Category: Academic Programs & Courses

DTR-222 DESIGN THEORY II: MOBILITY

Building on concepts introduced in Design Theory,I, students will begin to understand,transportation design solutions in the broader,context of our diverse and multicultural public,sphere. Emphasis will be placed on the research,and understanding of complex systems of various,mobility scenarios including and in addition to,the automobile. Building on this research,,students will be encouraged to identify,sustainable design opportunities in terms of,materials, energy sources, systems and logistical,factors. Written,,verbal and graphic presentation techniques are,used to develop design concepts. Students will,then focus on a design problem or opportunity and,communicate a solution.

Credits: 3

Prerequisites: DTR 221

DTR-334 JUNIOR EXTERIOR DESIGN STUDIO II

The junior-year exterior design studio expands on,the process emersion experienced during the,sophomore year. Students must generate a,compelling, customer-driven design story as the,basis for their work. Advanced thinking in the,areas of aesthetics, primary research, inclusive,human factors, design theory and branding are,expected. The presence of corporate sponsors,along the way and the possibility of field trips,to professional design studios or factories will,further ensure the process has real-world career,relevance.

Credits: 3

Prerequisites: DTR 331, DTR 333, DTR 335, DTR 337

DTR-436 SENIOR MOBILITY DESIGN STUDIO II

The senior mobility studio will stress the,consideration of user experience and social,impact in designing fleets of vehicles for public,use. Students will explore these facets by,researching the communities and larger regional,populations their designs are intended for. ,Sustainable materials and processes will be,investigated, as well as emerging cultural and,technical trends. Advanced presentations to,sponsors will illustrate the user-focused nature,of the students’ concepts, as well as the,students’ readiness to transition to the,professional world. Occasionally, course content,may be reinforced through field trips to,professional design studio or factories.

Credits: 3

Prerequisites: DTR 431, DTR 433, DTR 435, DTR 437

DVC-407 EXPERIMENTAL FILM

Film is an inherently exploratory medium. From,the earliest “movies” of the 1890s to present-day,digital technology, its evolution as an art form,has paralleled developments in its means of,production. However, outside the control of the,major studios, an alternative cinema, called,”avant-garde” or “experimental,” has appropriated,the most economical means to create a visionary,,challenging, often disruptive body of work. And,alternate systems of distribution have arisen to,make possible its appreciation by small but,devoted audiences. Our course will examine a,phenomenon that the British Film Institute has,called “almost indefinable. It is in a constant,state of change and redefinition.” Yet our task,will be precisely to trace its history, give,definition to its various facets, and engage with,the concepts and issues they raise. This course,satisfies the General Elective requirement.

Credits: 3

Prerequisites: DEN 239, DVC 200 OR DVC 306

FAD-303 INTERMEDIATE SHOE MAKING

In this course, students learn intermediate,methods of footwear construction. This involves,pattern cutting, sewing, Goodyear welting and,producing a final pair of shoes. The instruction,will include how to translate ideas from a two,dimensional paper pattern to a three dimensional,product, using various types of leather, canvas,and hardware. In addition, students learn the use,and the maintenance of various industrial,machines.

Credits: 3

Prerequisites: FAD 102, FAD 205

FLM-103 FILM LANGUAGE & TECHNIQUES

This course introduces students to the necessary,vocabulary and tools to analyze and appreciate the,art of filmmaking. Through weekly screenings,,readings, discussions, and hands-on camera,exercises, students develop critical skills and,language related to the production and,comprehension of contemporary filmmaking,,including production roles, terminology,,techniques, and an introduction to history and,theory. This course meets twice a week, structured,as lecture and studio days.

Credits: 3

Prerequisites:

FLM-364 RESEARCH & DEVELOPMENT

This pre-thesis course functions as a think tank,toward Film Thesis projects with ideation, story,,and screenwriting sessions; self-directed studio,days to hone skills and explore technical and,aesthetic interests; and professional development,workshops focused on demo reel construction,,resume writing, and presentation skills.

Credits: 3

Prerequisites: FLM 278 or DMA 342, FLM 288 or DMA 345, FLM 325 or DMA 325

IAD-490 INDEPENDENT STUDY

Independent Study is available to students who are,at Junior or Senior level standing with a,cumulative grade point average of 3.00 or above.,The student may receive approval to work in an,area or on a project that is not otherwise offered,or addressed in the regular curriculum. An,Independent Study should include opportunities for,individual student voice and provide a space for,diverse perspectives. Students may receive credit,toward graduation for no more than 6 credit hours.,The student must submit to the chairperson of the,department in which they wish to study, an,Independent Study Proposal of 150 words (no less),of the student’s plan for study and her/his reason,for choosing to study independently. Once the,department chairperson provides approval and the,instructor for the Independent Study is,determined, the faculty member must write an,Independent Study Syllabus with education goals,,learning outcomes, meeting dates, course,expectations, timelines, and due dates. Art,Education candidates must pass DAE 490 with a,grade of ‘C’ (2.00) or higher to qualify for,certification.

Credits: 3

Prerequisites:

CLA-607 CLIMATE ACTION STUDIO III

This is the third and final of a series of studio,courses that allow students on the MFA Design for,Climate Action program to develop their skills and,knowledge in live design briefs with industry and,community partners. By their nature, these courses,include socio-economic and political,considerations. The studio courses are designed to,challenge students with projects of increasing,complexity and progressively strengthen the,students’ problem-solving skills. Students solve,design problems requiring substantive research,,concept ideation and realization, and,implementation. ,Projects on this course address environmental,stewardship, concern for natural habitats,,ecology, urban green spaces, and land use.

Credits: 3

Prerequisites: CLA 605 CLA 606

DAH-215 HISTORY OF FILM

This course offers a focused yet wide-ranging,overview of the history of film. Student will,develop a historical understanding of film based,on a survey of cinematic traditions and movements,contained within narrative, documentary, and,experimental forms, and acquire a critical,,technical, and aesthetic vocabulary relating to,particular cinematic practices and structures,,including the impact of technological,developments on film production, the formation of,genre, the legacy of auteurism and the ways in,which meaning in films is conditioned by the uses,of camera, editing, lighting, sound and acting. ,This course satisfies the General Elective,requirement.

Credits: 3

Prerequisites: DEN 102