386 Introduction to,Visual Development prior to taking this course.,Faculty approval required to register.
Credits: 3
Prerequisites: DIL 386
This course is designed to teach students methods,for mechanical and freehand perspective drawing.,Topics covered are volumetric drawing, equal and,unequal spacing in perspective, one point,(parallel perspective), two point perspective,,three point perspective, inclined perspective,,ellipses (as well as the difference between,ellipses, circles in perspective and ovals), and,tonal values as they relate to atmospheric,perspective and the rendering formula of,highlight, light, shadow, shadow core, reflected,light, and reflected shadow. Also taught are the,understanding of light refraction and rendering of,cast shadows and the use of hard, intermediate and,soft edges to achieve a sense of dimension.
Credits: 3
Prerequisites: DFN 101, DIL 147
In this course, students explore and develop craft,and principles for the creation of art for,greeting cards, novelties and other retail and,merchandising markets. Students research and,develop products which can potentially be,mass-produced and marketed to diverse audiences.,Students are encouraged and guided towards,researching global cultures, and creating,illustration that reflects diverse individuals,from a variety of race, gender, sexual,identity/orientation,,disability/differently-abled, and economic class.,Students will also develop a list of potential,clients and contacts for the products they,produce. Production methods and procedure for,creation of finished work is open to individual,exploration. Students have the option of using,traditional or digital tools, or three dimensional,mediums.
Credits: 3
Prerequisites: DIL 231, DIL 261
“Illusionist Painting” is an atelier style course,focused on contemporary representational,practices, with an emphasis on creating the,illusion of form from the live figure. Students,will have extended class time to accomplish,paintings from a diverse grouping of live figure,models of varied race, gender, sexual,identity/orientation, and,disability/differently-abled backgrounds. The,course will,include an observational approach to painting the,human figure and will develop skills in,proportion, perspective, modeling form and,illusion, based on an advanced level. The,advanced class will emphasize the completed image,”lay-in” stages, rendering of complex realistic,and representational form, surface quality, and,personal outlook or “voice.” We will cover,contemporary methods and materials, and,traditional methods in panel painting, canvas and,chassis, ground preparation, pigment preparation,,varnishes and mediums, and mural painting among,other methods and practices.
Credits: 3
Prerequisites: DIL 231, DIL 247
Students will develop a process and skills in,using painted value and color to define,composition, form, light, and space depicting,diverse cultures and perspectives. This is in,order to employ the basics of professional,illustrative working methods using water and ,oil-based painting mediums with additional,fundamental media.
Credits: 3
Prerequisites: DFN 101, DIL 147
In this course, students focus on mixed markets of,fashion and pop culture. This is not a fashion,course in the traditional sense, but it is,established for students interested in fashion and,lifestyle markets. An individual approach and,experimentation with different media in the,handling of figures and products is emphasized.,Projects include editorial illustration for,fashion and pop culture periodicals, illustrations,to promote beauty, body positivity, inclusivity,,lifestyle products, clothing lines, and,development of a personal brand. Students are,encouraged and guided on how to explore and,research how fashion illustration relates to race,,gender, sexual orientation/Identity,,disability/differently-abled, global cultures, and,economic class.
Credits: 3
Prerequisites: DIL 231, DIL 261
In this course, students explore numerous,technologies, techniques, and ideas that are at,the cutting edge of the illustration industry. Key,concepts include implementing movement, applying,various programs and applications to their,process, and the exploration of virtual reality,and how illustration can be applied to 3D spaces,with concepts and ideas that are aimed at a,diverse global audience.
Credits: 3
Prerequisites: DIL 342