Category: Academic Programs & Courses

DGD-412 ADV COMMUNICATION DESIGN II

This required course, is the second in a sequence,of senior year courses, that develops an,understanding of theories, processes, and methods,associate with Communication Design practices. ,Design writing, advanced research methods, and,critical thinking are skills reinforced in this,studio course in order to fully develop the,student’s knowledge of advanced narrative,concepts. Projects expand on the student’s,lexicon of design language(s) and delves into the,role of personal voice in the creation of projects,centered around a personal thesis. Students,create a research log, write a thesis statement,,present, and manage timelines with the support and,guidance of faculty.

Credits: 3

Prerequisites: DGD 317, DGD 311 OR DGD 312

DGL-265 BEGINNING GLASS LIGHTING

This beginning class teaches students how to,transform the glass objects that they make into,functional lighting devices. Fabrication,,assembly, and finishing techniques will be,introduced. Students will learn how to safely make,electrical connections and select the appropriate,components for their designs. The skills learned,will be applied to creative projects.,Craftsmanship, problem-solving, and design will be,emphasized.

Credits: 3

Prerequisites: DGL 142

DIL-325 INTERMEDIATE DIGITAL ILLUSTRATION

In this course, students learn to incorporate,traditional drawing and computer painting,processes to produce finished projects. Conceptual,figure invention, design principles and the use of,both traditional and digital tools are explored.,The creation of rendered pen and ink drawings are,utilized as the foundation for producing digital,paintings. Personal and classical character,development and traditional painting techniques,are used to produce mass-production quality CMYK,images. Projects are developed to meet industry,standards for entertainment companies; i.e.,,comics, syndication, editorial illustration and,TV.

Credits: 3

Prerequisites: DIL 261

DIL-406 STRUCTURAL FIGURE ILLUSTRATION

Structural Figure Painting is an Illustration,department course offered to seniors. It is,designed to apply the knowledge a student has,gained from their combined classes from Terms 1-6,in general, and specifically focus on drawing,,painting, and analyzing the entire figure in a,complex manner for finished work. This involves a,number of multiple class session figure poses,,larger sized in class work, as well as some larger,scale and complex homework projects. A diverse,grouping of past and contemporary artists from,varied global cultural backgrounds of race,,gender, sexual identity/orientation, among others,will be critically discussed.

Credits: 3

Prerequisites: DIL 246

DIN-130 RESIDENTIAL INTERIOR DESIGN STUDIO

In this course, emphasis is placed on residential,design projects in which students develop methods,for creative problem solving. Students learn to,create plans and package their ideas from,preliminary design concepts. The study of basic,design elements and principles are considered.,Contemporary issues relative to interior design,are explored and issues related to human,needs-diverse users from an inclusive design,standpoint, functions and spatial proportions in,the built environment.

Credits: 3

Prerequisites: DIN 127

DIN-432 SENIOR INTERIOR DESIGN STUDIO II

In this course, a professional project,encompassing knowledge and skills of previous,years is developed. Projects may include an,internship, workshop or mentor experience and is,meant to be an intensive culmination/integration,project that highlights the student’s portfolio.,The project uses parallel requirements to the,NCIDQ (National Certification for Interior Design,Qualification) exam in order to prepare students,for this certification examination.

Credits: 3

Prerequisites: DIN 431

DLE-401 ART & MADNESS IN MODERN CULTURE

Madness has been of interest to philosophers,,psychologists, social scientists – as well as to,artists. The history of art, culture and,literature is filled with “mad or romantic,geniuses.” This course proposes a comparative,examination of the transition of “marginalized”,forms of representation from “insanity” into the,field of aesthetic and cultural practice by a,consideration of the art and drawing of the insane,(from asylums), short story (Edgar Allen Poe),,poetry (Sylvia Plath), painting (Van Gogh,,Surrealism, de Kooning), and film (Ingmar Berman’s,”Through a Glass Darkly”). The course seeks a,balance between critical theory (Plato,,Romanticism, Avant-Garde, Feminism), close reading,(engaging each person’s affective response), and,developments in the changing status of the,scientific, social and intellectual situation of,works. Course credit may be used as English or,Philosophy.

Credits: 3

Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture).

DMA-212 2D DIGITAL ANIMATION II

This course introduces students to time-based,animation through basic concepts and theories of,compositing, sequencing, editing, digitizing,,rendering, file management and organization.,Students also learn how to communicate ideas and,information through the use of these elements.

Credits: 3

Prerequisites: DMA 211

DMA-259 COLOR THEORY

Knowing how light and color affect storytelling,and composition are an absolute tool for a Concept,Designer. This course covers the properties and,effects of light and color. Scenarios include,different lighting conditions such as night and,day, color properties such as hue, tone, chromatic,signal and luminosity.

Credits: 3

Prerequisites: DMA 257