Category: Academic Programs & Courses

DEN-311 SHAKESPEARE

This upper-level course on Shakespeare and the,Emergence of the Early Modern Self seeks to,explore the ways in which the language of,Shakespeare – in sonnet sequence, in comedy and,tragedy – allows a site for the study of the,struggles, conflicts and anxieties in the,emergence of what may be called early modern,subjection. Through close attention to the,language and conventions of Elizabethan writing,and staging, students are encouraged to formulate,their own historical yet creative reading of self,and subjectivity in Shakespeare’s art and work. A,special section on Shakespeare and Film is used to,open discussion on the uses and re-interpretation,of Shakespeare’s works for modern and contemporary,audiences (in terms of gender, race and class).

Credits: 3

Prerequisites: DEN 102

DFA-345 ADVANCED PAINTING (CONTEMPORARY ISSUES)

This course addresses advanced painting problems,,covering representational and nonrepresentational,issues. Students have the opportunity to explore,a broad range of materials and techniques and,instruction is geared toward individual artistic,concerns. Students in Advance Painting are,exposed to issues and concerns relating to,painting from a global perspective, inclusive of,Western and non Western contemporary artists.

Credits: 3

Prerequisites: DAH 218, DFA 251

DFD-241 RESIST DYEING

The intensive workshop-style format of this class,gives students a sampling of various resist-dyeing,techniques. Shibori (Japanese bound resist), Batik,(Indonesian wax resist), and starch based resist,techniques will be explored. Techniques include,immersion dyeing, painting with dyes, and,extracting color from cloth with bleach solutions.,Assignments stress creative uses of traditional,resist dyeing techniques while exploring a diverse,range of personal narratives. Slide lectures,,field-trips, and class critiques support hands-on,work.

Credits: 3

Prerequisites:

DFN-119 DIGITAL TECHNIQUES

In this course, students explore the computer as a,tool to support an artist/designer’s practice,,including the software required for creative,digital imagery in both pixel and vector-based,software. Students work with industry standard,software packages appropriate for art and design,to gain an understanding of the tools used to,create and manipulate digital imagery.

Credits: 3

Prerequisites:

DGD-152 TYPOGRAPHY II

This required typography course is the second in a,sequence of three, that develops an understanding,of 2D design space and the unique nature of,typographic communication principles. Building on,Typography I, students expand their ability to,work with typographic form, understanding the,nuance of language-based messages, and,organization through projects that introduce,organizational systems, grids, and the associated,nomenclature. Classifications, and anatomy of,letterforms, are integrated into projects,,language hierarchy, image, and rhetorical elements,in order to develop sequential narrative,communication. This course helps students apply,the role of analog and digital tools to achieve,well-crafted solutions with specific intent.,Content used in this course presents design’s,complex history, while also providing students the,opportunity to lend their point of view on content,analysis. Students may elect to take additional,Type courses, Type IV and Type Design in their,junior year.

Credits: 3

Prerequisites: DGD 151

DGD-365 IMMERSIVE SPACES

This required interaction course, the last of,three, moves into more complex design principles,,code language(s), hardware/software used in the,creation of dynamic communication design solutions,that are physical, human-centric experiences that,extends our understanding of user(s) and user,groups that consider digital accessibility through,the integration of user testing, performance, and,play. Through assigned projects students will,apply an understanding of typographic form,,message and organizational systems in the context,of moderated physical user experiences in spaces,large and small. Students are encouraged to move,beyond explore and engage new tools and platforms,in order to achieve informed design solutions.,Contemporary themes of interactive communication,and culture, including elements of media theory,are presented. Students may elect to take,additional courses in Interaction Design like,Experience I and II, in the junior and senior,year.

Credits: 3

Prerequisites: DGD 264, DGD 212 OR DGD 277

DGD-505 AICAD EXCHANGE

Through the College’s affiliation with the,Association of Independent Colleges of Art and,Design, junior or first-semester senior students,in good academic standing have the opportunity to,spend a semester (Fall or Winter) or full year,studying at another member institution in the,United States or abroad. Application information,is available in the Academic Advising and,Registration Office.

Credits: 12

Prerequisites:

DIL-261 INTRODUCTION TO DIGITAL ILLUSTRATION

In this course, students develop the ability to,work with digital tools and concepts. There is an,initial emphasis on sketching and shading using,the Wacom tablet. Radiative color theory is,explored and students are introduced to website,construction, allowing them to use earlier work,which is imported using digital cameras and,scanners. Current industry applications are,utilized.

Credits: 3

Prerequisites: DIL 247