This course introduces students to the creative,and technical processes of 2D digital animation,related to live action filmmaking-title design,,motion graphics, color correction, masking, keying,and basic compositing for visual effects. Students,will also learn best practices for asset creation,,file management and rendering.
Credits: 3
Prerequisites: FLM 106
This seminar-style course is focused on the,business of film, presentation skills, and life,post-graduation. Students research and discuss,emerging topics in contemporary film production,and distribution, participate in focused critiques,on their in-progress thesis work, and refine their,professional package, including a demo reel, reel,breakdown, resume/CV, and web presence. It is a,companion course to the Film Thesis.
Credits: 3
Prerequisites: FLM 403
In this course, Art Education candidates acquire,further practice with professional methodologies,of art instruction and facilitation for students,in Kindergarten-8th grade levels. The primary,focus is mastery of the pedagogical content,knowledge paired with teaching and learning,strategies necessary for planning and implementing,dynamic elementary art programming. Attention is,directed to the multiple components of art,instruction: age appropriate teaching methods,,reaching and involving all students with,diversity, equity and inclusion in mind, classroom,management, age appropriate art materials,,technology in Art Education, showing student work,,inclusion and accommodation of special needs,students, school diversity, art room safety,,facilities management, and evaluation methods.,Special attention is devoted to content area,literacy and inclusion of purposeful reading,experiences in the subject area. Thirty hours,Field Experience in Elementary Educational,Settings required outside of class. All required,field hours and associated field experience,assignments must be completed before registration,for the next art education course. Art Education,candidates must pass DAE 315 with a grade of ‘C’,(2.00) or higher to qualify for certification.
Credits: 3
Prerequisites: DAE 200, DAE-250
This course is a comprehensive survey of the,historical development of interior design with,emphasis on furniture and the decorative arts.,The course explores the designs and materials of,Egypt, the Classical Mediterranean, the Medieval,World and Tudor-Elizabethan England. Students,examine the influence of Islam on Spanish design,and that of the French monarchy on Baroque,,Rococo, and Neoclassical styles. The course,concludes with the technological developments and,their impact on designs of the late 19th and 20th,centuries. Lectures and on-site study of museum,collections provide direct experience of the,decorative arts. The history of interior design,and furniture encompasses numerous styles,,movements, and individual artistic contributions.,It also reflects the influence of cultural,,political, and social developments
Credits: 3
Prerequisites: DEN 102
This course prepares students to function as,professional artists and/or designers. It,provides an introduction to contemporary business,theories, trend analysis, and branding techniques,and practices. As well, students learn and use,basic project management principles, project,costing models, and the elements of business plan,design. This course satisfies the General,Elective requirement.
Credits: 3
Prerequisites: DEN 102
The focus of this course is functional and ,nonfunctional objects derived from expanding the,traditional interpretation of forms and creative,hybrids. Refinement in combining form with,surface treatments is also emphasized.
Credits: 3
Prerequisites: DCE 135 OR DCE 175
Creative nonfiction is a type of writing that,uses literary styles and techniques to construct,narratives that have their foundation in fact.,Examples include: memoir, travelogue, the,personal essay, and cultural observation. As,opposed to journalism and technical writing,,which are also based in fact, creative nonfiction,projects a dramatic, literary framework onto,everyday existence, rendering it enlightening and,potentially meaningful to the reader. We will,study examples of creative nonfiction in order to,determine some of the structures and methods of,this relatively open genre, and in turn, apply,them to students’ own work. As a workshop class,,the primary focus is student writing of,manuscripts to be critiqued and improved. The,class requires students to share their writing,,questions, and opinions. As an online workshop,class, we will interact almost entirely through,the medium of Blackboard, posting work and,responses weekly or bi-weekly. On a deeper level,,we will consider the sometimes slippery nature of,truth as it applies to this writing form, looking,for consensus on the boundaries we can push, vs.,those we must maintain in order for this genre to,preserve its claim to authority.
Credits: 3
Prerequisites: DEN 102
This course offers students the opportunity to,investigate drawing as an independent process of,art making. Students develop a personal,vocabulary through self-directed works.,Instruction is individualized to these specific,inquiries.
Credits: 3
Prerequisites: DFA 245
The ancient basketry techniques of twining and,coiling have become a popular and well received,contemporary mode of expression for sculptural and,utilitarian forms. These two techniques will be,explored through a series of exercises followed by,a final project. The course will be enhanced by,comprehensive powerpoint presentations and a field,trip to Cranbrook Science Museum to view their,historic basketry collection.
Credits: 3
Prerequisites:
This course examines the language, role and,function of 3D design in art and culture. ,Students explore the language of 3D design in a,survey of art and design contexts such as fashion,,product design, architecture, contemporary art and,the natural world. Students will create a visual,archive of 3D visual form that demonstrates an,understanding of a basic visual grammar (such as,mass, volume, plane, edge, hard, soft,,transparency, opacity, etc.). The course takes,students through the process of research, design,,material investigation, and fabrication. ,Research, material experimentation, and,craftsmanship will be emphasized.
Credits: 3
Prerequisites: