DFN-120 DESIGN COLOR AND CONTEXT

The study of Color Theory attempts to understand,and predict human response to the sensation of,individual colors, color combinations and usages,in terms of optics and the contexts in which,colors occur. In this course students are,introduced to color theory through systems that,have been developed throughout history as a means,of understanding the perceptual impact of color,interaction. Studio projects will engage the,study of color pigments, from natural to synthetic,sources, color as both material and phenomena in,the natural world and the context of color in a,variety of differentiating media and printing,processes. The question of how color functions,will also be explored through a variety of,cultural and psychological perspectives that,inform both symbolic and linguistic properties of,color.

Credits: 3

Prerequisites:

DFN-121 3D DESIGN: MATERIAL & METHODS

This course examines the language, role and,function of 3D design in art and culture. ,Students explore the language of 3D design in a,survey of art and design contexts such as fashion,,product design, architecture, contemporary art and,the natural world. Students will create a visual,archive of 3D visual form that demonstrates an,understanding of a basic visual grammar (such as,mass, volume, plane, edge, hard, soft,,transparency, opacity, etc.). The course takes,students through the process of research, design,,material investigation, and fabrication. ,Research, material experimentation, and,craftsmanship will be emphasized.

Credits: 3

Prerequisites:

DFN-132 PROCESS & MAKING

This course will familiarize students with the,basic construction and fabrication techniques of,design model construction. Through the completion,of a hand-held power tool model, students will be,introduced to the majority of tools, machines and,best practices needed to achieve successful models,and projects within the Model Shop. Special,emphasis is placed on a high level of,craftsmanship required in models for industry. ,This course will familiarize students with,surfacing techniques appropriate to model making,and painting processes. Students learn a wide,variety of methods and techniques needed to safely,complete future projects. Safety is the MOST,essential function of this course.

Credits: 3

Prerequisites:

DFN-135 IMAGE CONCEPTS I

An introduction to analog image-making that,investigates analog media and techniques from,gestures to contemporary interdisciplinary,processes. Students will problem-solve key,concepts through a series of individual and,collective projects that rethink drawing beyond,observation and perception, incorporating,research, chance, and experimentation.

Credits: 3

Prerequisites:

DFN-136 IMAGE CONCEPTS II

Building on Image Concepts I, this course explores,still and moving digital images as a common,language and an artistic practice. Students will,build technical skills through a combination of,intuition, technical refinement, and collective,play while exploring narrative, documentary, and,experimental forms.

Credits: 3

Prerequisites: DFN 135

DFN-137 2D & 3D INTEGRATED DESIGN STUDIO

This studio course introduces students to the,interrelated nature of 2D and 3D forms, concepts,,and materials, through a series of design,exercises that explores the sensory nature of,ideas from flat and geometric to physical and,tactile. Students work within an iterative,process to create multiple projects, organizing,visual elements in order to understand the role of,aesthetics, meaning, and craft through project,outcomes. Projects further introduce students to,the role of design thinking, in order to better,understand the creative process. Projects will be,phased including research, concept ideation,,visual development, prototyping, and the,refinement of final design solutions with critical,assessments built in strategically throughout the,project duration.

Credits: 3

Prerequisites:

DFN-138 4D DESIGN STUDIO

Through the introduction of the core principles of,time-based media, basic code, prototyping and user,experience, this studio implores students to,explore the concepts of time and interactivity and,its impact on the design and experience of their,work. Students work within an iterative process,to create multiple projects, organizing visual and,other sensory elements in order to understand,perceptual attributes and convey meaningful,messages through objects, spaces and experiences. ,Students research, develop, design and prototype,multiple projects, selecting one to produce and,present as a fully realized piece.

Credits: 3

Prerequisites:

DFN-139 COLOR AND LIGHT STUDIES

Students will be introduced to the theory and,practice of color through observation,,experimentation, readings, screenings, discussion,,and creative projects. They will develop a,working color vocabulary considering sensory,experience, the psychology of color, personal,preference, as well as historical and symbolic,meanings of color. Students will also gain a,basic and practical understanding of mixing color,through traditional and non-traditional materials.,This class is experiential and open ended, an,attempt to arrive at an understanding of color as,an evolving scientific, philosophical, and,cultural phenomenon.

Credits: 3

Prerequisites:

DFN-101 DRAWING I: RAPID CONCEPT

In this introductory drawing course, students,define the basic methods and principles of applied,volumetric drawing with perspective and form, and,rapid concept development through the visual,description of imagined and observed objects using,line variance, value, and composition.

Credits: 3

Prerequisites:

DFN-142 PERFORMATIVE SPACES

This introductory studio course provides students,the opportunity to develop skills in presentation,,storytelling, writing, and performance in a studio,practice context. Projects will broaden student’s,understanding of contemporary current events,,recontextualizing themes through their own voice,or personal lens. Students apply skills,,materials, and tools gained thus far in their,first-year experience to explore the narrative,development of ideas found in contemporary culture,that are relevant to the student and their area of,disciplinary study. Performative explorations,,that may be collaborative in nature, provide,students presentation skills that prepare them to,engage an audience, through a variety of sensory,experiences and means.

Credits: 3

Prerequisites: