Category: Academic Programs & Courses

DAE-490 INDEPENDENT STUDY

Independent Study is available to students who are,at Junior or Senior level standing with a,cumulative grade point average of 3.00 or above.,The student may receive approval to work in an,area or on a project that is not otherwise offered,or addressed in the regular curriculum. An,Independent Study should include opportunities for,individual student voice and provide a space for,diverse perspectives. Students may receive credit,toward graduation for no more than 6 credit hours.,The student must submit to the chairperson of the,department in which they wish to study, an,Independent Study Proposal of 150 words (no less),of the student’s plan for study and her/his reason,for choosing to study independently. Once the,department chairperson provides approval and the,instructor for the Independent Study is,determined, the faculty member must write an,Independent Study Syllabus with education goals,,learning outcomes, meeting dates, course,expectations, timelines, and due dates. Art,Education candidates must pass DAE 490 with a,grade of ‘C’ (2.00) or higher to qualify for,certification.

Credits: 3

Prerequisites:

DAH-252 HISTORY OF FASHION

This course explores the history of fashion from,the earliest periods of human development to,modern industrial, digital society as it,influences the Western style of dress, garment,production, fashion in the wider culture, and the,marketing of fashion. Detailed focus on,individual designers, trends and processes will,illuminate the many ways fashion represents a,profound anthropological study of humanity.,Organized field trips to local artisan studios,for presentations and discussions will be,provided to enhance the understanding of process,and artifact. This course satisfies the General,Elective requirement.

Credits: 3

Prerequisites: DEN 102

DAS-315 CREATIVE ENTREPREN: STRUCTURAL,ESSENTIALS

This course is offered for students enrolled in,the CCS Minor in Creative Entrepreneurship. It is,taught as a cohort and is followed by the final,capstone business class, DAS-316. After,successfully completing these two capstone,courses, students are prepared as entrepreneurial,thought and action leaders and have been trained,to launch their own creative industry venture.,Students are first introduced to different,organizational structures including leadership,,cultural, and behavioral options and select those,most compatible with their mission and values.,Using research, students evaluate their venture’s,competitive landscape, and then create and defend,their strategic brand platform, brand name,,product/service offerings, and core customer base.,This leads to the creation of behaviorally,motivating brand content, applied to an integrated,set of customer attraction, conversion, retention,,and sales programs. Students also learn to refine,their soft skills, including engaging, listening,,and selling. This course culminates with students’,intensive interaction with actual business owners,and creative industry experts in formal,presentations

Credits: 3

Prerequisites: DAS 313, DAS 314

DEN-401 WONDROUS MACHINE: CARS IN AM LIT & FILM

This course explores the myriad and changing,roles,of the automobile in American culture. Through,numerous examples of car culture in literature,and,film, this course interrogates, celebrates and,ponders both the past and future of one of modern,technology’s most remarkable and influential,inventions. A survey of literary and cinematic,case studies are used in the course to establish,an ongoing, theoretically geared discussion of,the,Wondrous Machine.

Credits: 3

Prerequisites: DEN 239

DFA-500 GLOBAL LEARNING EXPERIENCE

(This is a faculty led study abroad course *,syllabi will differ per destination) ,,On a Global Learning Experience course, students,are brought outside the typical classroom, for a,24/7 learning experience in varying locations,outside the USA. The course will provide students,with tools for analyzing your learning process and,identifying cultural patterns, differences,,similarities and values encountered during the,journey. Students develop a sense of,cross-cultural understanding, and navigate towards,becoming a global citizen. Students develop a,heightened sense of confidence, and leadership as,they plan, and execute this excursion. In,addition students discover the role of becoming an,ambassador for their own culture. Practical issues,about studying abroad (safety, money, packing,,etc.) are delivered via pre-departure sessions,with the International Student Services Office.,
,WINTER 2024,
,ZIMBABWE,This is a study abroad course to Zimbabwe in,Southern Africa. Zimbabwe as a kingdom began in,the 9th century during the early Bantu migration,south and its historical architectural structures,still exist intact. In 1980, Detroit’s Motown,favorite, Stevie Wonder, dedicated a song together,with Bob Marley on Zimbabwe’s independence,celebration. Zimbabwe, like Detroit, is rooted in,art forms embedded in culture and a revolutionary,spirit.,This course provides students an opportunity to,learn about Zimbabwe, its history, culture and,contemporary significant in a global dialogue.,Students will interact with peers and,professionals from institutions and artist run,spaces in Zimbabwe. The course will be both,offsite and onsite. The course begins during the,winter semester where the focus is about,learning the history and culture through lectures,,literature, movies, and workshops. There will,be guest’s interaction to the campus and via,Skype. Students will connect with peers in,Zimbabwe to begin conversations prior to going,there. The onsite experience is an intense 15-,16 days where students are introduced to both,contemporary and traditional cultural spaces in,both the urban and rural areas of Zimbabwe. There,are workshops in specific spaces such as,Medicinal and Natural pigments at Dzimbanheta Art,Centre, Basketry Mbare Art Center,,printmaking at Animal Farm, to stone carving in,Tengenenge Village. The workshops will not,define the art produced from this course, rather a,shared platform to trigger ideas and,dialogue. The class will end with a one-night,exhibit in Harare derived from the course research,in collaboration with students from Chinhoyi,University of Technology, Harare Polytechnic and,the School of Visual Studies at the National,Gallery of Zimbabwe. This research will then be,shared on campus the following semester, Fall,2024.

Credits: 3

Prerequisites: SLP 007

DFN-138 4D DESIGN STUDIO

Through the introduction of the core principles of,time-based media, basic code, prototyping and user,experience, this studio implores students to,explore the concepts of time and interactivity and,its impact on the design and experience of their,work. Students work within an iterative process,to create multiple projects, organizing visual and,other sensory elements in order to understand,perceptual attributes and convey meaningful,messages through objects, spaces and experiences. ,Students research, develop, design and prototype,multiple projects, selecting one to produce and,present as a fully realized piece.

Credits: 3

Prerequisites:

DGD-264 USER EXPERIENCE DESIGN

This required interaction course, is the second in,a sequence of three, that applies an understanding,of intermediate design principles, code,language(s), and software used in the creation of,web-based communications that are dynamic and,responsive, focusing on dynamic user experiences. ,The role of clear information hierarchy through,mapping and wireframing are key considerations in,the development of interactive solutions. Through,assigned projects students will understand the,complex nature of user experience design solutions,that need to function in a variety of digital,systems, environments, and platforms that,consider human centered needs including a,broader definition of user and user groups. ,Concepts and techniques of appropriate hardware,and software are integrated into exercises that,aid in the creation of well-crafts messages,applied to informed design solutions. Students,may elect to take additional Interaction Design,courses like Experience I and II, starting in the,junior year.

Credits: 3

Prerequisites: DGD 211, DGD 251, DGD 263,

DGD-411 ADVANCED COMMUNICATION DESIGN I

This required senior course, is the first in a,sequence of two that expands on the theories,,processes and methods presented in the third year.,In this course students expand their knowledge of,branding to the larger underlying conditions such,as economic, political and cultural that,facilitates excellence in communication design,practice. Students develop tools for assessing,success in brand concepts, through inquiries into,the strategies behind contemporary brand,solutions. Projects have collaborative phases, a,skill that prepares students for professional,life. Research methods are applied as a means to,creating informed design solutions that include,readings, lectures and written analysis that,consider the strategic role building a cohesive,brand system with inclusive audiences integral to,defining successful student outcomes.

Credits: 3

Prerequisites: DGD 317, DGD 311 OR DGD 312