Category: Academic Programs & Courses

IAD-500 GLOBAL LEARNING EXPERIENCE

(This is a faculty led study abroad course *,syllabi will differ per destination) ,,On a Global Learning Experience course, students,are brought outside the typical classroom, for a,24/7 learning experience in varying locations,outside the USA. The course will provide students,with tools for analyzing your learning process and,identifying cultural patterns, differences,,similarities and values encountered during the,journey. Students develop a sense of,cross-cultural understanding, and navigate towards,becoming a global citizen. Students develop a,heightened sense of confidence, and leadership as,they plan, and execute this excursion. In,addition students discover the role of becoming an,ambassador for their own culture. Practical issues,about studying abroad (safety, money, packing,,etc.) are delivered via pre-departure sessions,with the International Student Services Office.

Credits: 3

Prerequisites: SLP 007

DAE-200 EDUCATION FOUNDATIONS: HISTORY AND,PHILOSOPHY OF EDUCATION

This course surveys the history of American,education and art education. Educational,applications of research around educational,learning theory and practice are introduced. The,development of prevailing philosophies of,Education, Art Education and American pedagogy are,covered within a framework of theoretical,understanding, art integration exercises,,classroom observations, reflection, and dialogue.,Attention to inclusive and equitable pedagogical,practice is explored through the development of a,social justice themed middle school lesson plan.,Fifteen hours Field Experience in K-12 educational,settings required outside of class. Field,experiences and hours are an integral part of each,art education course. Students are expected to,participate in field during the course of the,semester in a professional and timely manner.,Students must complete all required field hours,and associated field experience assignments in the,course before they can register for the next art,education course. This course is open to students,second semester freshman level and above. This,course may count for general elective credit for,those who do not pursue teacher certification.,Students taking DAE 200 for certification in Art,Education must pass with a grade of ‘C’or higher.

Credits: 3

Prerequisites:

DAH-490 INDEPENDENT STUDY

Independent Study is available to students who are,at Junior or Senior level standing with a,cumulative grade point average of 3.00 or above.,The student may receive approval to work in an,area or on a project that is not otherwise offered,or addressed in the regular curriculum. An,Independent Study should include opportunities for,individual student voice and provide a space for,diverse perspectives. Students may receive credit,toward graduation for no more than 6 credit hours.,The student must submit to the chairperson of the,department in which they wish to study, an,Independent Study Proposal of 150 words (no less),of the student’s plan for study and her/his reason,for choosing to study independently. Once the,department chairperson provides approval and the,instructor for the Independent Study is,determined, the faculty member must write an,Independent Study Syllabus with education goals,,learning outcomes, meeting dates, course,expectations, timelines, and due dates. Art,Education candidates must pass DAE 490 with a,grade of ‘C’ (2.00) or higher to qualify for,certification.

Credits: 3

Prerequisites: DEN 239, DAH 200, DAH 201

DEN-311 SHAKESPEARE

This upper-level course on Shakespeare and the,Emergence of the Early Modern Self seeks to,explore the ways in which the language of,Shakespeare – in sonnet sequence, in comedy and,tragedy – allows a site for the study of the,struggles, conflicts and anxieties in the,emergence of what may be called early modern,subjection. Through close attention to the,language and conventions of Elizabethan writing,and staging, students are encouraged to formulate,their own historical yet creative reading of self,and subjectivity in Shakespeare’s art and work. A,special section on Shakespeare and Film is used to,open discussion on the uses and re-interpretation,of Shakespeare’s works for modern and contemporary,audiences (in terms of gender, race and class).

Credits: 3

Prerequisites: DEN 102

DFA-345 ADVANCED PAINTING (CONTEMPORARY ISSUES)

This course addresses advanced painting problems,,covering representational and nonrepresentational,issues. Students have the opportunity to explore,a broad range of materials and techniques and,instruction is geared toward individual artistic,concerns. Students in Advance Painting are,exposed to issues and concerns relating to,painting from a global perspective, inclusive of,Western and non Western contemporary artists.

Credits: 3

Prerequisites: DAH 218, DFA 251

DFD-241 RESIST DYEING

The intensive workshop-style format of this class,gives students a sampling of various resist-dyeing,techniques. Shibori (Japanese bound resist), Batik,(Indonesian wax resist), and starch based resist,techniques will be explored. Techniques include,immersion dyeing, painting with dyes, and,extracting color from cloth with bleach solutions.,Assignments stress creative uses of traditional,resist dyeing techniques while exploring a diverse,range of personal narratives. Slide lectures,,field-trips, and class critiques support hands-on,work.

Credits: 3

Prerequisites:

DFN-119 DIGITAL TECHNIQUES

In this course, students explore the computer as a,tool to support an artist/designer’s practice,,including the software required for creative,digital imagery in both pixel and vector-based,software. Students work with industry standard,software packages appropriate for art and design,to gain an understanding of the tools used to,create and manipulate digital imagery.

Credits: 3

Prerequisites:

DGD-152 TYPOGRAPHY II

This required typography course is the second in a,sequence of three, that develops an understanding,of 2D design space and the unique nature of,typographic communication principles. Building on,Typography I, students expand their ability to,work with typographic form, understanding the,nuance of language-based messages, and,organization through projects that introduce,organizational systems, grids, and the associated,nomenclature. Classifications, and anatomy of,letterforms, are integrated into projects,,language hierarchy, image, and rhetorical elements,in order to develop sequential narrative,communication. This course helps students apply,the role of analog and digital tools to achieve,well-crafted solutions with specific intent.,Content used in this course presents design’s,complex history, while also providing students the,opportunity to lend their point of view on content,analysis. Students may elect to take additional,Type courses, Type IV and Type Design in their,junior year.

Credits: 3

Prerequisites: DGD 151